John Connolly - Dark Hollow

"Stay there," I said, and I slipped inside.

The smell was so strong now that it made my eyes water, and the stink was already clinging to my clothes. In one corner stood a long chest freezer, its corners eaten by rust which had left holes in its structure, its unconnected lead twisted around one support like a tail. I covered my mouth and lifted the lid.

Inside, a body lay curled. It was dressed in blue overalls, its feet bare, one hand behind its back with the rotting fingers splayed, the other obscured by the body. The face was bloated and the eyes were white. They were an old man's eyes. The cold had preserved him somewhat, and despite the ravages that had been visited on his body I recognized him as Meade Payne, the man in the photo back at the diner, the man who had died so Caleb Kyle could take his place and wait for Billy Purdue to come to him. Beneath his body, I saw a tail and black fur: the remains of his dog.

Behind me, I heard the door creak on its hinges and Walter entered slowly and fearfully, his eyes following my stare into the freezer. He could not keep the relief from his features when he saw the body of the old man.

"This the guy in the picture?" he asked.

"That's him."

"Then she's still alive."

I nodded, but I didn't say anything. There were worse things than being killed and I think, in the dark, shuttered places of his mind, Walter knew that.

"Front or back?" I said.

"Front," he replied.

"Okay, let's do it."

The house smelled sour when I opened the front door quietly and stepped into the large kitchen. There was a pine table with four matching chairs, the surface of the table covered with bread, some of it days out of date, and opened cartons of milk that even the temperature in the room had not prevented from going off. There were also some cold cuts, their edges curling and hard, and a dozen empty Mickey's Big Mouths, along with half a bottle of cheap grain whiskey. In one corner stood a black trash bag, from which the worst smells of all came. I reckoned it contained over a week's worth of rotting food.

Through the open kitchen door I saw Walter enter the house, his nose wrinkling at the smell. He moved to his right, his back to the wall and his gun panning across the front dining room, which was connected to the kitchen by a half-open door. I moved forward and did the same with the TV room on the left side of the house. Both rooms were littered with discarded potato chip bags, more beer bottles and cans, and half-eaten food on dirty plates. The TV room also contained a green knapsack, all strapped up and ready to be taken away. I gestured to the stairs and Walter led, keeping to the wall to avoid any creaking steps, his gun high in a two-handed grip.

On the first landing was a bathroom that stank of urine and excrement, with damp, filthy towels lying across the toilet or piled on the floor by the door. Up two steps was the first bedroom, the bed unmade and more scattered food on the floor and dresser, but with no other indication that it had recently been occupied. There were no clothes, no shoes, no bags. It was in this bedroom that the light still burned.

Ellen Cole lay on the bed in the second bedroom, her hands tied to the bed frame with ropes. There was a black rag tied over her eyes and ears, cotton padding stuffed beneath the band to muffle her hearing. Her mouth was taped, with a small hole torn in its center. Two blankets covered her body. On a small bedside table sat a plastic water bottle.

Ellen didn't move as we entered the room although, as we drew closer, she seemed to sense us. Walter reached out to touch her, but she drew away with a small sound of fear. I pulled back the blankets gently. She had been stripped to her underwear, but she didn't appear to be hurt. I left them there as I searched the third bedroom. It, too, was empty, but the bed had obviously been slept in. When I returned to the second bedroom, Walter was gently holding Ellen's head and working the blindfold free. She blinked, her eyes narrowed even in the comparative darkness of the room. Then she saw him and started to cry.

"All empty," I said.

I walked to the bed and cut the ropes holding her hands with my pocketknife while Walter stripped away the tape. He held her in his arms as she cried, her body heaving against him. I found her clothes in a pile by the window.

"Help her to get dressed," I told him. Ellen still had not spoken, but while Walter slipped her feet into her jeans I took her hand and drew her attention to me.

"Ellen, there are just two of them, right?"

It took her a moment or two to respond, then she nodded. "Two," she said. Her voice was strained from lack of use, and her throat was dry. I gave her the water bottle and she took a small sip through the straw.

"Did they hurt you?"

She shook her head, then began to cry again. I held her, then moved away as Walter put her sweater over her arms and drew it down. He put an arm around her shoulders and helped her from the bed, but her legs collapsed almost immediately.

"It's okay, honey," he said. "We'll get you down."

We were about to make our way down when, from below, there came the sound of the front door opening.

My stomach tightened. We listened for a moment or two, but no sound came from the stairs. I indicated to Walter that he should leave Ellen. If we tried to move her again, we would alert whoever was downstairs. She made a tiny, mewing sound as he drew away from her and tried to hold him back, but he kissed her gently on the cheek to reassure her, then followed me. The front door hung open, and snow billowed in from the darkness beyond. As we approached the final steps, a shadow moved in the kitchen to my right. I turned and put a finger to my lips.

A figure moved across the doorway, not looking in our direction. It was the young man I had met on my first visit to the house: Caspar, the man I believed to be Caleb's son. I swallowed hard and moved forward, my hand up to let Walter know that he should hang back near the front door. I counted three and stepped into the kitchen, my gun raised and pointing to my left.

The kitchen was empty, but the connecting door into the dining room was now fully open. I sprang back to warn Walter, just in time to see a shape move behind him and a knife gleam in the dimness. He saw the look on my face and was already moving when the knife came down and caught him in the left shoulder, causing his back to arch and his mouth to contort in pain. He brought his gun across his body and fired beneath his left arm, but the knife rose and caught him again, this time in a slashing movement across his back as he fell. Caspar pushed Walter hard from behind, and his head impacted with a loud smack on the end of the banisters. He fell to his hands and knees, blood running down his face and his eyes heavy and dazed.

The young man turned to me now, with the knife held blade down in his right hand. There was a fresh bullet wound at his hip, staining his filthy chinos a deep red, but he did not seem to notice the pain. Instead, he curled himself and hurled his body down the hallway toward me. His mouth was open, his teeth were bared and the knife was ready to strike.

I shot him in the chest as he ran and he stopped hard, his body teetering on the soles of his shoes. He put a hand to the wound and examined the blood, as if only then would he believe that he had been shot. He looked at me one more time, cocked his head to one side and then made as if to move at me again. I fired a second shot. This time, the bullet took him straight through the heart and he fell back onto the bare floor, his head coming to rest close to where Walter was trying to raise himself onto his hands and knees. I think he was dead before he hit the ground. Above me, I heard Ellen cry out, "Daddy," and saw her appear at the top of the stairs, dragging herself across the steps toward him.