Peter Maravelis - San Francisco Noir

Francis leaned his head to one side, then made a kind of quarter-turn with it, his abbreviation for shaking his head. He took a gulp of very attenuated jasmine tea from a porcelain cup with the faded image of a red, green, and yellow dragon printed on it.

“Why?”

“To retrieve something.”

That could mean anything. To San Leandro? For burritos? But Michael had an idea of what Francis was talking about. Both of them had joined RU around the same time, coming from very different directions, and they’d risen quickly through the ranks. In the spirit of competition, Francis liked to keep Michael off balance with hints that made it sound as if he were closer to directives being made in the inner circle, but Michael knew it was just smoke. Michael had personal ties to the upper echelons of the leadership that Francis didn’t have. On the other hand, one never knew what one faction might be planning without another’s knowledge. And there were plenty of factions.

“So tell me about these Red Guard guys,” Michael said.

“They have a lot less to do with the Red Guard in China than with talking black and acting like the Panthers, but without half the political commitment. Most are ex-Leway and are in it strictly for the image.”

Francis had a way of sizing up, dissecting, and dismissing someone in a sentence or two that matched RU’s reputation for sectarianism. Michael, who was prone to see both sides of an issue, thought there was truth to the accusation that they didn’t get along with anybody, because they didn’t cut anybody any slack. He also knew it was worse cutting everybody slack all the time, over anything. One needed parameters. But even in their own group, Francis was thought to have a very refined palate.

“Look at their position on militancy.” He pointed to a line printed in the newsletter. “ Our Constitution says we have the right to bear arms. Our? This is about bringing the whole system down. As far as their politics go, it’s strictly ‘black cat, white cat.’”

He was making reference to rifts that had grown within the ranks of the CPC itself, demonstrating a fairly high-level awareness of issues that Michael only understood in a blurry way. Groups like IWK and elements within RU’s own national ranks reflected the rightist thought of the Liu Hsiao-chi/Teng Hsiao-ping revisionist party clique that the radicals, including the student Red Guard and Mao himself, were resisting. Somehow that internecine struggle had radiated out from the capital of worldwide revolution to this remote outpost.

Michael had only heard of the Red Guard less than two years ago, before he joined RU. He didn’t know much about China then, much less the Cultural Revolution. But there had been a great deal of hoopla around an American, a white man, who had returned to the Bay Area from China and had participated in the Great Proletarian Cultural Revolution as a Red Guard himself. By chance, Michael had gone to his presentation and was mesmerized, particularly by the photos that were passed around, clipped from Life magazine. One showed a group of Red Guards in surgical masks ham-mering apart a Peking opera house. Michael didn’t understand exactly why they were destroying the building, but he thought it was probably because opera was something for rich people.

In later, grimmer years Francis would go to jail for infiltrating a U.N. Security Council meeting and throwing plastic bags filled with pig’s blood at the U.S. and Soviet council-members.

Francis’s acquaintance, the filmmaker Cletus Dong, arrived at the same time as the twice-cooked pork and honey walnut prawns. As he approached their table, conspicuous in cowboy boots and big silver belt buckle, Francis muttered under his breath, “Cultural nationalist,” which to Michael was a codeword for “reverse racist.”

Cletus introduced himself as “the Chinese-American Jean-Luc Godard,” which struck Michael as an odd thing to aspire to be, considering Cletus was the only Chinese-American filmmaker he’d ever heard of. Couldn’t you pretty much call yourself the Chinese-American anything? But with a name like Cletus Dong he wasn’t going to be the Jean-Luc Godard of anybody.

Michael’s attention was immediately taken away from Cletus anyway, because he’d brought a girl. At first Michael had taken her to be his girlfriend, but it later came out she was his sister, in the literal sense. Unlike the girls Asian “movement” guys tended to hang out with, the ones who wore granny glasses over humorless expressions, she had all the qualities of a classical Chinese beauty: green eyebrows, reedy silhouette, straight ass-length hair. There might be something too brittle about her, as in one of those lamenting maidens in a poem by Li Po, but on closer look one saw this was not the case, especially in the eyes, which were steely and unsentimental. Thick, bold strokes made up her face. She had dark eyes and a full mouth. Her name was Candy. She chewed gum.

Michael immediately fell in love with her.

She stuck her gum to a napkin and smoked a cigarette with heartwrenching elegance, while Cletus and Francis went over the details of the party platform. If it wasn’t for the entertainment Candy provided, Michael would have quickly grown bored. He respected Francis, because he knew he was dedicated, but even then, he always thought the worst thing about being a Communist were the endless meetings, speeches, and discussions over total abstractions. Despite his own class background, which he was still trying to live down, he tended to connect more with ordinary working-class people, the good citizens who lived on his delivery route.

“Your idea of revolution, like most people’s, is romantic,” Francis concluded. “In fact, our work is like ‘washing one’s face,’ as Chairman Mao put it; that is, it takes place on a daily basis. Chinatown is capital-scarce, deteriorated, urban terrain. We have to be frugal and diligent and, as Mao says again, ‘do more with less money.’”

“What’s so different about that from your run-of-the-mill penny-pinching Chinaman?”

“Well, there are comrades, even when talking about revolution, who only see it in terms of economics and benefits. Of course, we should try to do more with less-as guerrillas we have no choice about that-but not at the expense of political awareness. Getting results is one thing, but isn’t it as important to understand how all the pieces fit together? The correct path is to see economic pragmatism and political consciousness as a dialectic. My point was, we can’t achieve our goals with sweeping gestures. That’s what the capitalists did when they wiped out Japantown and the Fillmore.”

“Speaking of less money,” Candy suddenly broke in, “I have to get to work.”

Francis acknowledged her existence for the first time by nodding his head.

“I was giving her a ride to the Richmond,” Cletus mumbled apologetically.

“Who do you think’s supporting this kid?” she went on.

“And what do you do?” Francis asked.

“I’m a bartender.”

“What kind?”

“What do you mean, what kind ? What kind of question is that?”

“I meant, are you happy with your work? Is it a good job?”

“What do you mean? It’s the kind of job that makes money. What do you do?”

“We’re postal workers.”

“You mean mailmen?”

“Okay, so you make a lot of money. And what are you going to do with all of that money when, if, you get enough of it?”

“Get outta this place! A girlfriend of mine just moved to Vancouver.” She pronounced it Van-koo-fah . “She says it’s real nice. Plenty of jobs. Big houses. No Chinese. Once I save up some money, I’m moving there.” She gestured theatrically to that promised land, like one of those actors in the opera house wrecked by Red Guards. “This time next year, I’ll be there, I promise. I hate this place. It stinks.”