Jeffery Deaver - Watchlist

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From International Thriller Writers comes WATCHLIST: two powerful novellas featuring the same thrilling cast of characters in one major suspenseful package. THE CHOPIN MANUSCRIPT and THE COPPER BRACELET are collaborations of some of the world’s greatest thriller writers, including Lee Child, Joseph Finder, Lisa Scottoline, and Jeffery Deaver, who conceived the characters and set the plots in motion. The other authors each wrote a chapter and Deaver then completed what he started, bringing both novellas to their startling conclusions.
In the first novella, THE CHOPIN MANUSCRIPT, former war crimes investigator Harold Middleton possesses a previously unknown score by Frederic Chopin. But he is unaware that, locked within its handwritten notes, lies a secret that now threatens the lives of thousands of Americans. As he races from Poland to America to uncover the mystery of the manuscript, Middleton will be accused of murder, pursued by federal agents, and targeted by assassins. But the greatest threat will come from a shadowy figure from his past: the man known only as Faust.
Harold Middleton returns in THE COPPER BRACELET -- the explosive sequel to THE CHOPIN MANUSCRIPT -- as he’s drawn into an international terror plot that threatens to send India and Pakistan into full-scale nuclear war. Careening from Nice to London and Moscow to Kashmir to prevent nuclear disaster, Middleton is unaware that his prey has changed and that the act of terror is far more diabolical than he knows. Will he discover the identity of the Scorpion in time to halt an event that will pit the United States, China, and Russia against each other at the brink of World War III?

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“You did well,” the man said simply, staring at her.

“Did I have a choice?”

“If you want to live, no, you don’t. Have you already forgotten you are in grave danger?”

She glanced at the scooter. “Is that what you are? A thief?”

He nodded, and she wondered if there was the slightest of smiles behind the matted, grubby beard. “A thief. That’s correct, Felicia. We must go inside now.”

He waved the key as they rushed past reception, and went to the first floor where he opened the door and ushered her into his room. It was a suite, elegant and expensive, the kind she had only seen in movies. There were two large suitcases already packed on the floor. The pillows of the bed were covered with scattered chocolates. He picked up a couple and gave them to her. She ate greedily. It was good chocolate, the best. The room, she understood, had been waiting here, empty, running up a bill, perhaps for weeks.

“Do you have a passport with you?” he asked.

“Of course. It is the law.”

She showed him.

“I meant the other. You have dual nationality. This is important.”

“No.” She shook her head forcefully. “I am Polish only. That was an accident of birth.”

“A lucky accident,” he grumbled, and picked up a briefcase by the side of the bed. The man-she could no longer think of him as a tramp-pulled out a blue document, an American passport.

“Your name now is Joanna Phelps. Your mother was Polish, which explains your accent. You are a student at college in Baltimore. Remember all this.”

She didn’t take the passport, though she couldn’t stop herself staring at the gold eagle on the cover.

“Why?” she asked.

“You know why, Felicia,” he replied.

“I don’t, really… ”

His strong hands suddenly held her shoulders, shaking her slender frame. His eyes were fierce and unavoidable.

“What’s your name? What’s your name?”

“My name is Felicia Kaminski. I am nineteen years old. A citizen of the Polish Republic. I was born… ”

“Felicia Kaminski is dead,” he cut in. “Be careful you don’t join her.”

Stepping back, he said, “Do not answer the door to anyone. Eat and drink from the mini bar if you need something. I must-” he stared at the grubby clothes, hating them-“do something.”

He took new clothes out of one of the cases and disappeared into the bathroom. She looked at the second piece of luggage. It seemed expensive. The label bore the name Joanna Phelps and an address in Baltimore. Felicia opened it and found that it was full of new jeans, skirts, shirts and underwear. They were all the right size, and must have cost more than she earned in an entire month.

When he came out he was wearing a dark business suit with a white shirt and elegant silk red tie. He was no more than 40, handsome, Italian-looking, with a sallow skin, clean shaven, rough and red in places from the razor. He had dark, darting eyes and long hair wet from the shower, slicked back on his head, black mostly, with gray flecks. His face seemed more lined than she felt it ought to be, as if there had been pain somewhere, or illness.

