John Connolly - Every Dead Thing

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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I looked up to see Woolrich approaching the table. He had changed his tan suit for a light gray linen; the tan had been covered in Florence Aguillard’s blood. He was unshaven and there were black bags beneath his eyes. I ordered him coffee and a plate of pastries and stayed quiet as he ate.

He had changed a great deal in the years I had known him, I thought. There was less fat on his face, and when the light caught him a certain way, his cheekbones were like blades beneath his skin. It struck me for the first time that he might be ill, but I didn’t raise the topic. When Woolrich wanted to talk about it, he would.

While he ate, I recalled the first time that I had met him, over the body of Jenny Ohrbach. She had been pretty once, a thirty-year-old woman who had kept her figure through regular exercise and a careful diet and who had, it emerged, lived a life of considerable luxury without any obvious means of support.

I had stood over her in an Upper West Side apartment on a cold January night. Two large bay windows opened out on to a small balcony overlooking Seventy-ninth Street and the river, two blocks from Zabar’s deli on Broadway. It wasn’t our territory, but Walter Cole and I were there because the initial MO looked like it might have matched two aggravated burglaries we were investigating, one of which had led to the death of a young account executive, Deborah Moran.

All of the cops in the apartment wore coats, some with mufflers dangling around their necks. The apartment was warm and nobody was in any great hurry to head back out into the cold, least of all Cole and I, despite the fact that this seemed to be a deliberate homicide rather than an aggravated burglary. Nothing in the apartment appeared to have been touched and a purse containing three credit cards and over seven hundred dollars in cash was found undisturbed in a drawer under the television set. Someone had brought coffee from Zabar’s and we sipped from the containers, our hands cupped around them, enjoying the unaccustomed feeling of warmth on our fingers.

The coroner had almost finished his work and an ambulance team was standing by to remove the body when an untidy figure shambled into the apartment. He wore a long brown overcoat the color of beef gravy, and the sole of one of his shoes had come adrift from the upper. Through the gap, a red sock and an exposed big toe revealed themselves. His tan pants were as wrinkled as a two-day-old newspaper and his white shirt had given up the struggle to keep its natural tones, settling instead for the unhealthy yellow pallor of a jaundice victim. A fedora was jammed on his head. I hadn’t seen anyone wear a fedora at a crime scene since the last film noir revival at the Angelika.

But it was the eyes that attracted the most attention. They were bright and amused and cynical, trailing lines like a jellyfish moving through water. Despite his ramshackle appearance, he was clean shaven and his hands were spotless as he took a pair of plastic gloves from his pocket and pulled them on.

“Cold as a whore’s heart out there,” he remarked, squatting down and placing a finger gently beneath Jenny Ohrbach’s chin. “Cold as death.”

I felt a figure brush my arm and turned to see Cole standing beside me.

“Who the hell are you?” he asked.

“I’m one of the good guys,” responded the figure. “Well, I’m FBI, so whatever that makes me in your eyes.” He flicked his ID at us. “Special Agent Woolrich.”

He rose, sighed, and pulled the gloves from his hands, then thrust both gloves and hands deep into the pockets of his coat.

“What brings you out on a night like this, Agent Wool-rich?” I asked. “Lose the keys to the Federal Building?”

“Oh, the witty NYPD,” said Woolrich, with a half smile. “Lucky there’s an ambulance standing by in case my sides split.” He turned his head to one side as he took in the body again. “You know who she is?” he asked.

“We know her name, but that’s it,” said a detective I didn’t recognize. I didn’t even know her name at that point. I knew only that she had been pretty once and now she was pretty no longer. She had been beaten around the face and head with a piece of hollow-centered coaxial cable, which had been dumped beside her body. The cream carpet around her head was stained a deep, dark red and blood had splashed on the walls and the expensive, and probably uncomfortable, white leather furniture.

“She’s Tommy Logan’s woman,” said Woolrich.

“The garbage collection guy,” I said.

“The very same.”

Tommy Logan’s company had clinched a number of valuable garbage collection contracts in the city over the previous two years. Tommy had also expanded into the window cleaning business. Tommy’s boys cleaned the windows in your building or you didn’t have any windows left to clean, and possibly no building either. Anyone with those kinds of contacts had to be connected.

“Racketeering interested in Tommy?” It was Cole.

“Lots of people interested in Tommy. Lot more than usual, if his girlfriend is lying dead on the carpet.”

“You think maybe someone’s sending him a message?” I asked.

Woolrich shrugged. “Maybe. Maybe someone should have sent him a message telling him to hire a decorator whose eyesight didn’t give out the year Elvis died.”

He was right. Jenny Ohrbach’s apartment was so retro it should have been wearing flares and a goatee. Not that it mattered to Jenny Ohrbach any more.

No one ever found out who killed her. Tommy Logan seemed genuinely shocked when he was told that his girlfriend was dead, so shocked he even stopped worrying that his wife might find out about her. Maybe Tommy decided to be more generous to his business partners as a result of Jenny Ohrbach’s death, but if he did, their arrangement still didn’t last much longer. One year later, Tommy Logan was dead, his throat cut and his body dumped by the Borden Bridge in Queens.

But Woolrich I saw more of. Our paths crossed on occasion; we went for a drink once or twice before I returned home and he went back to his empty apartment in Tribeca. He produced tickets to a Knicks game; he came to the house for dinner; he gave Jennifer an enormous stuffed elephant as a birthday present; he watched, but did not judge or interfere, as I drank myself away shot by shot.

I have a memory of him at Jenny’s third birthday party, a cardboard clown’s hat jammed on his head and a bowl of Ben & Jerry’s Cherry Garcia ice cream in his hand. He looked embarrassed, sitting there in his crumpled suit surrounded by three-and four-year-olds and their adoring parents, but also strangely happy as he helped small children blow up balloons or drew quarters from behind their ears. He did farmyard impressions and taught them how to balance spoons on their noses. When he left, there was a sadness in his eyes. I think he was recalling other birthdays, when his child was the center of attention, before he lost his way.

When Susan and Jennifer died, he followed me to the station and waited outside for four hours until they had finished questioning me. I couldn’t go back to the house, and after that first night when I found myself crying in a hospital lobby, I couldn’t stay with Walter Cole, not only because of his involvement in the investigation but because I did not want to be surrounded by a family, not then. Instead, I went to Woolrich’s small, neat apartment, the walls lined with books of poetry: Marvell, Vaughan, Richard Crashaw, Herbert, Jonson, and Ralegh, whose “Passionate Man’s Pilgrimage” he sometimes quoted. He gave me his bed. On the day of the funeral, he had stood behind me in the rain and let the water wash over him, the drops falling from the brim of his hat like tears.

“How you doing?” I asked eventually.

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