Glenn Cooper - Library of the Dead aka Secret of the Seventh Son

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"The debut of a startling new talent. Here is a story both incandescent and explosive. A seamless blend of modern-day thriller and historical mystery with an ending that left me breathless." – James Rollins
***
A murderer is on the loose on the streets of New York City: nicknamed the Doomsday Killer, he's claimed six victims in just two weeks, and the city is terrified. Even worse, the police are mystified: the victims have nothing in common, defying all profiling, and all that connects them is that each received a sick postcard in the mail before they died – a postcard that announced their date of death. In desperation, the FBI assigns the case to maverick agent Will Piper, once the most accomplished serial killing expert in the bureau's history, now on a dissolute spiral to retirement.
Battling his own demons, Will is soon drawn back into a world he both loves and hates, determined to catch the killer whatever it takes. But his search takes him in a direction he could never have predicted, uncovering a shocking secret that has been closely guarded for centuries. A secret that once lay buried in an underground library beneath an 8th Century monastery, but which has now been unearthed – with deadly consequences. A select few defend the secret of the library with their lives – and as Will closes in on the truth, they are determined to stop him, at any cost…

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Elder listened with a queasy fascination.

When Mark was done, Elder cut into a waffle, took a small bite and quietly chewed. When he swallowed, he said, “I’m not commenting whether you’re right or wrong. Suppose you just tell me how you think you can help Desert Life.”

Peter took the manila envelope he’d been keeping on his lap and handed it across the table. He said nothing but it was clear to the older man that the envelope was to be opened. Inside were a bunch of newspaper clippings.

All of them were about the Doomsday Killer.

“What the hell is this?” Elder asked.

“It’s the way to save your company,” Mark almost whispered. The moment was upon him and he felt woozy.

Then the moment seemed to slip away.

Elder reacted viscerally and started to get up. “What are you, some kind of a sicko? For your information, I know one of the victims!”

“Which one?” Mark croaked.

“David Swisher.” He reached for his wallet.

Mark mustered his courage and said, “You should sit down. He wasn’t a victim.”

“What do you mean?”

“Please sit down and listen to me.”

Elder complied. “I’ve got to tell you, I don’t like where this conversation is going. You’ve got a minute to explain yourself or I’m out of here, understand?”

“Well, he was a victim, I guess. He just wasn’t a victim of the Doomsday Killer.”

“How do you know that?”

“Because there is no Doomsday Killer.”

6 JULY 795. VECTIS, BRITANNIA

Abbot Josephus caught sight of himself in the reflection of one of the long windows of the Chapter House. It was black outside, but the candles indoors had not yet been smothered so the window had the quality of a reflecting glass.

He had a bulging middle and fleshy jowls and he was the only adult male in the community who was not tonsured, nor could he be, since he was completely bald.

A young monk, an Iberian with dark hair and a beard as dense as bear fur, knocked and entered with a candle snuffer. He bowed slightly and began his task.

“Good evening, Father.” His accent was thick as honey.

“Good evening, José.”

The abbot favored José above all of the younger brothers because of his intellect, his skill as a manuscript illustrator, and his good humor. He was seldom gloomy, and when he became amused, his laugh reminded the older man of the laughter he had heard many years earlier booming from the mouth of his friend Matthias, the blacksmith who had forged the abbey bell.

“How is the night air?” the abbot asked.

“It is fragrant, Father, and filled with cricket-song.”

With the Chapter House dark, José left two candles burning in the abbot’s chamber, one on his study table, the other by his bedside, and bade his superior good night. Alone, Josephus knelt by his bed and prayed the same prayer he had uttered since the day he became abbot: “Dear Lord, please bless this humble servant who strives to honor you each and every day and give me the strength to be the shepherd of this abbey and to serve your ends. And bless your vessel, Octavus, who toils endlessly to fulfill your divine mission, for you command his hand just as you command our hearts and minds. Amen.”

Then Josephus blew out the last candle and climbed into his bed.

When the Bishop of Dorchester asked his new abbot whom he wanted to serve as prior, Josephus was quick to suggest Sister Magdalena. To be sure, there was no one better suited for the task. Her sense of organization and duty were un-surpassed among the ranks of the ministers. But Josephus had another motive, which had always made him uneasy. He needed her cooperation to protect the mission he believed Octavus was meant to accomplish.

