Alan Glynn - The Dark Fields aka Limitless

She found the page and half held it out, but for us both to look at the painting properly we had to move a little closer together. She was quite short, had dark silky hair and was wearing a green headscarf inset with little amber beads.

‘Remember,’ I said, ‘the oxbow is a yoke – a symbol of control over raw nature. Cole didn’t believe in progress, not if progress meant clearing forests and building railroads. Every hill and valley, he once wrote – and in a fairly ill-advised foray into poetry I might add – every hill and valley is become an altar unto Mammon.’

‘Hhm.’ She paused to consider this. Then she seemed to be considering something else. ‘You know about this stuff?’

I’d been to the Met with Chantal a week earlier and had absorbed a good deal of information from catalogues and wall-mounted copy-blocks and I’d also recently read American Visions by Robert Hughes, as well as heaps of Thoreau and Emerson, so I felt comfortable enough saying, ‘Yeah, sure. I wouldn’t be an expert or anything, but yeah.’ I leant forward slightly, and around, and studied her face, her eyes. She met my gaze. I said, ‘Do you want me to help you with this… paper?’

‘Would you?’ she said in small voice. ‘Can you… I mean, if you’re not busy?’

‘I’m the crown prince of Toyland, remember, so it’s not like I have a job to go to.’

She smiled for the first time.

We went into her apartment and in about two hours did a rough draft of the paper. About four hours after that again I finally staggered out of the building.

Another time I was in the offices of Kerr & Dexter, dropping off some copy, when I bumped into Clare Dormer. Although I’d only met Clare once or twice before, I greeted her very warmly. She’d just been in with Mark Sutton discussing some contractual matter, so I decided to tell her my idea about confining her book to boys, starting with Leave it to Beaver and taking it as far as The Simpsons and then calling it Raising Sons: From Beaver to Bart . She laughed generously at this and slapped the back of her hand against my jacket lapel.

Then she paused, as though something she hadn’t realized before was suddenly dawning on her.

Twenty minutes later we were down in a quiet stairwell together on the twelfth floor, sharing a cigarette.

I kept reminding myself in these situations that I was playing a role, that the whole thing was an act, but just as often it would occur to me that maybe I wasn’t playing a role at all, and that maybe it wasn’t an act. When I was in the throes of an MDT-induced episode, it was as if my new self could barely make out my old self, could just about see it through a haze, through a smoky window of thick glass. It was like trying to speak a language you once knew but have now largely forgotten, and much as I might have wanted to, I couldn’t simply revert or switch back – at least not without an enormous concentration of will. Often, in fact, it was more comfortable not even to bother – why would I bother? – but one result of this was that I had a slightly less easy time of it with people I knew well, or rather with people who knew me well. Meeting and impressing a total stranger, assuming a new identity, even a new name, was exciting and uncomplicated, but when I met up with someone like Dean, for instance, I always got these looks – these quizzical, probing looks . I could see, too, that he was struggling with it, wanted to challenge me, call me a poseur, a clown, an arrogant fuck, while simultaneously wanting to prolong our time together and spin it out for all it was worth.

I also spoke to my father a couple of times during this period, and that was worse. He was retired and lived on Long Island. He phoned occasionally to see how I was, and we’d chat for a few minutes, but now all of a sudden I was getting caught up in the kind of conversations with him that he’d always craved to have with his son – and the kind that his son had always ungraciously denied him – idle banter about business and the markets. We talked about the tech stocks bubble and when it was going to burst. We talked about the Waldrop CLX merger that had been in all the papers that morning. How would the merger affect share prices? Who would the new CEO be? At first, I could detect a note of suspicion in the old man’s voice, as though he thought I was making fun of him, but gradually he settled into it, seeming to accept that this, finally – after all the arid years of bleeding-heart, tree-hugging crap from his boy – was the way things were meant to be. And if it wasn’t quite that, it wasn’t a million miles off it either. I did get involved, and perhaps for the first time ever I spoke to him just as I would speak to any other man. But I was careful at the same time not to go overboard, because it wasn’t like messing with Dean’s head. This was my father on the other end of the line, my father – getting animated, working things out, permitting long dormant hopes to sprout in his mind, and almost audibly… pop! – would Eddie get a proper job now? – pop! – make some real money? – pop! – produce a grandchild?

I’d get off the phone after one of these sessions with him and feel exhausted, as if I somehow had produced a grandchild, unaided, spawned some distant, accelerated version of myself right there on the living-room floor. Then, like in a nature documentary time-lapse sequence, the old me – twisted, cracked, biodegradable – would shrivel up suddenly and disintegrate, making the struggle to recover any meaningful sense of who I really was even more difficult.

But moments of anxiety like this were fairly rare, and my abiding impression of the period is of how right it felt to be so busy all the time. I wasn’t idle for a second. I read new biographies of Stalin, Henry James and Irving Thalberg. I learnt Japanese from a series of books and cassette tapes. I played chess online, and did endless cryptic puzzles. I phoned in to a local radio station one day to take part in a quiz, and won a year’s supply of hair products. I spent hours on the Internet and learned how to do various things – without, of course, actually having to do any of them. I learned how to arrange flowers, for example, cook risotto, keep bees, dismantle a car engine.

One thing I did want to do for real, though, and had always wanted to do was learn how to read music. I found a website that explained the whole process in detail, rapidly deconstructing for me the mysteries of treble and bass clefs, chords, signatures and so on. I went out and bought a stack of sheet music, basic stuff, a few well-known songs, as well as more challenging stuff, a couple of concertos and a symphony (Mahler’s Second). Within a matter of hours I’d worked my way through everything except the Mahler, which I then approached with caution, not to say reverence. Being so complex, it took me a good deal longer, but I eventually managed to find my way through its magnificent swirl of aching melodies and horror-show fanfares, its soaring strings and stirring chorales. At about two o’clock in the morning, in the eerie silence of my living-room, as I reached the mighty E-flat climax – Was du geschlagen, Zu Gott wird es dich tragen! – I felt one of those goosebump shivers rippling through my entire body, and tears welled up in my eyes.

The next step from this was to see if I could play music, so I headed off to Canal Street and bought myself a relatively inexpensive electric keyboard and then set it up beside the computer. I followed an online course and started practising scales and elementary exercises, but this wasn’t at all easy and I very nearly gave up. After a few days, however, something seemed to click and I started being able to pick out a few decent tunes. Within a week, I was playing Duke Ellington and Bill Evans numbers, and soon after that I was actually doing my own improvisations.