Lesley Kagen - Good Graces

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Good Graces: краткое содержание, описание и аннотация

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Lesley Kagen returns with the sequel to her national bestselling debut, Whistling in the Dark.
Whistling in the Dark captivated readers with the story of ten-year-old Sally O'Malley and her sister, Troo, during Milwaukee's summer of 1959. The novel became a New York Times bestseller and was named a Midwest Honor Award winner.
In Good Graces, it's one year later, and a heat wave has everyone in the close-knit Milwaukee neighborhood on edge. None more so than Sally O'Malley, who remains deeply traumatized by the sudden death of her daddy and her near escape from a murderer and molester the previous summer. Although outwardly she and her sister, Troo, are more secure, Sally's confidence in her own judgment and much of her faith have been whittled away. When a series of disquieting events unfold in the neighborhood-a string of home burglaries, the escape from reform school of a nemesis, and the mysterious disappearance of an orphan, crimes that may involve the increasingly rebellious Troo-Sally is called upon to rise above her inner demons. She made a deathbed promise to her daddy to keep Troo safe, a promise she can't break, even if her life depends on it. But when events reach a crisis point, will Sally have the courage and discernment to make the right choices? Or will her false assumptions lead her and those she loves into danger once again?
Lesley Kagen's gift for imbuing her child narrators with compelling authenticity shines as never before in Good Graces, a novel told with sensitivity, wit, and warmth.

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“He did?” I say, dumbfounded. Even though I didn’t know Charlie all that well, I was positive he was a good kid. Even after Mary Lane told me that no-tripper story about how he might be the kind of orphan that kills people and strings them up in his living room to drip-dry. Now here’s Fast Susie telling us Charlie’s a thief. How am I ever going to protect Troo when I can’t tell the good guys from the bad ones?

I ask, “How… who caught him stealin’?”

Fast Susie picks her suit out of her crotch and says with a smile, “Father Mickey.”

I say, “Oh,” and look over at Troo to see what she thinks about all this because she’s always interested in any news about our pastor, but she’s still staring at those Italian cantaloupe bosoms.

“Hey… I just thoughta something. You two… wanna stay over one a these nights?” Fast Susie says, all of a sudden like we’re her best friends. (That’s the other thing you have to watch out for in Italians. They can turn on a dime.)

“Ah… thanks. I can’t. I’m… ah, busy,” I tell her.

Troo, finally breaking free of the spell Fast Susie’s chest has put on her, says, “I want to!”

I knew she’d say that because Fast Susie is her idol, but I despise staying overnight at the Fazios’. We have to sleep in her spooky attic, which is bad enough, but then Fast Susie will tell us a bedtime story she knows will scare the underpants offa me. Like the one she told us the last time we stayed over, the one about Count Dracula. How after he sucked everybody dry in his Transylvania neighborhood, he’d turn into a bat and fly off to somebody else’s neighborhood to quench his blood thirstiness. A neighborhood just like ours. All I could picture was Henry sleeping in his bed on 49th Street with the window open. He would be like finding a pot at the end of the rainbow for the Count. That vampire would lick his bat lips and open up my boyfriend’s hemofeelya neck like he was the drink spigot at the soda fountain. The time we stayed over and Fast Susie told us about Frankenstein stealing body parts was bad, too. I had to go home in the middle of the night because I couldn’t stand hearing that story for a minute longer. I should’ve waited until the sun came up because that was the first time Bobby came after me. I didn’t know it was him. I couldn’t see his face in the dark, only his pink-and-green argyle socks from under the Kenfields’ bushes where I hid.

“Aw, c’mon, ya gotta stay over, Sally,” Fast Susie says. “I wanna tell you all about this movie Tommy took me to see last week.” She’s going steady with Tommy Molinari, who is one of Greasy Al’s brothers, but is mostly known as The Mangling Meatball. “You’d love Psycho . It’s all about this square who takes extra good care of his mother!”

Troo, really keyed up now, says, “Can we eat over, too?” She adores all of Nana Fazio’s cooking, but especially her cannolis , which are these creamy little rolled-up sandwiches.

I check Daddy’s watch on my wrist for the third time. “Troo, I’m goin’.” I nudge her with my foot. “Did you hear me?”

She nudges me back in the ankle much harder and shouts, “Do I look deaf?” She reaches into her shorts and slides a pack of L &M’s out of her pocket.

