Peter Maravelis - San Francisco Noir

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Brand new stories by: Domenic Stansberry, Barry Gifford, Eddie Muller, Robert Mailer Anderson, Michelle Tea, Peter Plate, Kate Braverman, David Corbett, Alejandro Murguía, Sin Soracco, Alvin Lu, Jon Longhi, Will Christopher Baer, Jim Nesbit, and David Henry Sterry.
San Francisco Noir lashes out with hard-biting, all-original tales exploring the shadowy nether regions of scenic "Baghdad by the Bay." Virtuosos of the genre meet up with the best of S.F.'s literary fiction community to chart a unique psycho-geography for a dark landscape.
From inner city boroughs to the outlands, each contributor offers an original story based in a distinct neighborhood. At times brutal, darkly humorous, and revelatory-the stories speak of a hidden San Francisco, a town where the fog is but a prelude to darker realities lingering beneath.

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The rest of my life I’ll remember that sound, metal against metal, heart against heart.

I ran to the edge and watched as the two cars went over the cliff, tumbling down together and bursting into a single fireball whose heat singed my face. I screamed, I howled, I don’t know, it made no difference. I knew at that instant this would be the deciding moment of my life; the before and after that would scar whatever life I’d lived and whatever I have left of life now.

I started walking away. I didn’t want to be around when the ambulance arrived. Didn’t want to be anywhere near the scene. If someone figured that I’d been killed in the crash, so much the better. One day, those who did this would pay, and I wanted to be around to see it.

When I got back to La Mission I discovered my loft had been torched. A warning, I guess. The spray-painted graffiti, DIE YUPPY SCUM , didn’t fool me. They would have liked a little wet work on me that night.

Obviously, I never went back to the job. I’ve stayed under the radar ever since. Gave up that whole other life to stay alive. But the circle scar on my forearm from Sofia’s cigarette reminds me every day of the dead I carry.

The newspapers and the Fox Channel all played it another way. A niece of a prominent Mission district real estate matron killed in a tragic car accident with another vehicle on Devil’s Slide. I guess the bullet holes on the roadster were caused by metal-eating termites.

Once the dust settled, so to speak, the Planning Commission approved the permit for the new building at Sixteenth and Valencia, and Callahan’s outfit built it. That’s what you see there now-that chrome shit glass monstrosity. But for a long time there was just a big gaping hole at the intersection, like when you have a tooth pulled. Arson as a cause for the fire at the Apache Hotel was in fact never investigated by the D.A.’s office, the Department of Building Inspections, or anyone else. But the word in the neighborhood is that the new building is haunted by the animas , the souls of the seven people who died that night.

And the big woman, Felicia Delgado, the one who profited from the insurance scam? She didn’t fall. Just too many layers between the hirelings and herself. And too many people owed her. But she’s old and sick, and her greedy heart can’t last much longer, miserable with her bloody money…so it doesn’t really matter. One way or the other, sooner or later, she’ll get her ticket to the other barrio.

PART III. Neo-Noir

GENESIS TO REVELATION BY PETER PLATE

Market Street

It was ninety-six degrees on Market Street the day before Christmas. Holiday decorations graced the windows of the check-cashing store at the corner. Weary junkies in goose-down parkas congregated around the Stevenson Alley methadone clinic. Teenaged hookers wearing rhinestone-trimmed spandex capris and halter tops loitered at the Donut Star coffee shop. Pigeons drunk on heatstroke were falling off the telephone lines.

In the 1940s, Market Street had been a constellation of movie houses. Blue-collar entertainment seekers flocked there for the vibrant nightlife. Nowadays the avenue was a forest of abandoned buildings. Under the old Strand Theater’s marquee, homeless men and women had turned a fleet of shopping carts, suitcases, clothes, tarps, and strips of cardboard into a shanty fort.

A pale, unshaven twenty-four-year-old Slatts Calhoun, three days out of San Quentin Prison, stood near a pay phone at Seventh and Market. He was dressed in a Santa Claus suit stolen from a Salvation Army volunteer. To go along with the costume he had on a fake white beard and an ill-fitting stocking hat. A tarnished blue.357 Smith and Wesson revolver was stuck in his belt.

He reconnoitered the medical marijuana club up the street and cursed. Ever since weed became legal in the city, pot stores were everywhere. They were a venereal disease. It was impossible to get away from them. This one was squeezed in between a dentist’s office and a sandwich shop. It had a brick façade and a single barred window emblazoned with graffiti. A bored surveillance camera was mounted above the security gate. The place resembled a police station.

Slatts limped over to the dope shop, stopped in front of the steel gate, posed for the camera, and buzzed the doorbell. Nothing happened. He waited a second and repeated the procedure. A thin Mexican hippie in paisley surfer shorts and a vintage Clash T-shirt came out to inspect him. “Hey, Santa, how the fuck you doing today?”

Keeping the gun concealed, Slatts said what came to mind. His first forty-eight hours out of the penitentiary had been a hassle. One night he slept in a garbage dumpster behind the new federal building. Then he got into a fight with a hooker and was jacked by her pimps. He didn’t even have enough money to take the bus to the welfare office. As a bonus, the beard was making his skin itch. “I’m cool, homeboy. What’s up with you?”

“The same bullshit. You got your ID for me?”

To gain entry into the club, a customer needed a physician-approved Department of Health identification card. Private doctors were handing them out at two hundred dollars a pop.

Slatts didn’t have a card, no place to live, or any food in his belly. He rasped, “Yeah, well, there’s a problem, see? Can I come in and talk to you about it?”

The pot worker’s smile faded into a cynical tic. He was prematurely aged by the needs of dope fiends. “Hell, no.”

“C’mon, vato, give me a break.”

“I can’t do that, dude. It’s against the law. You’ve got to have a card to get in.”

“Listen to me, asshole, I want some fucking weed.”

“Too bad, home slice. I don’t give a shit.”

“Fuck you, man. It’s goddamn Christmas, you know what I’m saying?”

Slatts lost his cool in a delicious surge of adrenaline. It was time to introduce his revolver into the conversation. It would help move the dialogue along. He poked the gun’s three-inch barrel through the gate’s latticework and hooked the dealer in the nose with it. Reaching in, he yanked the lad forward. Then he groped the kid’s shorts for the keys, found them, and unlocked the door.

Santa Claus was in the house.

Brandishing the heater, Slatts moseyed into the retail room. His mouth watered with excitement. This was better than the lottery. Cheap reefer was hard to find in the street. Plus, it was usually low-grade crap. Another worker, a lithe, tanned blond girl in patched denim overalls and Birkenstock sandals, approached him. Her oval face was a delicate flower, open and questioning. She asked, “May I assist you?”

Slatts produced a smile tempered by several missing teeth. “No, honey, Santa can help himself.”

The store’s damp walls were festooned with sepia-tinted concert posters from Bill Graham Productions. Two customers, an aged queen and a black guy with one leg, were getting loaded on a ratty divan. Ambient techno pulsed in the back-round. Slatts heard someone move and turned to confront a beefy longhair in tai chi clothes. It was the security guard.

“Hey, what are you doing with that gun?” The longhair had the attitude of a public rest room. “We’re peaceful here.”

“Shut the fuck up. Nobody talks to Santa Claus like that.”

“Kiss my ass, motherfucker. I’m calling the police.”

The cops loathed the pot clubs and didn’t give a hoot if they were robbed. Slatts ignored the threat and examined the merchandise. The weed was in pastel-colored ceramic bowls on a counter top. The menu was listed on a chalkboard. Medium-quality green, mostly Oakland hydroponic, ran forty-five an eighth, same as in the streets. Stronger grades, like Canadian indica, were sixty for three and a half grams. Mexican syndicate pot was cheaper, but wasn’t worth smoking. The stuff was first cousin to napalm. Mendocino boutique bud was four hundred and fifty dollars an ounce. Turdlike pot cookies were five bucks apiece. Slatts didn’t see what was so medicinal about the prices.

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