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J King: Angel of Death

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J King Angel of Death

Angel of Death: краткое содержание, описание и аннотация

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He’d paid for it all with a bullet still in his left lung, a pack-a-day habit for his right lung, a hardened liver from nightly drinking, a few bar-fight scars on knuckles and face, two back-to-back failed marriages, and an addiction to twelve-hour days. He was a stereotypical cop and deserved a death better than what would be scripted for the average cop show.

Here’s what I came up with.

You still look like a cop, John. The faded blue Dockers don’t change what you are or who you are. You tug at your belt as you walk across the hardware store parking lot. You hold the plastic ball cock as if it were a blackjack, and the hardware receipt crouches in your shirt pocket. Nobody uses shirt pockets anymore, John. Smile and nod, yes, greet your townsfolk, but what about the bright belligerence in your eyes? Always scoping. Level and unapologetic suspicion. Only sunglasses could mask that, but those are still in your squad.

In moments, it won’t matter.

Then you see her. After all these years, she still has her hooks in you. “Ah, Susan – how are you and Edward?” you ask the once-lithe creature on the sidewalk in front of the store. Her pageboy hair shifts as she turns toward you. A distant train bellows mournfully.

“Ed, please,” she says. “Can’t you call him Ed, after twenty-five years? And he’s fine.”

Even you notice the twitch in the corner of your eye, and you wish for those sunglasses. The windshield of a nearby car glares mirror-like, showing fragments of tattered sky. “Good to hear.”

The train’s marching feet clang on the track. You stare at each other, nodding. A rebel thought reminds you that you were once inside her. You blush and look away.

Something’s going on in the elementary school parking lot across the street. The child’s fingers still show above the hard gray line of the Chevy’s roof when the rumple-faced man slams the door. Her scream is loud even through the glass. He tries the latch. It is locked. He drags keys from his pants and shouts angrily at her,

“Shut up! Shut up!”

The ball cock trembles as you run across the parking lot and into traffic.

He has the passenger door open and the screaming girl tries to fight out past him but he throws her back into the front seat. The man’s plaid flannel shirt sticks to him, sweaty, and flaps a warning from his belt line. He rounds the hood and half-runs to the driver’s side door.

At best an abusive dad. At worst, a kidnapper.

“Hold it!” you shout. The cars around seem to hear, bunching back like wildebeests before a predator. The man, too, hears, swinging wide his door and lurching in beside the girl.

“Hold it! Police! What’s going on here?”

You catch the door he’s trying to slam and almost get your own fingers caught. You yank it open and grab thread-worn plaid that tears beneath your grip. He tips half out of his seat.

“Get up!”

The engine roars. As you reach to snatch the keys, you see something. Had you lived longer, you would have sworn it was a knife under her throat, but how can a man start a car and hold a knife under his own daughter’s throat? A reflection in the glass, your friends would have said. A hallucination, a prejudice of a white cop against a Latino father, the prosecution would have said. You’ll be dead before you even recognize his race or his daughter’s.

It is I who hold that phantom knife. I sit in the back seat of the car and hold the blade to her throat so that you will see it – so that what happens happens. The car lurches. You grab the man’s shirt. Your own weight pinches your arm in the door, but you won’t let go. Tires squeal. Lights flash red. A claxon sounds. You fight to keep your feet, but the blacktop potholes steal your toes. The ball cock only now clatters to the ground. You cling to the man.

The car drags you fifty-eight feet before, at fortyfive miles an hour, the undercarriage strikes the tracks and jolts you loose. You tumble, arms flapping like rubber from a stripped tire. You come to rest on the southbound line that hooks up with the Illinois Central.

Susan screams. The horn is louder and nearer, and the brakes, too. You hear nothing, though, and see only sky before your body is struck by the cattle catcher, rolled over twice, and then cleaved by the wheel. It rolls through you like a pizza cutter.

Cops die well. Cops and gang members. Soldiers, doctors, mobsters. They understand death. They face it at least minimally every day, and some are neck-deep in it. They have given death a lot of thought, and know it for what it is, a ubiquitous necessity. It is no less mysterious to these folks than it is to everyone else, but it is more a reality to them. They dwell at the edge of a black and endless ocean that others have only heard about.

Michael, row the boat ashore, alleluia…

Slaves face death, too. They know that the river of death is black and chilly and endlessly wide, and that the ferryman must row them safely across. And what of the Jews at Buchenwald and Dachau? Did they not pray to the angel of death for release? Mobsters know their saints and go to their confessions. Midwives go softly. Hookers, addicts, fugitives, and freaks – all those marginalized by the world and therefore pushed to the ragged edge of death, they know.

Only the soft white belly of America dies badly. They know more about Canada than they do about death, and that’s not saying much. They thrash and scream or go dumb in amazement. Most do not even realize they are dying until it is all done. In the face of all religion and science, they believe that if they want to live they will not die. They go about life in ruby slippers that will always fetch them home, wishing upon stars and cars and pensions to keep them alive.

But they will die. Every last one of them. That black sea is insatiable, and it rises. One day, it will lap at the doorstep of anyone, will fill the basement and rise until it swallows the man crouched in the attic and the woman waving from the rooftop.

Everyone dies. Pray to me, and die well. It’s interesting how one glimpse can change a town. The white majority had called for and gotten the arrest of Manuel DeGarcia on charges of reckless homicide and child abuse.

He, in fact, could not have been telling his daughter to “Shut up!” since he neither spoke nor understood English. Nor could he have known McHenry was a policeman. Rattled from having accidentally slammed his daughter’s fingers in the door, he panicked when a fat man ran up, shouting, tore his shirt off, and tried to take his car keys. Manuel drove off, trying to escape, but the assailant wouldn’t let go.

That was the Latino’s story, once an interpreter could be found, and it was the truth. The truth didn’t matter. The police and community wanted someone to pay for the death of the detective, and a non-English-speaking, foreign, apparent child abuser was without defense. The death had been very satisfying for me. It was public, involved an ex-wife and a school-aged child, allowed Detective McHenry to play the hero one last time, included a harsh repayment for selfless action, used the trains that daily criss-cross Burlington, occupied the staff of the Gazette for months, and divided the community that McHenry’s jurisdiction had done so much to unite.

I had overseen the deaths of one hundred twenty-two others in the Chicago-Milwaukee megalopolis before Keith McFarland went hunting again. This was the third death connected to Burlington – the editor, the cop, and now the priest. This time, I had little to do but observe and prevent things from going awry. Though Keith had no real plan – too psychotic for that – he was heading in a direction almost sure to satisfy us both. It was Christmas Eve. The ground was white with hoarfrost, all that the Midwest would have of a white Christmas, and a priest from Burlington happened to serve at St Francis in Woodstock, Illinois. Keith steps down from the bus and looks around. The town glows beneath a woolen sky. The steeple of the Nazarene church scrapes the belly of the clouds. Behind his gray polyester trench coat, glass doors close. The bus hisses and moves on.

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