John Connolly - Every Dead Thing

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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He puffed his cheeks and breathed out, his head moving slightly from side to side like a nodding-dog figure on the backseat of a car. Gray was seeping through his hair from silver pools over his ears. There were lines like the cracks in fine china spreading from his eyes and the corners of his mouth.

“Not so good,” he said. “I got three hours’ sleep, if you can call waking up every twenty minutes to flashes of red ‘sleep.’ I keep thinking of Florence and the gun and the way it looked as it slid into her mouth.”

“Were you still seeing her?”

“Not so much. On and off. We got together a coupla times and I was out at the house a few days back to see if everything was okay. Jesus, what a mess.”

He pulled the newspaper toward him and scanned its coverage of the killings, his finger moving along the sides of each paragraph so that it became dark with print. When he had finished reading, he looked at his blackened fingertip, rubbed his thumb lightly across it, then wiped them both on a paper napkin.

“We got a fingerprint, a partial print,” he said, as if the sight of his own lines and whorls had only just reminded him of it.

Outside, the tourists and the noise seemed to recede into the distance and there was only Woolrich and his soft eyes. He drained the last of his coffee then dabbed at his mouth with the napkin.

“That’s why I was delayed. Confirmed it just an hour ago. We’ve compared it against Florence ’s prints, but it’s not her. There are traces of the old woman’s blood in it.”

“Where did you find it?”

“Underside of the bed. He may have tried to steady himself as he cut, or maybe he slipped. Doesn’t look like there was an attempt to erase it. We’re comparing it against local files and our master fingerprint identification records. If he’s in the system, we’ll find him.” As well as criminals, the files covered federal employees, aliens, military personnel, and those individuals who had requested that their prints be retained for identification purposes. Over the next twenty-four hours, the print found at the scene would be checked against about two hundred million others on record.

If it turned out to be the Traveling Man’s print, then it would be the first real break since the deaths of Susan and Jennifer, but I wasn’t holding my breath. A man who took the time to clean my wife’s fingernails after he killed her was unlikely to be so careless as to leave his own fingerprint at a crime scene. I looked at Woolrich and knew he thought the same thing. He raised his hand for more coffee as he looked out at the crowds on Jackson Square and listened to the snorting of the ponies hitched to the touring carriages pulled up on Decatur.

“Florence’d been shopping in Baton Rouge earlier in the day, then returned home to change for some birthday party, one of her second cousins. She called you from some juke joint in Breaux Bridge, then went back to the house. She stayed there until maybe eight-thirty, then went to a cousin’s birthday party at Breaux Bridge at about nine. According to witness statements taken by the local cops, she was distracted and didn’t stay for long-seems that her momma insisted that she go, that Tee Jean could take care of her. She stayed one hour, maybe ninety minutes, then came back. Brennan, the bait shop owner, spotted her maybe thirty minutes after that. So we’re looking at a window of one to two hours, no more, for the killings.”

“Who’s dealing with the case?”

“Morphy’s bunch, in theory. In practice, a lot of it is likely to devolve mainly to us, since it matches the MO on Susan and Jennifer, and because I want it. Brillaud is going to hook up your phone, in case our man calls. It’ll mean hanging around your hotel room for a while, but I don’t see what else we can do.” He avoided my eyes.

“You’re cutting me out.”

“You can’t be too involved in this, Bird. You know that. I’ve told you before and I’m telling you again: we’ll decide the extent of your involvement.”

“Limited.”

“Damn yes, limited. Look, Bird, you’re the link to this guy. He’s called once, he will call again. We wait, we see.” He spread his hands wide.

“She was killed because of the girl. Are you going to look for the girl?”

Woolrich rolled his eyes in frustration. “Look where, Bird? The whole fucking bayou? We don’t even know that she existed. We have a print, we’ll run with that and see where it takes us. Now pay the check and let’s get out of here. We’ve got things to do.”

I was staying in a restored Greek Revival house, the Flaisance House, on Esplanade, a white mansion filled with dead men’s furniture. I had opted for a room in the converted carriage house at the rear, partly for the seclusion but also because it contained a natural alarm in the form of two large dogs who prowled the courtyard beneath and growled at anyone who wasn’t a guest, according to the guy manning the night desk. In fact, the dogs just seemed to sleep a lot in the shade of an old fountain. My large room had a balcony, a brass ceiling fan, two heavy leather armchairs, and a small refrigerator, which I filled with bottled water.

When we reached the Flaisance, Woolrich turned on an early morning game show and we waited, unspeaking, for Brillaud to arrive. He knocked on the door about twenty minutes later, long enough for a woman from Tulsa to win a trip to Maui. Brillaud was a small, neatly dressed man with receding hair, through which he ran his fingers every few minutes as if to reassure himself that there was still some there. Behind him, two men in shirtsleeves awkwardly carried an array of monitoring equipment on a metal trolley, carefully negotiating the wooden external stairway that led up to the four carriage house rooms.

“Get cooking, Brillaud,” said Woolrich. “I hope you brought something to read.” One of the men in shirtsleeves waved a sheaf of magazines and some battered paperbacks that he had removed from the base of the trolley.

“Where will you be if we need you?” asked Brillaud.

“The usual place,” said Woolrich. “Around.” And then he was gone.

I had once visited, through Woolrich, an anonymous room in the FBI’s New York office. This was the tech room, where the squads engaged in long-term investigations-organized crime, foreign counterintelligence-monitored their wiretaps. Six agents sat before a row of reel-to-reel voice-activated tape recorders, logging the calls whenever the recorders kicked in, carefully noting the time, the date, the subject of the conversation. The room was almost silent, save for the click and whir of the machines and the sound of pens scratching on paper.

The feds do love their wiretaps. Back in 1928, when the FBI was called the Bureau of Investigation, the Supreme Court allowed almost unrestricted access to wiretaps of targets. In 1940, when the attorney general, Andrew Jackson, tried to end wiretapping, Roosevelt twisted his arm and extended taps to cover “subversive activities.” Under Hoover ’s interpretation, “subversive activities” covered anything from running a Chinese laundry to screwing someone else’s wife. Hoover was the god of wiretaps.

Now the feds no longer have to squat by junction boxes in the rain trying to protect their notebooks from the elements. Judicial approval, followed by a call to the telephone company in order to have the signal diverted, is usually enough. It’s even easier when the subject is willing to cooperate. In my case, Brillaud and his men didn’t even have to sit in a surveillance van, smelling one another’s sweat.

I excused myself for five minutes while Brillaud worked to hook up both my own cell phone and the room phone, telling him that I was just heading for the kitchen of the main house. I left the Flaisance and strolled through the courtyard, attracting a bored glance from one of the dogs huddled in the shadows. I walked down to a telephone by a grocery store one block away. From there, I called Angel’s number. The machine was on. I left a message telling him the situation and advising him not to call me on the cell phone.

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