She was the first Prioress of Vectis, and she prayed eagerly to be forgiven for the pride she felt every day. Josephus allowed her to attend to all details of the administration of the abbey, just as he had for Oswyn, and he listened patiently to her daily reports on the abuses and transgressions she ferreted out so energetically. Vectis, he acknowledged, was certainly more efficient and regimented than under his reign as prior. Yes, there was perhaps more grumbling over small matters, but he deigned to intervene only when he perceived Magdalena ’s actions excessive or cruel.

Instead he concentrated his attentions on prayer, the completion of the abbey’s construction, and, of course, the boy, Octavus.

The latter two preoccupations intersected at the Scriptorium. Upon Oswyn’s death, Josephus revisited the plans for the new Scriptorium and decided it must be even grander, since he fervently believed that the holy books and texts produced at Vectis were vital work for the betterment of mankind. He foresaw a future where ever more monks might produce more manuscripts, and the abbey and all Christendom would be elevated by their efforts.

Furthermore, he wanted a private chamber to be constructed, an inner sanctorum within the building where Octavus could work unimpeded. It was to be a special, protected place where he could transcribe the names that brewed inside him and poured onto the page as ale from a tapped barrel.

The cellar of the Scriptorium was dark and cool, perfect for the storage of large sheets of vellum and jars of ink but also well-suited for a boy who had no desire to play in the sunshine or walk in a meadow. A walled-off room was built in one end of the cellar, and there, behind a latched door, Octavus lived his life in perpetual candlelit darkness. His sole motivation was to sit on his stool, lean into his writing desk, and furiously dip his quill over and over and over again and scribble onto parchment until he collapsed in fatigue and had to be carried to his bed.

Because of his zeal for his vocation, Octavus rarely slept more than a few hours a day and would always wake without prompting, seemingly renewed. Whenever Paulinus first entered the Scriptorium in the morning, the boy was already hard at work. A young sister or novice would bring him his meals, dutifully avoiding contact with his handiwork, then empty his chamber pot and bring fresh tallow candles. Paulinus would collect the precious finished pages and bind them into heavy, thick, hide-covered books when there were sufficient numbers.

As Octavus grew from a small boy to a young man, his body elongated as if a baker had been pulling on warm dough. His appendages were spindly, almost rubbery, and his complexion, like bread dough, was pallid, without a trace of color. Even his lips were bleached out, with only the lightest tinge of pink. Had Paulinus not seen drops of crimson ooze from parchment cuts on his fingers, he would have supposed the lad was bloodless.

Unlike most boys, who upon maturation lose their delicate faces, Octavus’s jaw did not go square and his nose did not spread. He maintained a boyish physiognomy that defied explanation, but then again, his very existence defied explanation. His fine hair remained bright ginger. Every month or so, Paulinus would summon the barber to trim his locks while he wrote, or better yet, while he slept, and clumps of carrot-colored hair would litter the floor until one of the girls who attended him swept them up.

The girls who, under oaths of secrecy, were permitted to feed him and dispose of his waste, were in awe of his stone-silent beauty and his absolute concentration, although one boldly mischievous novice, a fifteen-year-old named Mary, would sometimes make unsuccessful attempts to attract his gaze by dropping a goblet or clattering a plate.

However, nothing could distract Octavus from his work. The names rushed from his quill to the page in the hundreds, thousands, tens of thousands.

Paulinus and Josephus would often stand over him in a kind of reverie, watching the frantic scratching of his quill. While many entries were of the Roman alphabet, many were not. Paulinus recognized Arabic, Aramaic, and Hebraic scripts, but there were others he could not decipher. The boy’s pace was furious, defying the absence of tension or urgency in his countenance. When the quill dulled, Paulinus would substitute another, so the lad could keep his letters tight and small. He packed his pages so densely that a finished page was more black than white. And when a page was done, he would turn it over and keep writing, drawing on some innate sense of parsimony or efficiency. Only when both sides were filled would Octavus reach for a clean sheet. Paulinus, arthritic and with a perpetually knotted stomach, would inspect each completed page, nervously wondering whether he might spot a name of particular interest: Paulinus of Vectis, for example.

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