John Connolly - Every Dead Thing

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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“We got a couple of metal boxes, maybe four feet long, two feet wide, and eighteen inches deep, dumped down there,” he said. “One’s empty, the other’s locked and bolted. Maybe a hundred yards away there’s a bunch of oil barrels marked with red fleurs-de-lys. They belong to the old Brevis Chemical Company, used to operate out of West Baton Rouge until a big fire in eighty-nine put it out of business. That’s it. Nothing else down there.”

I looked out toward the edge of the bayou, where thick roots lay obscured beneath the water.

“Could we pull in the box using the rope?” I asked.

“Could do, but that box is heavy and if we bust it open while hauling it in we’ll destroy whatever’s inside. We’ll have to bring the boat out and try to haul it up.”

It was getting very warm now, although the trees on the bank provided some shade from the sun. Morphy took two bottles of still mineral water from the cooler and we drank them sitting on the bank. Then Morphy and I got into the boat and took it out to his marker.

Twice the box caught on some obstacle on the bottom as I tried to pull it up, and I had to wait for Morphy to signal before I could start hauling it in again. Eventually, the gray metal box broke the surface of the water, Morphy pushing up from beneath before he went back down to tie the marker rope to one of the oil barrels in case we had to search them.

I brought the boat back to the landing and dragged the box up onto the shore. The chain and lock securing it were old and rusted, probably too old to yield anything of any use to us. I took the axe and struck at the rusty lock that held the chain in place. It broke as Morphy walked onto the bank. He knelt beside me, the air tank still on his back and the mask pushed up on his forehead as I pulled at the lid of the box. It was stuck fast. I took the blunt head of the axe and struck upward along the edges until the lid lifted.

Inside was a consignment of breech-loading Springfield.50 caliber rifles and the bones of what seemed to be a small dog. The butts of the rifles had almost rotted but I could still see the letters LNG on the metal butt plates.

“Stolen rifles,” said Morphy, pulling one free and examining it. “Maybe eighteen seventy or eighteen eighty. The authorities probably issued a stolen arms proclamation after these were taken and the thief dumped them or left them there with the intention of coming back.”

He prodded at the dog’s skull with his fingers. “The bones are an indicator of some kind. Pity nobody been seein’ the Hound of the Baskervilles out here, else we’d have the whole mystery cleared up.” He looked at the rifles, then back out toward the oil drums. He sighed, then began to swim out to the marker.

Hauling in the drums was a laborious process. The chain slipped off three times as we tried to pull in the first drum. Morphy came back for a second chain and wrapped it, parcel style, around the drum. The boat almost overturned when I tried to open the barrel while I was still on the water, so we were forced to bring it back to dry land. When we eventually got it to the bank, brown and rusting, it contained only stale oil. The drums had a hole for loading and pouring the oil, but the entire lid could also be pried off. When we opened the second drum it didn’t even contain oil, just some stones that had been used to weigh the barrel down.

By now, Morphy was exhausted. We stopped for a time to eat some of the chicken and bread, and drink some of the coffee. It was now past midday and the heat in the bayou was heavy and draining. After we had rested, I offered to do some of the diving. Morphy didn’t refuse, so I handed him my shoulder holster, then suited up and strapped on the spare tank.

The water was surprisingly cool as I slipped into it. As it reached my chest, it almost took my breath away. The chains were heavy across my shoulder as I guided myself along the marker rope with one hand. When I reached the spot where the rope entered the water, I slipped the flashlight from my belt and dived.

The water was deeper than I expected and very dark, the duckweed above me blocking out the sunlight in patches. At the periphery of my vision, fish twisted and spun. The barrels, of which five remained, all piled in a heap, were gathered around the submerged trunk of an ancient tree, its roots buried deep in the bottom of the bayou. Any boat that might have been using the bayou bank to land on would have avoided the tree, which meant that the barrels were in no danger of being disturbed. The water at the base of the tree was darker than the rest, so that without the flashlight the barrels would have been invisible.

I wrapped the top barrel in chains and yanked once to test its weight. It tumbled from the top of the pile, yanking the rope from my grasp as it headed for the bottom. The water muddied, and dirt and vegetation obscured my vision, and then everything went black as oil began to leak from the drum. I was kicking back to get into clearer water when I heard the dull, echoing sound of a gunshot from above me. For a moment, I thought that Morphy might be in trouble until I remembered what the gunshot was supposed to signal and realized that it was I, not Morphy, who was in trouble.

I was breaking for the surface when I saw the ’gator. It was small, maybe only six feet long, but the flashlight beam caught the wicked-looking teeth jutting out along its jaws and its light-colored underbelly. It was as disoriented by the oil and dirt as I was, but it seemed to be angling toward my flashlight. I clicked it off and instantly lost sight of the ’gator as I made a final kick for the surface.

When I broke the water the marker rope was fifteen feet in front of me, Morphy beside it.

“Come on!” he shouted. “There’s no other landing around you.”

I splashed hard as I swam to him, all the time aware of the reptile cruising beneath me. As I splashed, I spotted it on the surface to my left, about twenty feet away from me. I could see the scales of its back, its hungry eyes and the line of its jaw pointed in my direction. I turned on my back so I could keep the ’gator in my sight and kicked out, sometimes using the rope to pull myself along, at other times using my hands.

I was still five feet from the boat when the ’gator moved, working its way swiftly through the water in my direction. I spat the mouthpiece out.

“Shoot it, goddammit,” I shouted. I heard the boom of a gun and a spume of water kicked up in front of the ’gator, then a second. The creature stopped short and then a sprinkling of pink and white fell to my right and it turned in that direction. It reached the objects just as a second shower fell, farther away to the right, and I felt the boat against my back and Morphy’s hands helping me to haul myself up. We turned for the bank as Morphy sent a third handful of marshmallows into the air. When I looked at him, he was grinning as he popped a last marshmallow into his mouth. Out on the bayou, the ’gator was snapping at the last of the candy.

“Scared you, huh?” Morphy smiled as I shrugged off the air tank and lay flat on the bottom of the boat.

I nodded and kicked off a flipper.

“I think you’re going to have to get your dry suit cleaned,” I said.

We sat on a log and watched the ’gator for a while. It cruised the bayou looking for more marshmallows, eventually settling for a wait-and-see policy, which consisted of it lying partially submerged near the marker rope. We sipped coffee from tin cups and finished off the last of the chicken.

“You should have shot it,” I said.

“This is a nature reserve and there are laws about killing ’gators,” responded Morphy testily. “Not much point in having a nature reserve if people can come in when they please and shoot all the wildlife.”

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