Kevin Sampsell - Portland Noir

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In a city full of police controversies, hippie artist punk houses, and overzealous liberals, Portland, Oregon, is a place where even its fiction blurs with its bizarre realities.
Brand-new stories by: Gigi Little, Justin Hocking, Christopher Bolton, Jess Walter, Monica Drake, Jamie S. Rich (illustrated by Joelle Jones), Dan DeWeese, Zoe Trope, Luciana Lopez, Karen Karbo, Bill Cameron, Ariel Gore, Floyd Skloot, Megan Kruse, Kimberly Warner-Cohen, and Jonathan Selwood.
Editor Kevin Sampsell is a bookstore employee and writer. He is the author of a short story collection, Creamy Bullets (Chiasmus Press), and the upcoming memoir The Suitcase (HarperPerennial, summer 2009). He is also the editor of The Insomniac Reader (Manic D Press) and the publisher of the micropress Future Tense Books.

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“You don’t get it,” Lila replied. She sounded angry, the way she had sounded that first night at the Tik Tok. “You don’t get it at all.”

I touched her hair. “We’ll be fine.”

She pushed my hand away. “No one walks out on Mark. Especially not me-he’d fucking kill me.”

“He can’t be that bad-”

“You haven’t worked for him,” she snapped. Her voice was cold and she didn’t look like the Lila I knew. “How would you know?”

I remembered a story my mother had told me about a woodcutter, clumsy, and his sharp axe. He kept missing the tree and his right arm went first, then the rest, left arm, right leg, left leg. Until a woman came by and looked at him, crippled and sad. I’m sorry , he said, I am only half a man. She laughed and answered, Look , and because she was so lovely and he was lucky, his legs grew right back to skin and bone. But his heart beat so fast it burnt right through his chest, and he died anyway, for love.

Lila stood up. “Just go,” she said.

In my own room in the dark I stared at the curve of the lampshade, the square of the doorframe, shadowy slips that floated and opened their angry mouths, and I thought, She has to love me again . Ten years ago the little girl and her mother had left with her puppy and I had never seen her again. Her blue dress at the foot of my bed like a broken promise. She has to, I thought.

Mark didn’t come back the next day, or the day after that. Lila knocked on my door and she didn’t seem angry anymore. I gave my key to the front desk and slept in her room, curled against her, listening to her slow breathing.

The next morning she shook me awake. “We need sixty-five dollars,” she said. “We need sixty-five dollars today.”

I thought about my apartment. There would be an eviction notice on the door by now. I couldn’t bring her there, not to that. The grocery store would have hired someone, and I couldn’t be that far away from Lila for eight hours, anyway. I had thirty-four dollars left. Not enough for another night. “Tell me what to do,” I said.

The man was neither more nor less handsome than I expected. He was wearing gray sweatpants and he pulled a white envelope from the stretched waistband. He coughed. “You have the greatest legs,” he said, “They’re truly great.”

I imagined his hands were Lila’s hands, running up over my breasts. His tongue became hers. It was all for her, I thought. The envelope was tucked under the little red handbag that she had loaned me.

“The gams of a movie star,” the man said. “The face of a dog, but the gams of a true old-time beauty.” His pink lips like two punctured balloons, dragging over my skin.

When I opened the door to Room 42 Lila was brushing her hair. We put the money inside the lining of her little suitcase. I lay beside her that night and she smelled like honey and when I couldn’t sleep I turned on the bedside lamp and the red of her hair lit up like a pyre.

Every day that week I saw someone different. After dark, I wandered through the parking lot of Area 69, stood inside by the racks of videos, the leather harnesses and handcuffs and dildos in plastic packaging, until someone asked me back to the booths. The time without Lila nagged at me, the socket left from a tooth pulled, the vague shape of what could be lost, but in an hour I could make $150, nearly three nights in Room 42. It was better this way, Lila said, than with Mark. Before she met him she would sit in the corner at Devil’s Point, the strip club on 53rd, and wait for someone to pick her up. The next day she’d be able to buy a new dress or go to the movies; she could make her rent in a day and a half. Now Mark took half the money and he wouldn’t let you go, she said, and he would know in a second if you’d been working on your own. He’d been locked up in Snake River after he pulled a fifteen-year-old onto the circuit, and the day after he was released he started running girls again. His probation officer was nowhere to be found. “This is better,” Lila kept saying. “We keep you a secret.” At night I stood in the shower until the water ran cold and then lay beside her until we both slept.

Mark came back four days later and I hid behind the shower curtain in the bathroom. “You start work again tomorrow,” he said. “And you never pull that shit again. I don’t ever want to see a fucking scratch on you that I didn’t give you myself.”

I could hear Lila, sweet and pleading. “Baby,” she said, and it was silent for a while. I closed my eyes, imagined a forest, my hands up in the trees, the cool of the leaves. I tried not to think of them kissing.

After a long time Mark cleared his throat. “We go back on the road tomorrow,” he said. “Have your shit packed.”

Lila’s voice was a murmur, something I couldn’t hear, and then she said, “I need you,” and panic welled up in me like a tide, a breathless gray.

She didn’t need Mark, I thought. That was how things would begin to go wrong, how they always began. My mother’s accident wasn’t really an accident. It was after my father had left her. For two weeks after he packed his things and took the car, she had laid on the sofa and watched daytime television, and spoke quietly, as though she was telling a secret. Then, on a Tuesday afternoon, we were walking on a busy street and she squeezed my arm. “Stay here,” she said, and smiled, and walked in front of a rattling bus, and I understood that the calm had been a deceptive one, the first freeze that leaves the lake solid and the fish still swimming, fast and alarmed, a foot below ice. What kept pounding at the back of my head was that I didn’t know when it had begun, that the first sign of ruin was something never recovered.

The door slammed but I stood in the shower until Lila came and pushed the curtain back. “He’s gone,” she said.

We had $300, slipped into the lining of Lila’s suitcase. The Greyhound station was a half hour away, just off the 20 bus.

Lila wanted to go somewhere warm. “New Mexico,” she said. “Or Arizona. Someplace dry as a fucking bone where we can get tan and gorgeous.” She kissed my cheek. “And never again here.” She gave me scissors and I cut her hair until it fell at her chin and she pulled a hat over it. “Do I look like me?” she asked. “Would you recognize me?”

I thought, I’ll always recognize you .

I slept deeper that night than I had in what felt like years. In the dark I reached out and felt the curve of Lila’s bare back, the raised scar on her shoulder blade, and then slipped into some dream that later I couldn’t remember.

There was a sound like footsteps, and then a quick cold, and then in the dark I was awake and the bed was empty. The door was open. Lila , I thought. A sound of tires squealing and I was up out of bed. I must have been a moment too late, because there was only the empty parking lot, and the city spread out around me like a bowl of lights, a thousand smoke-gray rooms and in each one a person, waiting.

It’s snowing now, but barely, gray sleet driven up over the shoulder by traffic headed toward the 205. I think of her feet, white, delicate as eggshell. I remember the first time I saw snow, how I built a snowman that looked at me with stone eyes and one fell onto the ground. I pushed rocks into his snow mouth and they disappeared. My mother said, Love goes like water, right through your hands. The snow closed up. I pushed a stick right through him.

I have a good route, down to Burnside and up to Johnson Creek. The gams of a true old-time beauty . Lila’s suitcase was still in the corner. Her clothes on me look only approximate, like a memory.

The city wants to plant roses, up and down Eighty-second, to make it peaceful.

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