Tess Evans - Book of Lost Threads

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Life is full of loose ends. Some are merely dusty cobwebs of regret that hang limp and forgotten in the shadowy corners of our past, others are the barbed rusty wires of unfinished business that bind and constrict even the most mundane aspects of our existence. In her debut novel Tess Evans delves into the tangled lives of her characters and explores the unresolved baggage that they must each unpack in order to move on with their lives.
The Book of Lost Threads opens on a wet winter’s night. Moss has just arrived at the doorstep of Finn Clancy, the man she believes to be her father and she is seeking answers. Finn, however, is not immediately inclined to provide them. Immersed in guilt and self pity he has forged a life for himself in the fictional Victorian town of Opportunity. Drawn to fellow lost souls Mrs Lily Pargetter and her nephew Sandy, he has eked out a life attempting to atone for his past sins, both real and imagined.
Moss’s appearance jars the fragile rhythm of his life and kick starts a series of events that affect not only the novel’s four main characters, but also the entire town. Moss, Finn, Mrs Pargetter and Sandy have all been touched by tragedy, and all have developed their own individual coping strategies. Moss denies her talents, Finn retreats into silence, Sandy makes plans for a town memorial, the ‘Great Galah’ and Mrs Pargetter knits – she has been steadily making tea cosies for the United Nations for thirty five years.
With a delicate but deft touch their individual and collective stories are carefully teased out and examined. Tess Evans recently wrote that the Book of Lost Threads begins with a question which, once answered, gives rise to a train of further questions and answers. Its strongest moments are in the stories of Finn, Mrs Pargetter and Sandy. Finn is crippled by the results of one drunken night’s thoughtless actions and Mrs Pargetter struggles with the consequences of horrendous personal loss. Sandy is weakened by a lifetime of failure to stand up to his bullying father. Even his voice is constricted, sounding ‘as though it were being forced out from somewhere high in the throat.’ He is initially a feeble, unattractive character who finally gains strength when he confronts his own demons, for it is only then that his innate kindness can shine through.
Moss’s struggle is perhaps the least convincing of the four, but this is largely because her loss and subsequent regret are only recent and have not warped her beyond recognition – I would have liked even more of her story. In contrast, Finn feels his tragedy is so all consuming that ‘the person he was… no longer existed’, Moss is the catalyst for the others to find resolution and for them to become whole and balanced individuals. It is through her that the lost threads of the title, all of the loose ends and unfinished tales, are woven into a rich tapestry of meaning – although all four characters contribute to each of the other’s healing and growth.
The Book of Lost Threads is Tess Evan’s first novel. She is a Melbourne author who has also written many short stories and poems. Her previous experience in the TAFE system, where she taught and counselled a wide range of people of all ages, professions and life experience, is clearly reflected in the depth of her work. The lyrical writing makes it deceptively accessible, but it is far more than a light easy read. The complexities of the themes and characters are attributes of a much deeper work, one that lingers in the imagination. I would recommend it to anyone seeking a thoughtful exploration of the gentle power of humanity.

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Finn, meanwhile, stood holding Moss’s bag, unsure of his 167 place.

Sandy leaned out of the window. ‘What do you want to do, Finn? I can come back later, if you like.’

Before Finn could reply, Amy turned towards them. ‘Michael, it was kind of you to bring Moss home-both of you.’ Her smile included Sandy. ‘Would you like to come in for a coffee?’

‘I’ve got a couple of things to do,’ said Sandy, ‘but thanks anyway.’ He turned to Finn. ‘You stay if you want. I can meet you back at the Coachman’s Inn.’

‘I won’t impose,’ Finn said. He looked at Moss. ‘You two need some time to yourselves. I’ll be by later.’

Amy held out her hand. ‘Nice to see you again, Michael.’

Finn shook her hand but failed to meet her eye. ‘Yes, you too. We’ll be in Melbourne for a couple of days. I’ll ring before we leave.’ He put an unpractised arm around Moss’s shoulder and pecked her cheek. ‘You take care, now,’ he said.

Moss sat at the kitchen table drinking coffee and, surprising herself, eating one of Mrs Pargetter’s muffins. She scrabbled in her bag and drew out a woollen object.

‘Mrs Pargetter sent this for you, Mum. It’s a tea cosy.’ She smiled faintly. ‘One less for the United Nations.’

‘That’s kind of her,’ Amy said, alternately squeezing and smoothing it with nervous hands. She had a difficult message to deliver. ‘Moss, Felicity and Robert will be back tomorrow week. They’re planning a memorial service for Linsey. They believe that she wanted you to sing.’ She peered into her daughter’s suddenly impassive face. ‘You will sing, won’t you?’

Moss’s eyes betrayed her. ‘I can’t. I don’t feel I can, after…’

Amy was uncharacteristically firm. ‘I know that, but this is not about your feelings, Miranda.’

