Robert McCammon - Mister Slaughter

Matthew wasn't worried about his own discomfort, but about Zed's and what might come of it. The slave had finished his task of returning the instruments to the box, and with his artwork protectively clutched in one hand he closed the box and latched it.

"He's done many drawings?" asked Berry as the color began to return to her cheeks.

"One or two every week, without fail. He has a boxful of them under his cot."

"I also draw. I wonder if he might care to see my work?"

"If he wouldn't," McCaggers said, "I certainly would."

"I mean to say it might be a way to communicate with him. To hear what he has to say." She looked at Greathouse. "Using an artist's language."

"A worthwhile endeavor, I'm sure." Some of the enthusiasm had left him; his eyes had lost the keen spark they'd shown before the subject of thirty-two pounds had been raised. "Well, as you please. Thank you for your time, McCaggers." He cast another glance at Zed, whose back announced he was through entertaining visitors, and then he went under the skeletons to the door and out.

"I look forward to seeing you again," McCaggers said to Berry, while Matthew felt like a third wheel on a higgler's cart. "Hopefully on your next visit I can get you that tea."

"Thank you," she answered, and it was with relief that Matthew followed her out of the coroner's domain and down the stairs.

On Wall Street, as they walked together toward the East River, Berry began to chatter about Zed's drawings. A natural quality, she said. An elemental force. Don't you think?

Matthew shrugged. To him they'd looked like something that might have been scrawled by an inmate at the New Jersey colony's Public Hospital for the Mentally Infirm near Westerwicke. He was debating saying so when a black cat squirted out from between two buildings and ran across his path, and so he kept his mouth shut and his eyes wide open for rampaging bulls, muskrat holes, clods of horse manure and whatever else the Devil might throw in his direction.

Early Saturday morning, as the sun rose through the forest and lit the world in hues of fire, Matthew found his mind on the monster's tooth.

He was astride the muscular black horse Dante, which was his mount of choice from Tobias Winekoop's stable. He was riding north along the Post Road, and had been making good progress since seven o'clock. Long past him were the familiar streets and structures of the city; here, on this road that climbed hills and fell into valleys and wound between huge oaks and underbrush that made claim to choke off the path altogether, he was in a truly dangerous country.

In midsummer he'd been stopped by a devious, great ass of a highwayman near his present position. There were wild animals to beware of, and Indians who would never be seen except for the arrow that flew at your throat. It was true that tucked back along the river's cliffs were occasional farms and estates protected by stone walls and settlers' muskets, for what they were worth. Never let it be said that the New Yorker did not possess courage. Either that, or a passion for life on the edge of disaster.

Matthew wished not to provoke disaster today, but he was ready if it bit at him. Under his gray cloak he wore a black sash around his waist, and in that sash was a loaded flintlock with which he'd become quite proficient under Greathouse's demanding tutelage. Matthew knew he'd never be much of a swordsman nor was he particularly swift with his fists, but he could surely cock and fire a pistol fast enough to part a highwayman's hair, if need be.

He had been planning this trip for several weeks. Had gone to bed many times intending to take it, only to find at daylight that he wasn't yet as strong-minded as he'd thought. Today, though, he had awakened ready, and perhaps it was his introduction to the monster's tooth-and McCaggers' mystery with no answer-that had caused him to realize he had his own unanswerable mystery. It was something that must be discovered; something hidden from the light, as surely as a fang sixty feet down in a coal mine. How could he call himself a problem-solver, if he had a problem that could not be solved?

Or, to be more truthful, that he feared to face. This was the real reason he'd brought the pistol, not because of imaginary highwaymen or the improbable attack of a forest beast or an Indian who would surely be more curious than bloodthirsty, since at present there were no quarrels between the Iroquois and the colonists.

On this bright Saturday morning he was riding the fifteen miles north from New York to the Chapel estate, where he and Berry had almost lost their lives, and where a mystery had to be answered before he could let that vile incident go.

He was thinking about the tooth. How such a thing was utterly incredible. If he hadn't seen it for himself, he would have thought McCaggers a tipsy liar. Evidence of either behemoth or leviathan, most probably true, but what purpose would such a monster serve? Why would God in His wisdom ever create such a beast? Simply for the purpose of destruction? He could see in his mind's eye an ancient field under a gray sky shot through with lightning, and a huge dark shape moving across it with a mouthful of those blade-like teeth glinting blue and wet in the storm. The massive head turning left and right, seeking something weaker to tear to pieces.

It was enough to bring on a nightmare in broad daylight, Matthew thought. Even more so when something rustled in the brush before him, he almost jumped out of the saddle, and two small brown rabbits went on their merry way.

Where the road split around a dark little swamp, he took the path that veered left toward the river. The Chapel estate was getting closer now; he would be there in another hour. He had a sick feeling in his stomach that did not come from the strips of dried beef he'd been chewing for his breakfast. It was hard to return to a place where he'd thought death was going to take him, and indeed he found himself scanning the sky through the trees in search of circling hawks.

Dante plodded on, unmindful of his rider's memories. And then, quite before Matthew was fully ready, they came upon a wall of rough stones about eight feet high with vines and creepers dangling over it, and Matthew must have abruptly pressed in with his knees or jerked the reins like a greenhorn, for Dante's head came up with a reproachful snort and let him know that he was not above being tossed.

The road continued on, close-set against the ugly wall. As upon his first visit here, Matthew had the impression of approaching a fortress instead of an estate. In another moment he saw the great slab of the wooden gate ahead, wide open as when it was left by High Constable Lillehorne and the other men who'd come to his rescue. Matthew suddenly felt the sun was not bright enough, and that the cool air carried a wicked edge. He had to go through that gate and onto the grounds, because he had to find out how four people could have escaped Lillehorne's men and so completely disappeared that terrible day last summer.

He turned Dante through the gate, passed the white-washed gatehouse with its broken windowglass, and followed a driveway that curved to the right between thick woods.

Four people. A well-dressed man and woman Matthew had seen at a distance, back at the buildings by the corrupted vineyard. The woman had been watching from beneath a blue parasol. Both of them had disappeared, though Lillehorne and his men had gone over the grounds and through the woods not just that day but, after posting guards on the gate, had come back again to renew the search. Not a trace of them.

The young assassin-in-training, Ripley. Of indeterminate age. Small-boned, pale of skin and weirdly fragile. His silky hair the color of dust, a long thin scar running up through his right eyebrow into his hairline, and his eye on that side a cold milky-white orb. A blue knitting-needle in his hand, about to be pushed through Berry's eye into the brain.