Tess Evans - Book of Lost Threads

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Life is full of loose ends. Some are merely dusty cobwebs of regret that hang limp and forgotten in the shadowy corners of our past, others are the barbed rusty wires of unfinished business that bind and constrict even the most mundane aspects of our existence. In her debut novel Tess Evans delves into the tangled lives of her characters and explores the unresolved baggage that they must each unpack in order to move on with their lives.
The Book of Lost Threads opens on a wet winter’s night. Moss has just arrived at the doorstep of Finn Clancy, the man she believes to be her father and she is seeking answers. Finn, however, is not immediately inclined to provide them. Immersed in guilt and self pity he has forged a life for himself in the fictional Victorian town of Opportunity. Drawn to fellow lost souls Mrs Lily Pargetter and her nephew Sandy, he has eked out a life attempting to atone for his past sins, both real and imagined.
Moss’s appearance jars the fragile rhythm of his life and kick starts a series of events that affect not only the novel’s four main characters, but also the entire town. Moss, Finn, Mrs Pargetter and Sandy have all been touched by tragedy, and all have developed their own individual coping strategies. Moss denies her talents, Finn retreats into silence, Sandy makes plans for a town memorial, the ‘Great Galah’ and Mrs Pargetter knits – she has been steadily making tea cosies for the United Nations for thirty five years.
With a delicate but deft touch their individual and collective stories are carefully teased out and examined. Tess Evans recently wrote that the Book of Lost Threads begins with a question which, once answered, gives rise to a train of further questions and answers. Its strongest moments are in the stories of Finn, Mrs Pargetter and Sandy. Finn is crippled by the results of one drunken night’s thoughtless actions and Mrs Pargetter struggles with the consequences of horrendous personal loss. Sandy is weakened by a lifetime of failure to stand up to his bullying father. Even his voice is constricted, sounding ‘as though it were being forced out from somewhere high in the throat.’ He is initially a feeble, unattractive character who finally gains strength when he confronts his own demons, for it is only then that his innate kindness can shine through.
Moss’s struggle is perhaps the least convincing of the four, but this is largely because her loss and subsequent regret are only recent and have not warped her beyond recognition – I would have liked even more of her story. In contrast, Finn feels his tragedy is so all consuming that ‘the person he was… no longer existed’, Moss is the catalyst for the others to find resolution and for them to become whole and balanced individuals. It is through her that the lost threads of the title, all of the loose ends and unfinished tales, are woven into a rich tapestry of meaning – although all four characters contribute to each of the other’s healing and growth.
The Book of Lost Threads is Tess Evan’s first novel. She is a Melbourne author who has also written many short stories and poems. Her previous experience in the TAFE system, where she taught and counselled a wide range of people of all ages, professions and life experience, is clearly reflected in the depth of her work. The lyrical writing makes it deceptively accessible, but it is far more than a light easy read. The complexities of the themes and characters are attributes of a much deeper work, one that lingers in the imagination. I would recommend it to anyone seeking a thoughtful exploration of the gentle power of humanity.

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Moss didn’t know. ‘I’d like to think I did,’ she said with painful honesty, ‘but I need to sort out a couple of things before I can really commit.’ She had no idea what these things were; she just felt unable to make a decision.

Emilia Cuicci sighed. These young people with their dramas and busyness. I despair of them. ‘I will give you until the New Year to decide,’ she told her student. ‘Come to me by the first week in February. There are many other talents who wait for an opportunity like yours.’

Opportunity. The word now had a new layer of meaning. The little town beckoned and she was impelled to return. Her closest friends at the moment, she thought with surprise, were an old lady, a nutty visionary with sweaty hands, and her father, Finn, a man burdened with guilt. Perhaps she did have unfinished business there after all. She couldn’t explain this feeling to herself, let alone Amy, and simply told her mother that she had a few loose ends to tie up.

Amy was ashamed to realise that she was happy to see her go. When Moss was in the house, undercurrents, ripples and whirlpools disturbed the calm waters of her life. Moss was a lot like Linsey.

‘A good idea,’ she said when Moss announced her impending return to Opportunity. ‘You should call and warn them you’re coming this time.’

So Moss rang Mrs Pargetter, who was delighted to hear the news. ‘Moss is coming back, Errol, how about that?’

Errol’s delight shone in his eyes, quivered in his tail. The old lady opened the door to the room with the stoic little teddy bears, confirming the absence that had returned to occupy its every dark corner. The pain of her long-ago loss had been held at bay in that room, imprisoned behind the white-painted door. When Moss had arrived, the old lady was inexplicably moved to allow living light to enter and felt, for the first time in years, a desolate little spirit begin to move timidly towards her. It had withdrawn with Moss’s departure, leaving Mrs Pargetter to grieve afresh. She closed the door softly and sat for a while with Errol’s head on her lap.

When Moss arrived on the evening bus, Finn was at the stop to greet her. It was his Silent time, she noted gratefully. She swung her backpack down to his waiting arms, and when she alighted, stood on tiptoe to give him a kiss on the cheek. He actually beamed, the down-drawn lines of his face relaxing, his expression suddenly youthful.

