Jonathon King - A Killing Night
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- Название:A Killing Night
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At eight thirty I saw Billy walking up the wide stairway of the jail. He was dressed in a dark business suit. Conservative, not showy. Professional, not overly so.
"M-Max. You l-look tired," he said, shaking my hand.
"Sleep deprivation therapy," I said. "Does wonders for the soul."
"Yes. Those b-bags under your eyes certainly do m-make you look wiser, and older."
"Thanks."
He opened his leather briefcase and took out a photograph and handed it to me. Even though the lighting was dim and the shot too close, the detail was sufficient. The man was handsome. A strong cleft chin. Cheekbones high but perhaps that was from the shadows. The bridge of his nose was as straight as a rule. Never been broken, I thought. He wasn't a close-in fighter. The eyes were dark and even though they were focused off in another direction, one had the feeling that they were very aware of the photographer if not the actual lens of the phone camera. In the background I could make out the front of the jukebox at Kim's and the reflection of mirrors.
"F-From our client," Billy said. "You can explain later w-why you are farming out surveillance. R-Right now, we are due in c- court."
Inside, the lobby of the county jail was done in all government design. The floor was that easy-to-clean polished stone. The walls an institutional bone white. Floor-to-ceiling windows, double pane, made up the wall to the east and, since the entrance was actually two floors above ground level, there was a view of the river and the condo building going up on the other side. The preconstruction prices across the way were starting at $375,000 to $1.2 million for the top floors. The future residents would have a wonderful unobstructed view of the seven-story jailhouse. Real estate in Florida, I thought. Some gang of government officials had approved the building of a house for criminals on waterfront property. Location, location, location.
On the other side of the lobby were three lines queuing up to Plexiglas-covered windows as if they were selling tickets. There were women in work clothes, two toting small children. A man wearing navy, grease-stained pants and a light blue shirt with his name over the pocket was arguing with a young woman whose tear-stained face held a look of worry, heartbreak and befuddlement all at once. Both of them were comparing the content of their wallets, searching, I figured, for some way to make bail for a family member inside.
Down a wide corridor a security checkpoint was set up and beyond it a single wood-veneered door. It was topped with the sign MAGISTRATES COURT. We passed through the metal detectors with all the requisite emptying of pockets, removal of pagers and cell phones. Billy went through with smiles and nods. I had to stop for a wand check of belt buckle, sunglasses and the metal buttons on my canvas shirt.
"Clothes m-make the man, Max," Billy said.
"And the terrorist?" I answered.
He grinned but then went all business when we entered the courtroom.
There was nothing ornate about the place. The judge was already sitting up behind the large raised desk, his reading glasses down on his nose, his hands shuffling paper to a woman clerk standing beside him. There were less than a dozen people in the gallery, which was made up of rows of plastic chairs instead of the usual wooden pews. There was a freestanding half-wall that separated those chairs from another row. Two tables, left and right, that acted as a buffer between those empty seats and the judge.
I sat behind the wall while Billy went around to the table on the left and introduced himself to a harried, middle-aged man in a suit who seemed mildly surprised as he shook Billy's hand. He then sorted quickly through a sheaf of papers and handed Billy two pages. He almost looked relieved. Billy sat at the defense table to read and I watched the judge take a moment to look up over his glasses to access the new presence in his court. At the table on the right, an equally busy and equally suited younger man was going through his own stack of files. He would be some low-on-the- seniority-scale attorney for the prosecutor's office. He too stole a look at Billy.
At exactly nine, a barrel-chested officer who had been standing near the bench, apparently flirting with the judge's clerk, became serious and opened an adjoining door. Twenty men filed in, handcuffed in twos, a left wrist to a right wrist.
They were instructed to sit in the row of chairs in front of the short wall. They came in with the sound of shuffling feet and the soft clinking of loose stainless steel. Some were still wearing the street clothes they had on when they were arrested. Others were dressed in orange jumpsuits. They all had tired eyes and unshaven faces. A few looked tentatively around the room, into the gallery to find a family member or a friend. There were twenty of them and eight of us.
O'Shea was the twelfth man in, attached to a huge black man in a jumpsuit. His face was a stoic mask. He would not have said a word all night. He would have stared at a spot on the wall with the smell of gang sweat and alcohol puke and the single open toilet for ten men in the holding cell without comment or expression. His reaction to any attempt at conversation or query would have been that same hard stare that held his face now. I could not measure the anger or frustration behind his eyes as he came in and looked around the room, finally finding me and raising his stubbled chin in acknowledgment.
There was no formal call to order. When the men were seated the judge simply nodded his head and the clerk began to call out names. Each man would stand with his handcuffed partner, who was forced to rise with him. After the first few calls the named arrestee learned to raise his unshackled hand when the judge repeated, "Which of you is Mr. Whomever."
The charges against the man were then read. He was asked if he was represented by counsel or wanted the judge to appoint the public defender to act on his behalf. Again, it took only a few examples before the next man repeated: "Public defender, sir."
The P.D. would then walk over to his newest client with paperwork and have a quick and far from private discussion, and then return to his table.
"Status, Mr. Marsh?" the judge would repeat.
Marsh would then request bail, in the standard amount that he no doubt had memorized: $10,000 for a DUI or battery charge to $1,000 for loitering. The judge would ask the prosecutor for an opinion, which was a standard: "The state has no objection, your honor," and the rhythm moved on.
They were halfway through the alphabet when I picked up on movement near the entrance to the room and turned to see Detective Richards enter. She too was in a dark suit. Her hair was pulled back. She was with a man who had the look of a supervisor. I looked away for a few moments and by the time I did a double take, she had spotted me, and probably Billy, too. Her eyes met mine and they were as cold as O'Shea's and I wondered why the hell I'd even gotten myself involved in this duel. Richards and her companion sat somewhere behind me and I did not turn around again. Billy continued his reading, though he could have memorized the few pages by now. If it was his protection against nervousness, it was a good one.
The clerk called out "Oglethorpe, Richard," and the black man next to O'Shea stood, bringing his partner the ex-cop up with him.
"Mr. Oglethorpe?" the judge said.
"Yes, sir." The man raised his free hand. He was as tall as O'Shea but outweighed him by a good sixty pounds and I could tell by the way the orange fabric stretched across his back that most of it was muscle. His skin was the dark brown color of a water tupelo trunk and from the back it appeared that the man was not in possession of a neck.
"Mr. Oglethorpe," said the judge, shuffling the papers and rereading for the first time this morning. "Mr. Oglethorpe you have been arrested on charges of two counts of murder in the first degree, two counts of aggravated sexual assault of a minor child under the age of twelve, battery of a law enforcement officer and attempted escape."
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