John Connolly - Every Dead Thing

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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Technically, the feds are supposed to engage in minimization on wiretapping or surveillance duties. In theory, this means that the agents hit the pause button on the recorder and tune out of the conversation, apart from occasional checks, if it becomes apparent that it’s a private call unconnected with the business at hand. In practice, only a moron would assume that his private business would remain private on a tapped line and it seemed unwise for me to have conversations with a burglar and an assassin while the FBI was listening. When I had left the message, I picked up four coffees in the grocery store, reentered the Flaisance, and went up to my room, where an anxious-looking Brillaud was waiting by the door.

“We can order coffee up, Mr. Parker,” he said disapprovingly.

“It never tastes the same,” I replied.

“Get used to it,” he concluded, closing the door behind me.

The first call came at 4 P.M., after hours of watching bad TV and reading the problem pages in back issues of Cosmo. Brillaud rose quickly from the bed and clicked his fingers at the technicians, one of whom was already tugging at his headphones. He counted down from three with his fingers and then signaled me to pick up the cell phone.

“Charlie Parker?” It was a woman’s voice.

“Yes?”

“It’s Rachel Wolfe.”

I looked up at the FBI men and shook my head. There was the sound of breath being released. I put my hand over the mouthpiece. “Hey, minimization, remember?” There was a click as the recorder was turned off. Brillaud went back to lying on my clean sheets, his fingers laced behind his head and his eyes closed.

Rachel seemed to sense that there was something happening at the other end of the line.

“Can you talk?”

“I have company. Can I call you back?”

She gave me her home number and told me she planned to be out until 7:30 P.M. I could call her then. I thanked her and hung up.

“Lady friend?” asked Brillaud.

“My doctor,” I replied. “I have a low tolerance syndrome. She hopes that within a few years I’ll be able to cope with idle curiosity.”

Brillaud sniffed noisily but his eyes stayed closed.

The second call came at six. The humidity and the sound of the tourists had forced us to close the balcony window, and the air was sour with male scent. This time, there was no doubt about the caller.

“Welcome to New Orleans, Bird,” said the synthesized voice, in deep tones that seemed to shift and shimmer like mist.

I paused for a moment and nodded at the FBI men. Brillaud was already paging Woolrich. On a computer screen by the balcony, I could see maps shifting and I could hear the Traveling Man’s voice coming thinly through the headphones of the FBI men.

“No point in welcoming your FBI friends,” said the voice, this time in the high, lilting cadences of a young girl’s voice. “Is Agent Woolrich with you?”

I paused again before responding, conscious of the seconds ticking by and the “number withheld” message on the cell phone display.

“Don’t fuck with me, Bird!” Still the child’s voice, but this time in the petulant tones of one who has been told that she can’t go out and play with her friends, the swearing rendering the effect even more obscene than it already was.

“No, he’s not here.”

“Thirty minutes.” Then the connection ended.

Brillaud shrugged. “He knows. He won’t stay on long enough to get a fix.” He lay back down on the bed to wait for Woolrich.

Woolrich looked exhausted. His eyes were red rimmed from lack of sleep and his breath smelled foul. He shifted his feet constantly, as if they were too big for his shoes. Five minutes after he arrived, the phone rang again. Brillaud counted down and I picked up the phone.

“Yes.”

“Don’t interrupt, just listen.” It sounded like a woman’s voice, the voice of someone who was about to tell her lover one of her secret fantasies, but distorted, inhuman. “I’m sorry about Agent Woolrich’s lover, but only because I missed her. She was supposed to be there. I had something special planned for her, but I suppose she had ideas of her own.”

Woolrich blinked hard once, but gave no other indication that he was disturbed by what he heard.

“I hope you liked my presentation,” continued the voice. “Maybe you’re even beginning to understand. If you’re not, don’t worry. There’s plenty more to come. Poor Bird. Poor Woolrich. United in grief. I’ll try to find you some company.”

Then the voice changed again. This time it was deep and menacing.

“I won’t be calling again. It’s rude to listen in on private conversations. The next message you get from me will have blood on it.” The call ended.

“Fuck,” said Woolrich. “Tell me you got something.”

“We got nothing,” said Brillaud, tossing his headphones on the bed. “Number keeps changing. He knows.”

I left the FBI men to pack away their equipment in a white Ford van and walked down through the Quarter to the Napoleon House to call Rachel Wolfe. I didn’t want to use the cellular. For some reason, it seemed soiled by its role as the means of contact with a killer. I also wanted the exercise, after being cooped up in my room for so long.

She picked up on the third ring.

“It’s Charlie Parker.”

“Hi…” She seemed to struggle for a time as she tried to decide what to call me.

“You can call me Bird.”

“Well spotted.”

There was an awkward pause, then: “Where are you? It sounds incredibly noisy.”

“It is. It’s New Orleans.” And then I filled her in as best I could on what had taken place. She listened in silence, and once or twice, I heard a pen tapping rhythmically against the phone at the other end of the line.

“Any of those details mean anything to you?” I asked, when I had finished.

“I’m not sure. I seem to recall something from my time as a student but it’s buried so far back that I’m not sure that I can find it. I think I may have something for you arising out of your previous conversation with this man. It’s a little obscure, though.” She was silent for a moment. “Where are you staying?”

I gave her the number of the Flaisance. She repeated the name and the number to herself as she wrote them down.

“Are you going to call me back?”

“No,” she said. “I’m going to make a reservation. I’m coming down.”

I looked around the Napoleon after I hung up. It was packed with locals and vaguely bohemian looking visitors, some of them tourists staying in the rooms above the dimly lit bar. A classical piece I couldn’t identify was playing over the speakers and smoke hung thick in the air.

Something about the Traveling Man’s calls bothered me, although I wasn’t sure what. He knew I was in New Orleans when he made his calls. He knew where I was staying, too, since he was aware of the presence of the feds, and that awareness meant that he was familiar with police procedures and was monitoring the investigation, which matched Rachel’s profile.

He had to have been watching the crime scene as we arrived, or shortly after. His reluctance to stay on the line was understandable, given the feds’ surveillance, but that second call…I played it back in my mind, trying to discern the source of my unease, but it yielded nothing.

I was tempted to stay in the Napoleon House, to breathe in the sense of life and gaiety in the old bar, but instead I returned to the Flaisance. Despite the heat I walked to the large windows, opened them, and stepped out onto the balcony. I looked out at the faded buildings and wrought iron balconies of the upper Quarter and breathed deeply of the smells of cooking coming from a restaurant nearby, mingled with smoke and exhaust fumes. I listened to the strains of jazz music coming from a bar on Governor Nicholls, the shouts and laughter of those heading for the rip-off joints on Bourbon Street, the singsong accents of the locals blending with the voices of the out-of-towners, the sound of human life passing beneath my window.

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