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Iain Banks: Dead Air

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Iain Banks Dead Air

Dead Air: краткое содержание, описание и аннотация

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Iain Banks' daring new novel opens in a loft apartment in the East End, in a former factory due to be knocked down in a few days. Ken Nott is a devoutly contrarian vaguely left wing radio shock-jock living in LondonAfter a wedding breakfast people start dropping fruits from a balcony on to a deserted carpark ten storeys below, then they start dropping other things; an old TV that doesn't work, a blown loudspeaker, beanbags, other unwanted furniture…Then they get carried away and start dropping things that are still working, while wrecking the rest of the apartment. But mobile phones start ringing and they're told to turn on a TV, because a plane has just crashed into the World Trade Centre. At ease with the volatility of modernity, Iain Banks is also our most accomplished literary writer of narrative-driven adventure stories that never ignore the injustices and moral conundrums of the real world. His new novel, displays his trademark dark wit, buoyancy and momentum. It will be one of the most important novels of 2002.

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‘I see,’ Celia said softly, turning away again. ‘You’re right.’ She stroked my hand. ‘But I mean it’s really quieter, too, Kenneth.’ Ceel was the only person apart from my mother who ever called me Kenneth. (Well, also apart from Ed, who sometimes called me Kennif, and Ed’s mum, who’s been known to call me Kennit, but that doesn’t count.) ‘Less… fewer people. Especially in places like Mayfair and Knightsbridge, and Chelsea, too.’

‘Ah; the posh places; the hedonistic ’hoods. You reckon they’re quieter?’

‘Yes. I think they’re all staying in their places in the country.’

‘You’re probably right. So why are you still here?’

‘I hate Gladbrook.’

Gladbrook was Ceel’s place in the country, or rather her husband’s. Deepest Surrey. Disliked it the instant I heard of it, even before Ceel told me her husband only really used it for business meetings and impressing people. She said she could never feel at home there and hated staying so much as a single night. I mean, Gladbrook; it even sounded wrong, like the name of an off-the-shelf company some well-smarmy City type would buy to front a dodgy tax-shy scam. Never actually been there, but I saw the estate agent’s details for the place once; basically a coffee-table book, it should have had its own ISBN number. Ran to a good forty pages including all the glossy photographs, but all anyone needed to know was that the main house had a heated driveway. You know; for all those blizzards they get in Surrey.

‘Is that where Mr M is?’

‘No, John is in Amsterdam again.’

‘Hmm.’ John. Mr M. Mr Merrial. In the import-export business. Drugs, to begin with; people, largely, these days. Plus fingers in more pies than he has fingers. Some of Mr M’s business interests were even legal these days; impressive property portfolio, apparently. A man a little older than me; maybe about forty. A quiet, even diffident guy, by all accounts, with a half-posh, vaguely south-east accent, pale skin and black hair, usually dressed in an unshowy Savile Row suit and not at all the sort of chap who looks like a multi-millionaire crime lord who could have people much more important than me rubbed out as quietly and efficiently – or as painfully and messily – as he wants, any day of the week. And I’m screwing his wife. I must be fucking mad.

(But then when we fuck, and I am lost in her, surrendered to those depths beyond mere flesh, nothing could be better, nothing ever has been better, nothing ever will be better. There is no one like her, no one so calm and studied and child-like and innocent and wanton and wise all at once. She thinks I am mad, too, but only for wanting her so much in the first place, not for risking whatever her husband would do to me if he ever found out about us.

For herself she says she has no fear because she feels she is half dead already. I have to try to explain this. She doesn’t mean half dead in any trivial sense of being tired-out or tired of life or anything like that, but half dead in a way unique to – and only capable of definition by – her own bizarre, self-made religion, a belief system without name, ceremony or teachings, which she cleaves to with the airy casualness of the truly convinced, not the fundamentalist intensity of those who secretly guess they may well be wrong. It’s a mad, bastard concoction of Voodoo spirituality and cosmologically intense physics, like something Stephen Hawking might have dreamed up on a really bad acid trip.

