John Connolly - Every Dead Thing

“Thanks,” I said, my mouth still against her, “but I know what I’m doing.”

“Well,” she said, as she eased back slowly on the bed, “at least one of us does.”

The following morning, the remains of the girl lay on a metal table, curled fetally by the constriction of the barrel as if to protect herself for eternity. On the instructions of the FBI, she had been brought to New Orleans, weighed and measured, X-rayed, and fingerprinted. The body bag in which she had been removed from Honey Island had been examined for debris that might have fallen from her while she was being transported.

The clean tiles, the shining metal tables, the glinting medical instruments, the white lights hanging above them all seemed too harsh, too relentless in their mission to expose, to examine, to reveal. It seemed a final indignity, after the terrors of her final moments, to display her here in the sterility of this room, with these men looking upon her. A part of me wanted to cover her with a shroud and carry her carefully, gently, to a dark hole beside flowing water, where green trees would shade the ground under which she lay and where no one would disturb her again.

But another part of me, the rational part, knew that she deserved a name, that she needed an identity to put an end to the anonymity of her sufferings and, perhaps, to close in on the man who had reduced her to this. And so we stood back as the gowned coroner and his assistants moved in with their tapes and their blades and their white-gloved hands.

The pelvis is the most easily recognizable distinguishing feature between the male and female skeletons. The greater sciatic notch, situated behind the inominate bone-which itself consists of the hip, the ischium, the ilium, and the pubis-is wider in the female, with a subpubic angle roughly the size of that between the thumb and forefinger. The pelvic outlet is also larger in the female but the thigh sockets are smaller, the sacrum wider.

Even the female skull is different from that of the male, a reflection in miniature of the physical differences between the two sexes. The female skull is as smooth and rounded as the female breast, yet smaller than the male skull; the forehead is higher and more rounded; the eye sockets, too, are higher and the edges less sharply defined; the female jaw, palate, and teeth are smaller.

The skeletal remains before us conformed to the general pelvic and skull rules governing the female body. In estimating the age of the body at the time of death, the ossification centers, or areas of bone formation, were examined, as were the teeth. The femur of the girl’s body was almost completely fused at the head, although there was only partial joining of the collarbone to the top of the breastbone. After an examination of the sutures on her skull, the coroner estimated her age at twenty-one or twenty-two. There were marks on her forehead, the base of her jaw, and on her left cheekbone, where the killer had cut through to the bone as he removed her face.

Her dental features were recorded, a process known as forensic odontology, to be checked against missing persons files, while samples of bone marrow and hair were removed for possible use in DNA profiling. Then Woolrich, Morphy, and I watched as the remains were wheeled away, covered in a plastic wrap. We exchanged a few words before we each went our separate way, but to be honest, I don’t recall what they were. All I could see was the girl. All I could hear was the sound of water in my ears.

If the DNA profiling and the dental records failed to reveal her identity, Woolrich had decided that facial reconstruction might prove valuable, using a laser reflected from the skull to establish the contours, which could then be compared against a known skull of similar dimensions. He decided to contact Quantico to make the initial arrangements as soon as he had had time to wash and grab a cup of coffee.

But facial reconstruction proved unnecessary. It took less than two hours to identify the body of the young woman in the swamp. Although she had been lying in the dark waters for almost seven months, she had been reported missing only three months before.

Her name was Lutice Fontenot. She was Lionel Fontenot’s half sister.

THE FONTENOT COMPOUND lay five miles east of Delacroix. It was approached via a raised private road, newly built, which wound through swamps and decaying trees until it reached an area that had been cleared of all vegetation and was now only dark earth. High fencing, topped with razor wire, enclosed two or three acres, at the center of which lay a low, single-story, horseshoe-shaped concrete building. A black convertible and three black Explorers were parked in a line in the concrete lot created by the arms of the building. To the rear was an older house, a standard single-story wooden dwelling with a porch and what looked like a series of parallel linked rooms. No one seemed to be around as I pulled the rented Taurus up to the compound gate, Louis in the passenger seat beside me. Rachel had taken the other rental with her on a final visit to Loyola University.

“Maybe we should have called ahead,” I said as I looked at the silent compound.

Beside me, Louis raised his hands slowly above his head and gestured in front of him with his chin. Two men, dressed in jeans and faded shirts, stood before us pointing Heckler & Koch HK53s with retracted stocks. I caught two more in the rearview mirror and a fifth, wearing an axe in his belt, opposite the passenger window. They were hard, weathered-looking men, some of them with beards already tinged with gray. Their boots were muddy and their hands were the hands of manual laborers, scarred in places.

I watched as a man of medium height, dressed in a blue denim shirt, jeans, and work boots, walked toward the gate from the main compound building. When he reached the gate he didn’t open it but stood watching us through the fencing. He had been burned at some point: the skin on the right of his face was heavily scarred, the right eye useless, and the hair hadn’t grown back on that side of his scalp. A fold of skin hung over his dead eye, and when he spoke, he did so out of the left side of his mouth.

“What you want here?” The voice was heavily accented: Cajun stock.

“My name’s Charlie Parker,” I replied through the open window. “I’m here to see Lionel Fontenot.”

“Who this?” He motioned at Louis with a finger.

“Count Basie,” I said. “The rest of the band couldn’t make it.”

Pretty Boy didn’t crack a smile, or even a half smile. “Lionel don’t see no one. Get yo’ ass outta here ’fo you get hurt.” He turned and walked back toward the compound.

“Hey,” I said. “You accounted for all of Joe Bones’s goons at Metairie yet?”

He stopped and turned back to us.

“What you say?” He looked like I’d just insulted his sister.

“I figure you have two bodies at Metairie that no one can account for. If there’s a prize, I’d like to claim it.”

He seemed to consider this for a moment, then: “You a joker? You are, I don’t think you funny.”

“You don’t think I’m funny?” I said. There was an edge to my voice now. His left eyelid flickered and an H &K ended up two inches from my nose. It smelled like it had been used recently. “Try this for funny: I’m the guy who hauled Lutice Fontenot from the bottom of Honey Island swamp. You want to tell Lionel that, see if he laughs?”

He didn’t reply, but pointed an infrared signaler at the compound gate. It opened almost noiselessly.

“Get outta the car,” he said. Two of the men kept our hands in view and their guns trained on us as we opened the car doors, then two others came forward and frisked us against the car, looking for wires and weapons. They handed Louis’s SIG and knife and my S &W to the scarred guy, then checked the interior of the car for concealed weapons. They opened the hood and trunk and checked under the car.