When they met the following week to plan the service, Felicity was even more blunt than usual. She loved her sister dearly and knew how much she longed for reconciliation with Moss. Now there was no hope. Linsey had died carrying the burden of that rejection. ‘You hurt my sister more than you can know,’ she told a weeping Moss. ‘I can’t say that I want you to come, either, but that’s hardly the point. Linsey’s last request was that you sing at her funeral. If you can’t find it in your heart to do this one thing for her, then you’re even more callous than I thought.’

So Moss sang. She chose ‘Pie Jesu’, not for religious consolation but because agnostic Linsey loved the music. She sang her grief and sent it soaring with the white balloons released by the other mourners. Finn stood among them and thought of the strange circumstances that connected him to the dead woman. He even smiled when he remembered her holding out the ‘receptacle’, as she called it, and her disapproving sniff as she handed him the magazines. He looked across the garden at his daughter and allowed himself to drown in her voice. She was so small and vulnerable. And brave. Yesterday she had been distraught, calling him in the middle of the night.

‘Felicity and Amy are right, Finn. I’m so selfish. But how can I sing for Linsey now? I had every opportunity to let her back into my life and I blew it.’ Her voice rose in pitch. ‘She died thinking I hated her. Hated her! What sort of person does that make me?’

Finn felt a surge of panic. Here was the first test of his competence as a parent and he couldn’t think of one reassuring thing to say. ‘Moss, listen: you must sing…’

‘I can’t! My throat is so tight I can’t sing a note. I can’t do it!’

‘You can,’ said Finn helplessly. ‘Moss, you can.’

Listening as the last notes of ‘Pie Jesu’ died away, Finn truly hoped that Linsey would rest in peace. She had been the driving force that produced this child whom, he now realised, he had come to care for very much indeed.

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Linsey left a substantial estate. Felicity’s children, Toby and Pippa, and Robert’s son, Cal, all received generous bequests. She left smaller sums to the Red Cross and Médecins Sans Frontières, but the bulk of her estate, including the house, was left to my goddaughter, Miranda Ophelia Sinclair .

Felicity was outraged. ‘That house belonged to our family,’ she fumed to Robert. ‘And she left it to that girl who’s not even related.’

‘Well, that’s a moot point,’ Robert replied. ‘She always saw Miranda as her daughter, even after she and Amy split up.’

‘And what thanks did she get? That girl broke her heart. There’s nothing we can do about the will, but we’re Linsey’s next of kin, and I intend to make it clear where we stand on this.’

When his sister had one of her ‘notions’, Robert always found it easier to acquiesce.

And so it was that the brass plaque mounted over Linsey’s ashes denied the motherhood that had been her greatest source of joy and pain: Linsey Anne Brookes, died 2 August 2006. Loved and loving daughter of Meredith and John Brookes, loved and loving sister of Felicity and Robert. Returned to the universe.

Moss had read the will in disbelief. The money, the shares, even the house were insignificant beside one stark fact: Linsey had referred to Moss as her ‘goddaughter’.

‘It’s probably just a legal thing,’ Amy said. ‘She always thought of you as her daughter.’

But Moss wasn’t interested in legalities. In her last will and testament her mother Linsey had repudiated their relationship. It was Moss’s fault and now it was too late to make amends.

She felt the title goddaughter scorch her like a brand. Why hadn’t Linsey adopted her? This question became a constant in her effort to deal with her bereavement. ‘Isn’t the fact that she left you the house enough?’ Felicity retorted when asked.

Amy in turn was evasive. ‘I don’t know. We never really discussed it.’ What remained unsaid was their knowledge that Moss had been the one who had wanted to hide the relationship. Averting their eyes, they both remembered the elaborate story Moss had concocted. How Amy and Linsey were sisters-in-law whose husbands had died in a fishing-boat accident. How they decided to live together for company and economy. They both remembered the first parents’ night at Moss’s new school.

‘This is my mother,’ Moss had said, indicating Amy. ‘And this is my… aunt. Aunt Linsey.’ And Linsey had smiled and shaken hands and made polite conversation, never once betraying her pain. Now Moss felt that this was the punishment she was due.

But, perversely, she was still hurt. She wanted answers, and decided to visit Robert. He’d been kind to her at the service, attempting to shield her from the worst of Felicity’s venom and thanking her for the music. He had lived alone since his divorce. While he sounded surprised when Moss rang, he readily agreed to the meeting.

‘Come about one,’ he said. ‘We’ll have a bit of lunch.’

Moss arrived punctually and was greeted with a kiss on the cheek-a real one, where lips actually touch the face. Robert was the oldest of the three siblings; Moss estimated that he must be nearing sixty. His face had deep grooves from nose to chin, and his hair, thinning on top, left him with a greying tonsure. He was small like Linsey, and had the same large grey eyes, which looked mildly at Moss over his reading glasses.

‘So, how are you, Miranda?’

‘Moss, please, Uncle Rob.’

‘Yes. Sorry, Moss. Come in here while I make us a sandwich.’

The kitchen/living room was neat and bare. There were no pictures on the walls or cushions on the sofa. A newspaper lay open on the table. Robert must have been reading when she arrived. It looks temporary , Moss thought. Like a motel room . Her uncle made sandwiches and tea with a minimum of fuss, the conversation easy and impersonal.

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