Me, I was a Humanist, an Evangelical Atheist, a fucking card-carrying member of the Rationalist Inquisition, and Ceel’s totally barking but utterly unrufflable beliefs just drove me crazy, but the truth was neither of us really cared and the only time we discussed stuff like that was in bed; she enjoyed being told she was nuts and she loved the way it got me worked up.

What it boiled down to was Ceel sincerely believed herself to be half dead in the sense of existing in this world while in a deeply soul-entangled state with a twin Ceel in another reality who was dead, a Ceel who died almost exactly half her life ago, when she was fourteen.

It’s all to do with lightning, with the lightning… We’ll come back to this.)

‘And have you seen, Kenneth, how everybody’s become so suspicious?’

‘Suspicious?’

‘Yes; looking at each other like everybody they meet might be a terrorist.’

‘You want to take the Underground, kid. People have started eyeing each other; especially anybody carrying anything that might be big enough to be a bomb, even more so if they put it down on the floor and could even conceivably leave it there when they get off.’

‘I get claustrophobic on the Underground.’

‘I know.’

‘I take buses sometimes,’ she said in a small voice, as though to apologise for having a chauffeur-driven Bentley on call and an unlimited taxi account.

‘So you’ve told me. And may I express, on behalf of the struggling masses, our gratitude that you deign to descend amongst us and grace our mean and surly lives with your radiant presence, ma’am.’

She slapped my hand gently and made a tutting sound. I took my hand away and brought it down over her flat belly, through the soft spring of curls and dipping to the cleft beneath.

Her upper thighs tensed, closing fractionally. ‘I’m a little sore there, from before,’ she said, taking my hand again. She held it as she rolled over on the snow-white sheets and settled on her front.

(On her left side there is a strange patterning of dark shadows, exactly as though somebody had traced a henna tattoo of forest ferns upon her light-brown skin. It stretches from one shoulder, skirting her breast, and continuing down to the honeyed swell of her hip. This is from the lightning.

‘What is that?’ I remembered breathing, on the night of the day that I first saw it, nearly four months ago in the alloyed sheen of golden street and silver moon light, in another room across the city. It was like something from an iffy Science Fiction series, from budget Star Trek or Alien Nation or something; thinking it really was some sort of weird fern/henna tattoo I even tried to lick and rub it off. She just lay there, watching me, great dark eyes unblinking.

‘That is from when I half died,’ she said matter-of-factly.

‘What?’

‘From the lightning, Kenneth.’

‘Lightning?’

‘Yes, lightning.’

‘Lightning as in thunder and-?’

‘Yes.’

She had stood on a cliff in Martinique once, when she was barely more than a child, watching a storm, and had been hit by lightning.

Her heart stopped. She could feel it had stopped, and when she fell down it was pure luck that she fell back into the grass and not forward off the cliff towards the rocks thirty metres below. She had felt very calm and had known as she lay there – waiting for her heart to start again and the smell of burning hair to disappear – that she was most definitely going to live, but she was also absolutely certain that the world had gone in two different directions at exactly the point when the lightning bolt struck her, and that in another world, right alongside this one and identical until that point in every respect, she had died, either killed by the bolt itself or fallen to her death on the rocks below.

‘There is still a small mark on my head, too,’ she’d told me, in the dark-brown heat of that first remembered room. She’d smoothed back her hair above her forehead, revealing a thin, wavy brown line that ran, barely more than the thickness of a single hair itself, from the edge of her scalp back into the tangled wilds of her long, light-dark hair.

I stared at it for a while. ‘Jesus Christ. I’m fucking Harry Potter.’ She’d smiled.)

I traced the frond-lines with my gaze as she guided my hand down to the cheeks of her perfect behind. ‘If you like,’ she said, ‘perhaps, you may go here, instead?’

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