Harlan Coben - Play Dead

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Play Dead: краткое содержание, описание и аннотация

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Publisher's Weekly
Terrible secrets lead basketball star David Baskin to fake his death while honeymooning in the tropics in this manipulative but otherwise engaging first novel. His bereaved bride, supermodel Laura Ayars, not sure that David's drowning was accidental, starts sleuthing-which proves dangerous when somebody begins killing people who may have the answers she wants. Meanwhile, David, fitted out with a new identity and appearance, tries out for his original team, the Boston Celtics, and ''replaces'' himself at his former position. Why he has faked his death is explained in the story's penultimate surprise. But why he risks playing in front of fans who know his style is never addressed. Crucial coincidences abound, such as the love affair of David's brother and Laura's sister-adults who, as kids 30 years before, just happen to have witnessed their parents' worst sins. Coben manufactures tension primarily by keeping key details out of his narrative, a method that eventually wears thin. The resolution comes as a relief, with less of a bang than its buildup promises.
Library Journal
Despite its fundamental implausibility, this is an engrossing suspense novel. A star pro basketball player, David Baskin, disappears on his honeymoon, and a mutilated, drowned body is assumed to be his. But strange things are happening to his beautiful widow. And a few months later, a total unknown startles the basketball world with a highly professional style of play exactly like Baskin's. The mystery has its origins in a murder 30 years earlier. The reader's suspicions about what actually happened to Baskin, and about the identity of the murderer, shift as layers of lies are stripped away. Despite the basketball, this is primarily great romantic suspense.- Marylaine Block, St. Ambrose Univ. Lib., Davenport, Ia.
School Library Journal
When Laura Ayers and David Baskin secretly marry, it is a match made in heaven. She is a former model turned entrepreneur, while he is the Boston Celtics basketball sensation. But tragedy strikes on their Australian honeymoon when David never returns from a swim in treacherous waters. As Laura struggles with her grief, events unfold to make her question David's mysterious disappearance. She begins to uncover a conspiracy of past and present that slowly destroys all those involved. Coben weaves a delicate web of intrigue that throws alternating suspicion on each person Laura trusts. A fast-moving thriller with a rapidly twisting plot that keeps readers in suspense until the final page. -Katherine Fitch, Jefferson Sci-Tech, Alexandria, VA

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‘Blessed.’

He chuckled. ‘Goodbye, Laura. For now. Maybe Gloria and I will have you over for dinner some night soon. Are you free this week?’

Laura tried to keep her voice even. ‘No.’

Stan opened the door for her. ‘What a pity. Where are you going to be?’

‘None of your goddamn business,’ she said while her true destination floated across her mind:

Australia.

Richard Corsel closed his files and locked them in the cabinet. He was getting closer to discovering the truth. A friend of his at the Bank of Geneva in Switzerland had learned that David Baskin’s money had been split up into at least two accounts and transferred back to the United States. One was in Massachusetts. With a little luck Corsel could discover where the account was in less than a week.

‘Goodnight, Mr Corsel,’ his secretary said.

‘Goodnight, Eleanor.’

Richard clutched his briefcase tightly and headed out toward the parking lot. It was already dark now. A gentle fall breeze blew through Boston, pushing Richard’s hair in the opposite direction from where it had been combed. Never mind. The work day was over. He unbuttoned the top button of his shirt and sorted through his key ring in search of his car keys. Naomi had asked him to pick up her stuff at the cleaners. She had also reminded him to buy some white socks for the kids. Richard shook his head. He couldn’t understand how his six-year-old twins could go through socks so fast. What the hell were they doing with them? Wearing them over their shoes?

With a tired sigh, he unlocked his car door and slid into the front seat. He tossed his briefcase into the passenger seat next to him. There would be traffic on the highways now. Maybe he should use the local roads. He put the key into the ignition…

… and a gloved hand grabbed the back of his neck.

‘Hello, Richie,’ a voice whispered in his ear.

Corsel’s eyes bulged. ‘Who the hell -?’

He was silenced by the sight of a large butcher’s knife near his throat. ‘Shhhh, Richie, not so loud. You wouldn’t want to make me nervous, would you? My hand has a tendency to shake.’

As if for emphasis, the hand shook. The blade coarsely caressed the skin on Richard’s neck.

‘Who -?’

‘Shhh, Richie, I’m doing the talking right now, okay? Don’t turn around and don’t try to get a glance of me in the rearview mirror. If you do, I’ll kill you. Do you understand?’

The knife now rested quietly against Corsel’s throat. He could feel the coldness of the metal. ‘Y… Yes,’ Richard managed. ‘My wallet is in my jacket pocket.’