I say, “You know where I am if you change your mind,” and then I run out of that backyard because when her and Fast Susie light up those cigarettes and start puffing away, Nana Fazio starts shouting some crazy-sounding Italian curse out of the kitchen window and Fast Susie yells something back that sounds like “Basta or pasta” and Troo begins her French hunh… hunh ing and more than anything, all I want to do is be with somebody who speaks my own language.

Chapter Eleven

Where ya been, Miss Sally? I was gettin’ ready to send a posse out for ya,” Ethel says when I come barging through Mrs. Galecki’s back door.

My other best friend is standing at the sink barefoot to give her bunions some breathing room while she’s popping the tops off juicy red strawberries and running them under cool tap water, never hot. That would suck the sweetness right out of them. There’s an angel food cake baking in the oven. She makes one every week around this time. Later on, she’ll whip a bowl of cream ’til, as she says, “It’s cryin’ for mercy.” Strawberry shortcake is Mrs. Galecki’s favorite dessert. Because she’s so long in the tooth, she gets to have it whenever she wants.

Ethel’s wearing her white nurse dress that she’s always got on when she’s working. It sets off her skin that is almost the exact same color of chocolate pudding after you pour milk over it and mix it all together. Ethel is tall and solid, like the Kelvinator. Once she knows you some and likes you more, she’ll let you pat the top of her hair. It feels like a new mattress because it’s got a lotta bounce to it. Though she says a lady never tells her age, I know that she is thirty-six years old because I always give her a green lanyard on her birthday, which falls on St. Patrick’s Day.

Ethel has been taking care of Mrs. Galecki for… I’m not sure how long. Mrs. Galecki’s husband died in a war so she lived alone in the house next door to Dave’s until she got a bum ticker. That’s when Mrs. Galecki’s son, Gary, who lives in California, hired Ethel to come and take care of her. Ethel has nursing experience and is also a great baker. Mrs. Galecki needs medicine and appreciates a flaky crust, so they scratch each other’s backs.

I say, “Sorry I’m late,” and slide out the three-step ladder she keeps next to the sink for me. This is almost always where I get situated when we have what Ethel calls a rockin’ chair visit minus the rockin’ chair.

“Apology accepted.” Ethel wipes her wet hands on the yellow dish towel and says, “Peanut ’n marshmella?” That’s Troo’s and my favorite sandwich in the world.

“No, thank you.” My stomach is still not calmed down from what Mother served us last night at supper. She called it jellied moose. “But I’d love some Ovaltine.” That’s Troo’s and my favorite drink in the world.

Ethel says, “Sure ’nuff,” and gets up on her toes and gets down my favorite lilac metal glass off of the top shelf of the cupboard and takes out two of her famous Mississippi blond brownies from the cookie jar in case I change my mind about eating something, which I already have once I get a load of the melt-in-your-mouth buttery squares on the clean white plate.

“Where’s your sister?” Ethel asks in that accent of hers that sounds less like talking and more like crooning. If Frank Sinatra came from Calhoun County he would sound just like her. He wouldn’t be so skinny either.

I say, “Troo’s over at the Fazios’ talkin’ to Fast Susie.”

“That’s fine, long as she ain’t listenin’ to her.” Ethel shakes her head. “That Fazio girl had one good idea it’d die from loneliness.”

She said that to make me feel better because she knows how much Fast Susie razzes me. It’s Ethel’s way of sticking up for me. That’s the kind of person she is. True blue. And not only to me. She takes such good care of Mrs. Galecki and that’s why she deserves exactly what’s coming to her. When Mrs. Galecki passes away, Ethel is going to get a bunch of money from her Last Will and Testament. Ethel doesn’t know that though. The reason I don’t tell her is because she loves a good surprise, and second off, Mr. Gary Galecki made Troo and me promise not to tell a soul when he let that inheritance secret slip because he had too many Tom Collins cocktails on his screened porch last summer during his yearly visit. Mr. Gary adores Ethel and he doesn’t need any of his mother’s money. Just like Dave, Mr. Gary has a thick wallet. He’s in the movie business. I want Ethel to open a bakery with that money she gets, but one of her dreams for the future is to open a school for Negro kids, so that’s what she’ll probably do. She should call the place Miss Ethel’s School of Manners and Everyday Advice. She’s smart at those things and a lot of others. She studies both the morning and evening newspapers and never misses the Reader’s Digest .

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