He had a phone in his hand.

“In an hour, Joanna, we will go to Fiumicino,” he said. “There will be a ticket waiting for you at the first class Alitalia counter. You show them your passport, check in and go straight to the lounge. I will meet you there. I shall be behind you all the way. Do not stop after immigration. Do not look at me. Do not acknowledge me until we have landed and I approach you.”

“Where are we going?”

He considered the question, wondering whether to answer.

“First to New York. Then to Washington. You must know this surely. How else would one get back to where you live from Italy?”

She said nothing.

“Where do you live, Joanna?”

She tugged at the label of the case he had provided for her. “I live at 121 South Fremont Avenue, Baltimore. And you?”

He smiled genuinely. In other circumstances, she might have thought she liked this man.

“That is none of your business.”

“Your name is?”

He said nothing, but kept on smiling.

Felicia walked quickly to the second case, before he could stop her, and grasped the label.

It was blank. He laughed at her, and she was unsure whether this was a pleasant sound or a cruel one.

“So what do I call you?” she asked.

A theatrical gesture: He placed a forefinger on his reddened chin, stared at the hotel bedroom ceiling, and said, “For now, you may call me Faust.”

3

JAMES GRADY

The jetliner glided out of the night to touch down at Washington’s Dulles Airport 29 minutes early and 47 minutes before Harold Middleton killed a cop.

As soon as the plane’s wheels grabbed runway, Middleton text-messaged his daughter.

She hadn’t answered his calls from Europe, and state, county and city police had been vague about protecting a young couple just because a frantic father called from Poland. The D.C. suburban cops seemed skeptical of Middleton’s promises that Polish badges and American diplomats would echo his alarm as soon as their chains of command argued out who should contact whom.

Middleton’s text-message read: GREEN LANTERN EVAC SCOTLAND.

GREEN LANTERN: His then-wife Sylvia had scoffed at his family code word system to prevent their toddler from being deceived by two-legged predators, but little Charlotte judged the plan cool, especially when Daddy let her make their secret code his (and thus her) favorite comic book hero.

EVAC: Charlotte was nine when the Pentagon Military Intelligence Unit where Middleton spent most of his career ran an evacuation drill. She adopted the word EVAC as a mantra, with significant shifts in irony as she roared through her teenage years.

SCOTLAND: When Charlotte got married, Middleton let her use his suburban house for the wedding’s staging ground while he rented another lonely room in a hotel near the Capital Hill garden for the marriage ceremony. Two nights before the wedding, father and daughter got drunk in the hotel bar as she introduced him to a hip single-malt Scotch. From then on, they called that hotel “Scotland.”

Told her what to do, thought Middleton. Where to go. That it’s really me.

If she got the message.

The seatbelt “ding!” launched Middleton into the plane’s aisle. Looping the shoulder strap on his soft black briefcase across his sports jacket kept his hands free. He didn’t know where the rest of his luggage was; didn’t care. His briefcase held his work, his laptop, iPod and toiletries airport security let him take onto an airplane, plus a paperback copy of Albert Camus’s The Stranger .

As Middleton was about to reach the plane’s door, a couple from first class barged in front of him. The woman, who may have looked great 10 years and a million scowls ago, clutched a battered jewel case to suspiciously firm breasts as she and her sad-eyed husband shuffled up the jet way ahead of Middleton.

Middleton heard the wife huff, “I still can’t believe that sister of yours thought she could keep your mother’s jewels from me just by going to Europe!”

The husband’s flat voice knew its own irrelevance. “We all make mistakes.”

They bumbled ahead to Customs, where a surgical-gloved guard carefully examined the jewel box’s glittering necklaces, bracelets and earrings, comparing them to a transit document the wife kept tapping with her crimson fingernails. When he was through, the first class couple trudged ahead of Middleton through the terminal.

Middleton’s jagged nerves keyed him into a detached hyper-vigilance he’d not felt since returning to the Balkans’ slaughterhouse. There, all he had to fear were the ghosts of strangers. Now he felt his own life crawl along the edge of a straight razor.

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