Iain Banks - Dead Air

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Iain Banks' daring new novel opens in a loft apartment in the East End, in a former factory due to be knocked down in a few days. Ken Nott is a devoutly contrarian vaguely left wing radio shock-jock living in LondonAfter a wedding breakfast people start dropping fruits from a balcony on to a deserted carpark ten storeys below, then they start dropping other things; an old TV that doesn't work, a blown loudspeaker, beanbags, other unwanted furniture…Then they get carried away and start dropping things that are still working, while wrecking the rest of the apartment. But mobile phones start ringing and they're told to turn on a TV, because a plane has just crashed into the World Trade Centre. At ease with the volatility of modernity, Iain Banks is also our most accomplished literary writer of narrative-driven adventure stories that never ignore the injustices and moral conundrums of the real world. His new novel, displays his trademark dark wit, buoyancy and momentum. It will be one of the most important novels of 2002.

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I looked at the seat straight across from me, where the bad guy would be sitting. I glanced at my watch. I hated the way they kept you hanging around for TV.

I just wasn’t cut out for this medium. Paul, my agent, despaired of me because I’d been offered TV stuff in the past plenty of times but the proposals always read like shit and I’d turned them down. They all seemed gimmicky, strained and overly elaborated, but that was almost not the point. On radio, you just go in and do it. You can talk about stuff in the pub or the office beforehand, effectively rehearsing bits, and you can script little exchanges and sketches, and there’re always trailers and pre-recorded stuff to work painstakingly over until it’s note perfect… but most of it, the best of it, I think, is just stuff that happens, words that come out of your mouth almost as you think (allowing for the on-board censor, which I was not bullshitting Phil about).

On radio, that fresh stuff is the norm. On TV it’s very much the exception, and most of it’s recorded, re-heated. So you sit there and make some really funny or cutting point and then discover there was a glitch on a camera feed, or somebody backed into a bit of the set and knocked it over, and they have to start again, and you have to either try to say something about the same thing, which is totally different but just as witty, or say the same again and pretend it’s spontaneous. I hated that shit. Come to think of it, some of that had been the gist of Phil’s little laid-back rant in the Capital Live! canteen a month or so earlier. I seemed to have appropriated it. Oh well, that wouldn’t be the first time.

My mouth was dry. There was a very small plastic cup of still water in front of me, which I drained. I looked around, holding it out, and one of the awfully assistants came and topped it up with Evian. I wanted to sink the lot right there, but I put it back on the desk. I suspected they’d take it away before we started recording.

‘Ken?’ a very smooth Irish voice said from behind me. ‘Nice to – ah, now, no; don’t you get up. Cavan. Good to meet you.’

I couldn’t have got up anyway, not with the mike wire securing me to the chair. I shook hands from a seated position. ‘Cavan; hi.’ I smoothed down the flap over my right jacket pocket, making sure he couldn’t see into it.

Cavan perched one fawn, Armani-clad buttock on the desk between my seat and his. He looked tanned underneath the make-up and there was a hint of shadow where his beard would have been that probably no amount of shaving would remove. His blue eyes were deep set, brows dark and full and shaped. A sharp ledge of black hair sat over his forehead. ‘It’s very good of you to come in.’

‘My pleasure, Cavan.’ A translucent wire coiled up from inside the rear collar of his jacket and ended in a discreet flesh-coloured earphone in his right ear. Where his soft beige jacket fell open against his hip, I could see the radio transmitter clipped to his belt. No hard-wiring for Cavan.

‘You’ve been booked in for a while, Ken, is that right?’

‘For what has on occasion felt like a significant part of my life, Cavan, yes.’

He laughed soundlessly. ‘Yes, well, sorry about that.’ He sighed and looked off into the shadows. ‘We’ve all been kept hanging around while Winsome have been getting themselves sorted out.’

‘I’m sure it’s been a lot worse for you than it was for me.’

‘Ah, yes. It’s been a frustrating old time to have a current affairs show waiting in the wings while all this history’s been happening, but hopefully we’ll be making up for – ah. Excuse me, will you?’

‘Sure.’

Lawson Brierley. That was the name of the man who walked out of the darkness, blinking in the light. My age. Green cords, fogey jacket, yellow waistcoat, farm manager’s shirt and a cravat. I almost smiled. Tall, medium-heavy build, verging on beefy; hair like grey sand. Not a bad-looking face in a bland sort of way, except his nose was a little bulbous and he had the peering, scrunched look of a vain man on a date trying to do without his glasses. Ex-Federation of Conservative Students (one of the Hang Nelson Mandela brigade; later thrown out for being too right-wing), ex-National Front (quit when they moved too far to the left), and ex a few other extreme-right groups and parties. Claimed to be a libertarian racist now. I knew one or two people who’d come to libertarianism from the left, and people like Lawson Brierley had them spitting blood.

Monetarist fundamentalist might be a more accurate description of his views, with the racist bit never very far away. According to Lawson, evolution was the ultimate free market in which the white races were proving their innate superiority through money, science and arms, threatened only by the perfidious guile of the Jews and the hordes of dark and dirty Untermenschen breeding like flies thanks to the misguided beneficence of the West.

We’d got all this off the man’s own website; he ran – he basically was – something called the Freedom Research Institute.

Lawson genuinely didn’t approve of democracy. He believed in getting rid of the state, and – in reply to the point that doing so would leave companies, corporations, multi-nationals (or whatever you would call multi-nationals when there were no more nations) in complete control of the world – he would have said, Yes, so? These corporations would be owned by shareholders, and money was the fairest way to exercise power, because as a rule stupid people would have less of it, and therefore less influence, than more intelligent people, and it was the more intelligent and successful people you wanted controlling things, not the great unwashed.

I’d decided my considered reply to all this would have been something on the lines of, Fuck the fucking shareholders, you ghastly fascist cunt.

I watched him sit down and get miked up. He was being wired in, taped to the seat like I’d been. Good. I couldn’t make out what he was saying to the production assistant and the sound engineer as they helped him get settled in. He didn’t look over at me. Cavan had spoken a few words to him and then nodded and gone to sit in his own big seat in the middle, getting its position just so, clearing his throat a few times, patting his tie down and running a hand over the air above his hair.

My heart was beating hard, now. Somebody came to take away the little cup of water, but I had them wait a moment while I drained it, my hand trembling. My bladder seemed to think I needed to pee but I knew I didn’t really. It felt like I was listing to the right with the weight in my jacket pocket. To the right; how very, very inappropriate, I thought.

The monitor behind the cameras flicked to the head-on waist-up shot of Cavan coming from the big camera with the autocue.

The floor manager announced we were doing a taped rehearsal of the intro. Cavan cleared his throat a few more times.

‘Okay; quiet in the studio,’ the floor manager said, then, ‘Turning over.’ She did the ‘Five, four, three…’ thing, with the two and the one shown only on her fingers.

Cavan took a breath and said, ‘The vexed issue of race, now, and the provenance – or not – of the Holocaust, in the first of a series of Breaking News special features pitching two people with profoundly different views against each other. I’m joined tonight by Lawson Brierley, a self-labelled libertarian racist from the Free Research Institute, and Ken Nott, from London’s Capital Live!, doyen of the so-called… Sorry.’

‘No problem,’ the floor manager said. She was a tall gangly girl with close-cut brown hair; she wore big headphones and held a clipboard and a stopwatch. She listened to her phones again. ‘Okay,’ she said. ‘You all right, Cavan?’

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