Robert McCammon - Mister Slaughter

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Mister Slaughter: краткое содержание, описание и аннотация

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Murder and ghoulish mayhem are the order of the day in bestseller McCammon's colorful third thriller featuring "problem-solver" Matthew Corbett and his escapades in early 18th-century America. After confronting a criminal mastermind in 
 (2007), Matthew finds himself a celebrity whose exploits have become sensational fodder for colonial tabloids. This heady attention contributes to a bad lapse of judgment when he and his senior associate, Hudson Greathouse, accidentally allow a brutal murderer, Tyranthus Slaughter, to give them the slip while they transport him to prison in Philadelphia. The rousing narrative details Matthew's dogged pursuit of the indestructible Tyranthus as the killer cuts a bloody swath through the Pennsylvania wilderness. McCammon shows a sure hand balancing scenes of Matthew's quiet contemplation with the cold-blooded carnage that makes his quarry's name so appropriate.

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He strode forward amid the debris, knelt down and began his examination of the treasures left behind. He considered himself well-read, for a colonist, but certainly not up to the standards of the London intellect. While London had a row of bookshops and one could browse the aisles at leisure for new volumes delivered that morning-at least, according to the Gazette-the only opportunity for Matthew to find books was from the moldy trunks of those who had died on the Atlantic passage and therefore had no further need of enlightenment. Every arriving ship put out the baggage of dead people, sold to the highest bidder. In most instances, any available books were bought up by the occupants of Golden Hill, not as reading matter but as a statement of social standing. Tea-table books, they were called.

It was thus, then, that Matthew found himself amid a bounty of books he had not read and, indeed, had never heard of before. There were leather-bound tomes such as The Blazing World, Sir Courtly Nice, Polexandre, Thou Thirsteth, The Pilgrim's Progress, A NewTheory of the Earth, The Holy State and the Profane State, The Corruption of the Times By Money, King Arthur, Don Quixote de la Mancha and Annus Mirabilis, The Year of Wonders1666. There were books thin as gruel and thick as beefsteaks. There were volumes in Latin, French and Spanish as well as the mother tongue. There were religious sermons, novels, histories, philosophical statements and discourses on the elements, the planets, Eden and Purgatory and everything in between. Matthew looked through a book entitled The Revengeful Mistress and, his cheeks flaming red, decided he couldn't have such a scandalous book found in his house, but he put it aside anyway thinking it was more suited for Greathouse's ribald tastes.

He discovered historical novels so huge he thought a couple of them in each saddlebag would sprain Dante's back. Eight volumes of Letters Written By A Turkish Spy intrigued him, and these he also put aside. He had once enjoyed-if that was the word-a banquet here at the house, but this was the true feast that kept him digging for more and even sprang a little feverish sweat to his brow, for he was going to have to make a terrible choice of what to take and what to leave behind. London's Liberty In Chains Discovered? An Account of Religion By Reason? Oh, hang it all; he'd go with Love's A Lottery, And A Woman the Prize.

Matthew wished he'd brought a wagon. Already he'd chosen far too many books and would have to go through them again to make the final selections. And there were the books still on the shelves! He got up from the floor and approached the remaining valiant soldiers that stood at attention before him.

On the third shelf, left side, he immediately saw a book he wanted, titled The Compleat Gamester. Then almost directly above that was another volume that called to him, stamped across the spine The Life And Death of Mr. Badman. His gaze travelled upward, and there upon the topmost shelf on the far left side was a huge tome entitled The History of Locks As Regards The Craft of Ancient Egypt and Rome. He felt his mouth watering as surely as if he'd been presented a selection of pastries. Chapel might have been an evil bastard, but if he'd read one quarter of these books he had certainly been a well-educated evil bastard.

Matthew pulled the library stepladder over and climbed up, reaching first for the Gamester. He looked through it, made a quick decision and put it aside to join the other candidates. He next latched onto a thin volume entitled A Discourse on Moonbeams, but this one was rejected. Then he reached up for the History of Locks and had to grab it with both hands for the thing was as heavy as a frying-pan. No, Dante would never stand for this, and he was about to push the book back into place when something shifted inside of it.

The movement caught Matthew by such surprise that he nearly tumbled off the ladder. He held the book steady, started to open it, and realized with a jolt that it was not a book at all.

It was a box, fashioned to masquerade as a book. The History of Locks bore its own lock, right where the edges of the pages ought to be. The lid would not budge. Whatever was inside, it was no light reading matter. But where was the key?

God only knew. In this wreckage, it was likely forever lost.

Matthew's eye found another book. The Sublime Art of Logic , read the gold-scrolled title. Think, he thought.

If I had left this here, where would I have hidden the key? Not very far away. Somewhere in this room, most likely. Hidden where it would be close at hand. He wondered. If there was a locked box disguised as a book about locks, might there be somewhere in the library a book about keys that actually hid a key? But he'd seen no such book. He'd looked at every title that lay on the floor. No History of Keys to be found. Of course, such a book may have gone into the fireplace.

Or not.

Matthew searched the titles of the nearby books. Nothi ng about a key. He took the History of Locks down the ladder with him and put it on the battered desk. The desk's single drawer was hanging open, and someone had dumped the inkpot into it to make a congealed black mess of papers and quills. Matthew walked to the far end of the bookshelves where the rest of the survivors stood. He looked up to the topmost shelf, at the volume that was on the fartherest right and therefore was placed exactly opposite of the History of Locks . It was a medium-sized book and looked very old; he couldn't make out the small, faded title on the spine.

But that was his suspect. Within another few seconds he'd dragged the ladder over, had climbed up and taken the book in his hand. It was very light, for a book.

The title, on scarred brown leather, was The Lesser Key of Solomon .

Opening it, he discovered that this indeed had once been a book, but the pages had been hollowed out with a very sharp blade. Within the square lay presumably not Solomon's lesser key, but Chapel's greater one. Matthew felt an inner rush of both joy and excitement that might have been called victory. He removed the key, closed the book and pushed it back into place, and then he descended the ladder.

As he slid the key into the lock, he realized that his heart was beating like an Iroquois' drum. What might be inside? A document from Professor Fell? Something that might point to his whereabouts? If so, it was written on stone.

He turned the key. There was a small polite click as befitted a gentleman's lock, and Matthew lifted the lid.

It may be that Fell is on the cusp of creating what we think he desires, Greathouse had told hi m. A criminal empire that spans the continents. All the smaller sharks-deadly enough in their own oceans-have gathered around the big shark, and so they have swum even here

Matthew was looking at a black leather drawstring bag. It was the solitary occupant of the box. The drawstring's knot was secured with a paper seal, and upon it was something stamped in red.

The big shark, Matthew thought. Perhaps Greathouse's marine metaphor had been close, but was incorrect. Stamped upon the paper seal in red wax was the stylized shape of an octopus, its eight tentacles stretched out wide as if to seize the world.

Matthew thought that Greathouse might be very interested in seeing this. He lifted the heavy bag out to set it on the table, and heard the unmistakable clinking of coins.

He put it down and just stared at it for a moment. To open it, he must of course break the seal. Was he ready to do that? He didn't know. Something about it frightened him, down to the level where nightmares take shape. Better to let Greathouse break the seal, and be done with it.

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