‘I know that, Richie, but I’m really not interested in petty cash. I’ve got plenty of money of my own, you know what I mean?’

Richard swallowed, the knife moving along with his throat. ‘Wh… What do you want?’

‘You see, Richie, that’s your problem. You ask a lot of questions, you know? You don’t see me asking a lot of questions. I don’t ask how Naomi’s new job at the boutique is, do I? I don’t ask how the twins Roger and Peter are doing at their new school, right? So why are you so interested in other people’s business?’

The intruder’s warm spittle pricked in Richard’s right ear.

‘Now the way I look at it, Richie, you can do one of two things. One, you can go about your usual business and keep snooping around into Baskin’s money. That’s up to you, Richie. I wouldn’t want to pressure you. You do what you think is best for your family, but I should warn you: it would make me very unhappy if you continued to snoop, Richie. It’s not nice. Do you know what I mean?’

Corsel felt his whole body quiver.

‘Now let me give you choice number two. See how you like this one, Richie, and then make up your mind about what you want to do, okay? Choice two: you forget all about Baskin’s little transaction with your bank. You can go back to business as usual and not speak to his wife about it anymore. In return, you and your family will live happily ever after. You will never see me again. Sound nice?’

Richard managed a nod.

‘But don’t decide now, Richie. Think over your two choices for a while before you make up your mind. I’ll be able to figure out which option you chose and act accordingly. Any questions?’

Richard shook his head.

‘That’s it, Richie. You’re learning already. I’m going to slip out the back door and disappear now. If you turn and see my face or if you decide to chat with the authorities, well, let’s just say it would be an unwise move on your part. It may force me to get to know little Roger and Peter better. Do you understand, Richie?’

Corsel nodded again, tears streaming down his cheeks. He tried to stay calm. He pictured himself sitting at the breakfast table on a typical morning having a nice bowl of Cap’n Crunch with Naomi and Roger and Peter and…

… and the psycho in the backseat, his knife slashing across their throats. The screams, the sound of the blade ripping skin, blood spraying all over the place, his wife’s blood, his children’s blood.

Oh God, what do I do now? What do I…

Suddenly, the car door opened and the blade was off his throat. Richard was afraid to breathe. He listened to the car door slam closed. He shut his eyes and waited five minutes before opening them again.

When he reached home, Naomi lectured him for forgetting to pick up the laundry at the cleaners and for not buying the kids some white socks. Richard’s response was to give all three of them a hug.

Earl’s penthouse was something out of Architectural Digest. Literally. So much so that the magazine had devoted a cover story to what they called The High-Rise in the Sky. And it was gorgeous. Everything in the penthouse had been done in white. The walls, the chairs, the sofas, the tables, the carpet. The only smatterings of color were the large and varied assortment of paintings that adorned the walls. But somehow the white scheme worked and, more interesting to Architectural Digest, Earl had designed the penthouse totally by himself.

There were also plenty of windows, all of them offering a fantastic view of Boston. From the gleaming living room, Laura stared out at the lights of the Prudential Building. She moved her glance toward the harbor where occasional lights from boats broke up the blanket of darkness covering the sea. From way up atop this sky-scraper you would never guess how dirty that harbor actually was. But God, she loved Boston. True, she had never really lived anywhere else. Her family had left Chicago and the Midwest when she was just an infant so she really could not make a comparison. But Boston was her city. And David’s.

Earl came out of the kitchen, a Celtics apron tied around his waist. ‘Dinner is served.’

‘Good,’ Serita answered, moving toward Laura and putting her arm around her friend’s shoulder. ‘I’m starved.’

‘Well, then sit down and prepare yourself,’ Earl said. ‘The master chef has created a new masterpiece.’

Laura smiled and sat down. Earl was truly a renaissance man, she thought. Locked into his lanky, seven-foot frame was a man who played pro basketball, who decorated his own penthouse like a master designer, who cooked exotic dishes like a gourmet chef. He was even writing a book on his basketball experiences called Slam Dunk. ‘Smells good. What is it?’ Laura asked.

‘A treat from the Orient. Thailand, to be more exact.’ He lifted the silver cover. ‘I call it Shrimp Chow Earl.’

‘Mmmmm,’ Serita hummed. ‘Let me at it.’

The three friends began to devour the dish. It was, Laura thought, a delicious meal. Light yet spicy. Perfectly seasoned.

‘This is really good,’ she said.

Earl beamed. ‘Thanks, Laura. It’s been a while since you’ve let me cook for you.’

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