Jeff Lindsay - Double Dexter

And it crouches and freezes with its blade raised high.

And in an endless moment of total disoriented teeth-bared panic I look and I blink and I see it blink back.

I slowly uncoil myself and stand up straight and stare and it does exactly as I do.

It cannot do anything else because it is my reflection in a large, full-length mirror. It is me standing there looking back at me standing there looking back

Once more I am frozen, unable to think or blink or do anything but stare at the image in the mirror, because this cannot be an accident, any more than the perfectly arranged body on the table is an accident. The mirror has been set up in this precise spot to do exactly what it has done and now here I am looking at me looking back at me over a body that only I could have done like that and I am almost certain I did not do it but there it is and I do not know what to do or what to think.

So I stand there in a dim tiny cone of unfeeling impossibility and I stare at something that someone has set up just for me just so I will find it and do exactly what I am doing, which is nothing but looking at it and trying not to believe that it can be at all what it truly is.

And slowly, finally, one skittery little thought nudges up through the dumb muck that has poured all through my brain and it squeals at me just loud enough for me to hear it and I blink, take one shaky breath, and let the thought speak to me.

Who did this?

It is a good start, this tiny little thought, good enough to get one more thought to follow it up through the mist. Only my brother, Brian, knows my technique well enough to do this. For one flickering moment I wonder if he did; he still wanted to have some brotherly playtime with me. Could this be a small nudge in Dexter s ribs to encourage me?

But even as I think it I know that it is not possible. Brian would ask, he would urge, he would wheedle but he would never do this. And other than Brian, there is no one else in the world who has seen my work and lived except my Witness, of course. That one unknown Shadow who had seen me with Valentine and blogged his way to the head of my list, the self-same maddening blatherer I had come here to turn into an exact match of what I was looking at now. And as much as it made no sense, it had to be him that had done this. He had arranged this body in my pattern and placed a mirror on the far side of it, and there could be no other explanation, but that led to one more very urgent question:

Why?

I have no answer. I can still only think that this is impossible and yet it is out of the hypothetical and into the here and now and I am looking at it and it is as real as the knife in my hand. And I take one more slow and helpless step toward it, as if I could make it all go away if I could just get close enough and on the far side of the table, the other me takes a step forward and I jerk to a stop again and look at me looking back at me.

There I am; I, Dexter. I raise a hand to touch my face, but it is the hand with the knife and I stop halfway as the wicked blade comes near my dumbly gaping face and I just look at me. Still life with knife and numbskull. The two faces of me, Dexter the Demon and Dexter the Dope. The face looks strange to me, like it belongs to somebody else but it is my face, the one I have been wearing all these years. I stare for a long moment, frozen by the sight of me as I really am, both of me, as if I could stare hard enough to make the two faces come together into one real person.

I can t, of course. I let the hand with the knife drop to my side once more and look down at the table, stupidly hoping that the impossible thing there would be gone. But it is still there, still real, and still impossible. One more robot step forward and I am standing over it and looking down at what I have come to do and found already done. I stare at the disjointed leftovers, and for one idiot moment a tiny hope flutters up: Was it possible that this heap of flesh was not done by but instead done to my Shadow? Could someone else have somehow done the happy chore for me?

I look for some clue, and from this close I can see that there are small flaws that I would never have been guilty of. And then I see a breast and I realize this is female, my Shadow is male, and the small spider-footed hope scurries away and dies. This is not my Shadow; this is someone else, and most likely his ex-wife. I move closer. Up close I can see that this is not real quality work; right there, the left hand, so messy at the wrist, hurried, chopped instead of cut with Dexter-neat skill. I reach toward it with the point of my knife and poke it to test its reality and as I do I pause.

I have been hearing a familiar sound this last minute and it is getting louder, and I can no longer ignore it, because it is a sound I know very well and one that I do not want to hear right now.

It is the sound of a siren and it is absolutely coming closer.

Once again I freeze into stupid unmoving thoughtlessness. A siren. Coming closer. To me. Here, now. To this dingy little house. Where I am standing above a chopped-up body. With a knife in my hand.

And finally a great sick air-raid siren of alarm begins to shriek from the ramparts of Castle Dexter, rumbling up from its lowest, earth-trembling note of warning and rising to a shattering scream of panic, and we spin away from the impossibly sliced and stacked trash on the table and in one rabbit-blink of an eye we are out the sliding door and into the night. Without a pause for thought we slam into and over the back fence and windmill our arms at the bamboo, tunneling frantically through the springy shoots and falling out face-first, into the backyard of the house on the far side. And we bounce up instantly and run at the full speed of complete panic, slashing through the yard and into the street beyond just as an outside light comes on in the yard where we were lying only seconds ago.

But we are gone now, safely away and out into the street, along a sidewalk that is just as dark and overgrown as we could wish, and we stroke down the screaming chorus of alarm and fear and force our legs to listen to the cool and soothing voice that says, Slow down; act normal. We have escaped.

We do slow down, we do try to act normal, but the approaching siren is right there on the next street now, in front of the cottage, and its high-pitched call is winding down again to say that it has arrived, and so in spite of the wise interior words of advice to go slow, we walk a little faster than we should until we turn the corner and come back to our car where it waits beneath the banyan tree.

And we slide gratefully into the driver s seat and start the engine and drive slowly away from the small and crumbling house of horrors, slowly and carefully back toward the refuge of normal life. We don t head straight home, though; we must try to think, and we must let the tremble leave the hands and the dry terror peel off from the mouth as the adrenaline fades away and we slowly morph back into something resembling a human shape before we head back to the company of real humans, and this takes much longer than it should. We drive south on U.S. 1, all the way down to Old Card Sound Road, trying to think and understand and make sense out of this surreal catastrophe of an evening trying, and failing. Slowly the sick wet panic drains away, but the answers don t flow in to take its place, and all the way home there is only one single thought repeating endlessly through my numb and shattered brain, one thought that tumbles and echoes through the dark stone halls of Dexter s Dome. And no answer rises up to greet this thought and so it ricochets around in brittle confusion and repeats itself endlessly and as I finally park my car in front of my house I find that my lips are moving and repeating this same stupid single thought: