John Connolly - Every Dead Thing

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Every Dead Thing: краткое содержание, описание и аннотация

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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“Man, you like the Peace Corps,” whispered Louis. “Make friends wherever you go.”

“Thanks,” I replied. “It’s a gift.”

When they were satisfied that it was clean, we were allowed to drive slowly up to the compound with one of Fontenot’s men, the axe man, in the back. Two men walked alongside the car. We parked beside the jeeps and were escorted up to the older house.

On the porch, waiting for us with a china cup of coffee in his hand, was Lionel Fontenot. The burn victim went up to him and spoke a few words in his ear, but Lionel stopped him with a raised hand and turned the hard stare on us. I felt a raindrop fall on my head and within seconds we were standing in a downpour. Lionel left us in the rain. I was wearing my blue linen Liz Claiborne suit and a white shirt with a blue silk-knit tie. I wondered if the dye would run. The rain was heavy and the dirt around the house was already turning to mud when Lionel ordered his men to leave, took a seat on the porch, and indicated with a nod of his head that we should come up. We sat on a pair of wooden chairs with woven seats while Lionel took a wooden recliner. The burn victim stood behind us. Louis and I moved our chairs slightly as we sat so that we could keep him in view.

An elderly black maid, with a face that I recognized from the Metairie funeral party, emerged from the house with a silver coffeepot and sugar and cream in a matching set, all on an ornate silver tray. There were three china cups and saucers on the tray. Multicolored birds chased one another’s tails around the rim of the cups, and a heavy silver spoon with a sailing ship at the end lay neatly positioned beneath the handle of each one. The maid placed the tray on a small wicker table and then left us.

Lionel Fontenot was wearing a pair of black cotton pants and a white shirt with an open collar. A matching black jacket lay over the back of his chair and his brogues were newly polished. He leaned over the table and poured three cups of coffee, added two sugars to one, and then handed it wordlessly to the burn victim.

“Cream and sugar?” he asked, looking to Louis and me in turn.

“Black’s fine,” I said.

“Likewise,” said Louis.

Lionel handed us each a cup. It was all very polite. Above us, the rain hammered on the porch roof.

“You want to tell me how you came to be looking for my sister?” Lionel said at last. He looked like someone who finds a strange guy cleaning the windshield of his car and can’t decide whether to tip him a buck or hit him with a tire iron. He held his cup with his little finger cocked while he sipped his coffee. I noticed that the burn victim did the same.

I told Lionel some of what I knew then. I told him about Tante Marie’s visions and her death and about the stories of the ghost of a girl at a Honey Island slough. “I think the man who killed your sister killed Tante Marie Aguillard and her son. He also killed my wife and my little girl,” I said. “That’s how I came to be looking for your sister.”

I didn’t say that I was sorry for his pain. He probably knew that anyway. If he didn’t, then it wasn’t worth saying.

“You take out two men at Metairie?”

“One,” I answered. “Someone else killed the other.”

Lionel turned to Louis. “You?”

Louis didn’t reply.

“Someone else,” I repeated.

Lionel put his cup down and spread his hands. “So why are you here now? You want my gratitude? I’m going to New Orleans now to take away my sister’s body. I don’t know that I want to thank you for that.” He turned his face away. There was pain in his eyes, but no tears. Lionel Fontenot didn’t look like a man with well-developed tear ducts.

“That’s not why I’m here,” I said quietly. “I want to know why Lutice was reported missing only in the last three months. I want to know what your brother was doing out at Honey Island on the night he was killed.”

“My brother,” he said. Love and frustration and guilt chased one another in his voice like the birds on his pretty cups. Then he seemed to catch himself. I think he was about to tell me to go to hell, to keep out of his family’s business if I wanted to stay alive, but I held his gaze and for a while he said nothing.

“I got no reason to trust you,” he said.

“I can find the man who did this,” I said. My voice was low and even. Lionel nodded, more to himself than to me, and appeared to make his decision.

“My sister left at the end of January, start of February,” he began. “She didn’t like”-he waved his left hand gently at the compound-“all this. There was trouble with Joe Bones, some people got hurt.” He paused and chose his next words carefully. “One day she closed her bank account, packed a bag, and left a note. She didn’t tell us to our faces. David wouldn’t have let her leave anyways.

“We tried to trace her. We looked up friends in the city, even people she knew in Seattle and Florida. There was nothing, not a trace. David was real cut up about her. She was our half sister. When my momma died, my father married again. Lutice came out of that marriage. When my father and her momma died-that was in nineteen eighty-three, in an automobile accident-we took care of her, David especially. They were real close.

“Few months back, David started having dreams about Lutice. He didn’t say nothing at first, but he got thinner and paler and his nerves started to play at him. When he told me, I thought he was going crazy and told him so, but the dreams just kept comin’. He dreamed of her underwater, he said, heard her banging against metal in the night. He was sure that something had happened to her.

“But what could we do? We had searched half of Louisiana. I’d even made approaches to some of Joe Bones’s men, to see if there was something that maybe needed to be sorted out. There was nothing. She was gone.

“Next thing I knew, he reported her missing and we had the cops crawling over the compound. Mon, I nearly killed him that day, but he insisted. He said something had happened to Lutice. He was beyond reason by then, and I had to take care of things on my own, with Joe Bones hangin’ over me like a sword ’bout to fall.”

He looked to the burn victim.

“ Leon here was with him when the call came. He wouldn’t say nothin’ about where he was goin’, just took off in his damned yellow car. When Leon tried to stop him, he pulled a gun on him.” I glanced at Leon. If he felt any guilt about what had happened to David Fontenot, he kept it well hidden.

“Any idea who made the call?” I asked.

Lionel shook his head.

I put my cup on the tray. The coffee was cold and untasted.

“When are you going to hit Joe Bones?” I asked. Lionel blinked like he had just been slapped, and out of the corner of my eye, I saw Leon step forward.

“The hell you talkin’ about?” said Lionel.

“You’ve got a second funeral coming up, at least as soon as the police release your sister’s body. Either you won’t have too many mourners or the funeral will be overrun with police and media. Whatever happens, I figure you’ll try to take out Joe Bones before then, probably at his place in West Feliciana. You owe him for David, and anyway, Joe won’t rest easy until you’re dead. One of you will try to finish it.”

Lionel looked at Leon. “They clean?” Leon nodded.

Lionel leaned forward. There was menace in his voice. “The fuck does any of this have to do with you?”

I wasn’t fazed by him. The threat of violence was in his face, but I needed Lionel Fontenot.

“You heard about Tony Remarr’s death?”

Lionel nodded.

“Remarr was killed because he was out at the Aguillard place after Tante Marie and her son were murdered,” I explained. “His fingerprints were found in Tante Marie’s blood, Joe Bones heard about it, and told Remarr to lie low. But the killer found out-I don’t know how yet-and I think he used your brother to lure Remarr into making the hit so he could take him out. I want to know what Remarr told Joe Bones.”

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