Jeffery Deaver - Watchlist

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From International Thriller Writers comes WATCHLIST: two powerful novellas featuring the same thrilling cast of characters in one major suspenseful package. THE CHOPIN MANUSCRIPT and THE COPPER BRACELET are collaborations of some of the world’s greatest thriller writers, including Lee Child, Joseph Finder, Lisa Scottoline, and Jeffery Deaver, who conceived the characters and set the plots in motion. The other authors each wrote a chapter and Deaver then completed what he started, bringing both novellas to their startling conclusions.
In the first novella, THE CHOPIN MANUSCRIPT, former war crimes investigator Harold Middleton possesses a previously unknown score by Frederic Chopin. But he is unaware that, locked within its handwritten notes, lies a secret that now threatens the lives of thousands of Americans. As he races from Poland to America to uncover the mystery of the manuscript, Middleton will be accused of murder, pursued by federal agents, and targeted by assassins. But the greatest threat will come from a shadowy figure from his past: the man known only as Faust.
Harold Middleton returns in THE COPPER BRACELET -- the explosive sequel to THE CHOPIN MANUSCRIPT -- as he’s drawn into an international terror plot that threatens to send India and Pakistan into full-scale nuclear war. Careening from Nice to London and Moscow to Kashmir to prevent nuclear disaster, Middleton is unaware that his prey has changed and that the act of terror is far more diabolical than he knows. Will he discover the identity of the Scorpion in time to halt an event that will pit the United States, China, and Russia against each other at the brink of World War III?

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At least this time, she wouldn’t have to worry about heartbreak: This would not be a life-and-death struggle, only an annoyance in her day.

“He’s a funder,” her program manager had said over the village’s single crackling telephone, calling from Windhoek, his voice equal amounts sympathy and command. “You will have to see him.”

Leonora Tesla had come to the bush so she wouldn’t have to see anyone, except the HIV-positive women she worked with. After The Hague, after the hunting-after the shock of being called together and told by Harold the Volunteers must disband-even the smaller African cities had been too much for her. So she’d gone to the bush, traveling from village to village, staying not long in any one place. Her mandate was to establish craft cooperatives, micro-financing women’s paths to independence. The work suited her. Her days were filled now with distracting minutiae-finding hinges in one village so another’s kiln door could be repaired; lending the equivalent of four American dollars so a group could buy paper on which to keep records of baskets sold. And with beauty: the color-block quilts, the Oombiga pots whose tradition had almost been lost. Beauty suited Tesla too. Visual beauty: the way the women weaved echoed the stark subtlety of the African landscape. And musical beauty: The only artifact of 21st century technology she’d brought into the bush was an iPod loaded with-among other things-Bach preludes, Shostakovich symphonies and Beethoven sonatas. Reluctantly, she removed it now, cutting off Chopin as the Jeep neared. She hoped this wouldn’t take long. She’d ferry him around, this funder from… She’d forgotten to ask. She’d show him the kiln, the looms, the workshop. She’d rattle off her statistics on life-span extension and self-sufficiency, give him her little speech about hope for the next generation. The women would present him with a quilt or a pot for which he could have no possible use and he’d be patronizingly pleased with them and inordinately proud of himself for making this all possible. Then maybe he’d go away and leave them in peace.

Oh, Leonora, at least try to smile.

The other Volunteers used to say that regularly, and precisely because their work gave them little to smile about, she’d try. She did it now, a polite smile for the angular blond man who stepped from the Jeep. He smiled back and slapped his hat against his thigh to shake off the dust. He took off his sunglasses: well trained in the art of courtesy, at least.

“Leonora Tesla? I’m Günter Schmidt.”

He spoke in English with a soft accent she couldn’t quite place. Not German, but no law said his German name meant he was brought up in that country. That’s what the permeability of European borders was about. It was supposed to be a good thing.

They shook hands. Schmidt’s was soft and fleshy, as befit someone who dispensed money from behind a desk. “You’ve had a long drive,” she said. “Sit down. I’ll get you something to drink.” She indicated a stool on the hard clay under the overhang, but he followed her into the house. He’d learn, she thought. In Africa the indoor, though shadowed and appealing, was never cooler than outside.

Still smiling, Schmidt dropped himself onto one of the rough-hewn chairs at her plank table. She handed him a bottle of BB orange soda. In a hut without electricity, of course she had no refrigerator, but she’d learned the African trick of burying bottles in a box in the hut’s clay floor, so the drink was relatively cool. “We’ll be more comfortable outside,” she suggested, resigned to try to be pleasant to this intruder.

“No,” he said, “I’d rather stay here. Leonora.”

She bristled at the odd way he said her name, but his expression was mild as he looked about her hut. So she shrugged, wiped her brow with her kerchief and sat beside him.

“You’ve lived here long?” Schmidt asked, taking a pull from his soda bottle.

“No. I don’t live anywhere long. My work takes me many places.”

“That would account for the… simplicity.”

“And yet my possessions, few as they are, are more numerous than those of the women in our programs. When you’re rested, I’ll take you to see the kiln. We’ll be covering a lot of ground today if you want to see the full scope of our work.” She stood to reach her own Jeep keys on the hook by the door.

“No, I think we’ll stay here. Leonora.”

She turned sharply. His smile and the mild expression in his eyes were still in place, but his hand held a pistol, pointed at her.

Calm, Leonora. Stay calm. “What do you want?”

“Where is Harold Middleton?”

Tesla’s heart, already pounding, gave a lurch. But she spoke calmly. “Harold? How would I possibly know?”

Schmidt didn’t answer her. The gun moved slightly, as though seeking a better angle.

“Isn’t he in America, in Washington? That’s where he lives.”

“If he were in Washington,” Schmidt asked reasonably, “would I be here?”

“Well, I haven’t heard from him in almost a year.”

“I don’t know whether that’s true, though eventually I’m sure I’ll find out. But it doesn’t matter. Whether you’ve heard from him or not, you know where he’d go. If, say, he were in trouble.”

In trouble? “No, I don’t.”

“When you worked together-”

“When we did, I might have been able to tell you. But I don’t know anything about his life now. He teaches music; I don’t even know where.”

Neither of them had moved since Tesla had seen the pistol. Neither of them moved now, in the stretching silence. A breeze rustled the leaves in the acacia behind the hut. Sweat trickled down Tesla’s spine.

“Who are you? What do you want with Harold?”

He laughed. “I suppose you had to ask that, but you know I won’t tell you. But it’s about your work, Leonora.”

“The Volunteers?”

His smile was bitter. “Your work. So. You really don’t know where Middleton is? Not even if I shoot you?”

A gunshot roar ricocheted off the tin roof and mud walls; Tesla stumbled, grasped the plank table for support as clay shards flew everywhere. She found herself staring into Schmidt’s mild eyes. Wheezing a few breaths, quieting her heart by an act of will, she answered him.

“Even if you shoot me. I don’t know.”

Schmidt nodded. “All right. You don’t know where he’d go if he were in trouble. I suppose then we’ll have to depend on what he’d do, if you were in trouble.” He stood. “Come.”

“What?”

“As you said: We’ll be covering a lot of ground.”

She walked ahead of the gun out onto the uneven baked earth. The glaring sunlight was unforgiving; she did not turn, but waited. There: a stutter in his step, a whisper of plastic on fabric. Behind her, Schmidt reached into his pocket for his sunglasses, she dropped down and rolled into him. He stumbled; she yanked his ankle forward, threw her weight sideways into his other knee. Dust boiled as he thudded to the ground. Another shot screamed, but out here in the endless bush it didn’t thunder, and she’d been prepared to hear it. The gun waved wildly, looking for her, but by the second shot she was in the hut and by the third she’d hurled a clay pot with the force and accuracy of Yaa Asantewa’s spear.

In the whirling dust, Schmidt-and more important, the gun-was still.

Forcing her breathing even, Tesla crouched by the door, waiting. When all had been motionless for a full minute, she crept to the table, reached down for one of the soda bottles and flung it at Schmidt’s head. On impact it smashed into glittering shards, but Schmidt didn’t move.

Slowly, she rose. She made her way to where Schmidt lay in the settling dust. His blood trickled into the dry soil amid the shards of a once-beautiful pot. There, you see, Leonora? This time you were on the side of the dust. And the predator always wins.

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