‘Good trip?’ he asked. ‘At least the train was on time for this visit.’ He fumbled with the straps of her backpack, trying to lengthen them to accommodate his broader shoulders. ‘We missed you- I missed you,’ he said diffidently, peering at the buckles as though they were marvels of innovation. ‘Mrs Pargetter and Sandy are back at her place for a sort of, you know, welcome home.’

Errol met them at the gate and, in a surprising display of agility, capered joyfully around Moss, tongue lolling, tail wagging frenetically.

‘Good boy. Good dog.’ Moss knelt and rubbed his head and ears with both hands. ‘Did you miss me too, Errol?’ Leaving her in no doubt as to the answer, the dog led her to the front door where Mrs Pargetter greeted her with a kiss.

‘I’ve got a nice lamb roast,’ she said. ‘Sandy brought the leg around specially.’

Sandy was hovering in the background like a self-conscious full moon. ‘Nice to see you, Moss. Hope you like lamb.’

Moss hadn’t forgotten the big man’s kindness after Linsey’s death. He’d been quiet and unobtrusive as he made her comfortable in the car, his face betraying real concern. He had sent her flowers and a handwritten card. Losing a mother is a terrible thing , he wrote in his large, square handwriting. No platitudes. No preaching. Just the truth. Losing a mother is a terrible thing.

Since then, Moss had begun to look at Sandy with new eyes. Forgetting her former distaste, she planted a kiss on his astonished cheek. ‘I love lamb,’ she responded. ‘By the way, Sandy, I’ve never thanked you properly for driving me to Melbourne. I don’t know what I would have done otherwise.’

‘No worries, love,’ Sandy replied gruffly.

The meal took on a festive tone, and the obsessive Sandy brought Moss up to date with his plans for the Great Galah. The blueprints were now with a design engineer, he told her. They’d have to make some adjustments to the slide for safety reasons, but, all in all, things were going along very nicely indeed. Mrs Pargetter seemed to take all this in her stride, but Finn squirmed in discomfort while Moss made polite murmurs, which were sufficiently encouraging for Sandy to raise one of his concerns.

‘I do have a bit of a problem,’ he said. ‘And I’d be interested to know what you think, Moss.’

Finn gazed studiously at the curtains, ignoring his daughter’s silent plea for help.

‘The fact is,’ confided Sandy, ‘galahs are grey.’ He waved his hand to ward off premature comment. ‘I know they’re pink as well. A very nice pink, when you think about it. But there’s no getting away from it: there’s just too much grey. Can you see where I’m going with this, Moss?’

‘Um… grey. A problem with grey?’

‘You’ve hit the nail on the head. What sort of tourist attraction is grey?’

‘A grey one?’

‘A grey one! Exactly. A boring, unattractive grey one. Now, can I make it yellow, or blue, or even all pink? Would it still be a galah?’ He sat back, folding his arms. ‘That’s my question, Moss. My dilemma.’

Moss tried to sound judicious. ‘I can’t see a galah being any other colour, Sandy. You could maybe get away with a bit more pink than you’d find in nature… but not blue or yellow. If it’s a galah, it has to be mostly grey.’

‘That’s what Aunt Lily and your father say too.’ He looked momentarily hopeful. ‘What about silver?’ The other three shook their heads. ‘Well, I’ll keep working on it. You never know. Solutions can pop up out of the blue.’

‘He’s a strange bloke,’ said Finn as Mrs Pargetter saw her nephew to the door. ‘He’s made a fortune on the stock market while other farmers are struggling to pay the mortgage. He looks after his aunt. He’s done some fine things for Opportunity, but where on earth did he get this hare-brained scheme?’

Mrs Pargetter re-entered the room in time to hear Finn’s question. She held the curtains aside, watching Sandy’s back as it retreated down the path. ‘I may be wrong, but I believe there is more to it than meets the eye,’ she said. ‘The idea of a memorial to that brute of a father would be more than I could bear-except that it has to be a monumental failure. I’m happy to say that it’ll make Major Bully-boy Sandilands a laughing stock.’

‘But what about our Sandy? Won’t he be a laughing stock too?’ Moss was horrified. This nice old lady had a vindictive streak she hadn’t guessed at.

‘Poor George. He’s not vicious like his father, but he is weak. He never stood up for his mother, even when he was old enough. I’m no psychologist, but I’d say that my nephew is killing two birds with one stone, if you’ll pardon the pun. His Great Galah will not only punish his father-it will also punish him.’ She went on as Moss and Finn looked at each other: ‘I don’t think he’s really aware of this. Or maybe he is. Either way, it’s for him to work his way through without interference.’ And she sucked in her teeth in a very decisive manner.

After Finn left, Moss helped Mrs Pargetter clear the table and wash the dishes.

‘I think I’ll just start a new cosy-knit a few rows,’ the old lady said when they were finished. ‘You’ll want to unpack, I suppose.’ She picked up her needles and began to cast on the stitches… Fourteen, sixteen, eighteen … She looked up. Moss had vanished into her room. Her room. Mrs Pargetter felt a tension in her scalp.

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