Patricia Cornwell - Red Mist

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Determined to find out what happened to her former deputy chief, Jack Fielding, murdered six months earlier, Kay Scarpetta travels to the Georgia Prison for Women, where an inmate has information not only on Fielding, but also on a string of grisly killings. The murder of an Atlanta family years ago, a young woman on death row, and the inexplicable deaths of homeless people as far away as California seem unrelated. But Scarpetta discovers connections that compel her to conclude that what she thought ended with Fielding's death and an attempt on her own life is only the beginning of something far more destructive: a terrifying terrain of conspiracy and potential terrorism on an international scale. And she is the only one who can stop it.

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“I don’t know who took it or where,” I reply.

“Well, I want to know who took it.” Her eyes change. “If it’s Savannah or somewhere around here, and that’s what it looks like to me, well, maybe that’s why you’re showing it to me. To upset me.”

“I have no idea where it was taken or by whom, and I’m not trying to upset you,” I tell her. “I had the photograph copied and thought you might like it.”

“Maybe right here. Jack was here with that car of his and I didn’t know.” Pain and anger sharpen her tone. “When I first knew him, I told him how much he would love Savannah. What a nice place to live, and I said he should join the Navy so he could be stationed nearby at the new submarine base they were building at Kings Bay. You know at heart Jack had a wanderlust, was someone who should have sailed around to exotic parts of the world or taken up flying and been the next Lindberg. He should have joined the Navy and gone around the world on ships or in planes instead of being a doctor to dead people, and I wonder whose influence that was.”

She glares at me.

“I wonder who the hell took this picture and why I wouldn’t have known he was here if he was,” she says acidly. “I don’t know what you think you’re up to, springing something like this on me, making me think he would come here and not try to see me. Well, I do know, too.”

I wonder where Dawn Kincaid was five years ago, around the time I speculate the photograph was taken, and how often she might have come to Savannah to see Kathleen, and might Jack have come here to see Dawn but wasn’t interested in seeing her mother while he was in the area? Now that I’m confronted with Kathleen in the flesh, this woman I’d heard so much about but had never met, I seriously doubt Jack was driving his Mustang here or anywhere to see her as recently as five years ago or even ten years ago. It’s almost impossible for me to imagine that after a point he would have loved Kathleen Lawler anymore or bothered with her. She is remorseless and pitiless, completely lacking in empathy for anyone, and decades of substance abuse and self-destructive living and incarceration have taken their toll. She hasn’t been charming or beautiful in a very long time, and that would have mattered to my vain deputy chief.

“I don’t know where the photograph was taken or any of the details,” I repeat. “It was a photograph in his office, and I thought you’d like a copy, and this one is yours to keep. I didn’t always know where he was during the more than twenty years we worked together on and off.” I offer an opening for her to give me more information about him.

“Jack, Jack, Jack,” she says and sighs. “All you did was move. Here one minute and gone the next, while I stayed in the same damn black hole. I’ve been right here in one cell or another most of my life, all because I loved you, Jack.”

She looks at the photograph, then at me, and her eyes are harder than sad.

“I can’t seem to last on the outside for long,” she adds, as if I came here today to learn all about her. “Like any other addict who keeps falling off the wagon, only the wagon I fall off of isn’t abstinence. It’s the wagon of success. I’ve never been able to allow myself the success I’m capable of because it’s not in the cards for me to have it. I set myself up for failure every time. It’s what I mean about genetics. Failure is part of my DNA, what God decided for me and everyone who comes after me. I did to Jack what was done to me, but he never blamed me. He’s dead and I may as well be because the things that matter in life have a mind of their own. Both of us victims, maybe victims of the Almighty Himself.

“And Dawn?” Kathleen goes on. “Well, I knew she wasn’t right from day one. She never had a chance. Born prematurely, a tiny little thing tethered to lines and leads and tubes in an incubator, or so I was told. I didn’t see it. I never held her, and how’s a little thing like that going to learn to bond with other human beings when she spends the first two months of her life in a Crock-Pot and Mama’s in the big house? Then a series of foster families she couldn’t get along with, finally ending up with a couple in California who got killed in a car wreck, went over a cliff, something tragic like that. Fortunately for Dawn, by that point she was already at Stanford on a full scholarship. Then Harvard, and that’s where she ended.”

Dawn Kincaid was at Berkeley, not Stanford, before transferring to MIT, not Harvard. But I don’t correct her mother.

“Like me, she had all the possibilities in the world, and her life is over, ended before it began,” Kathleen says. “No matter how it turns out in court, just being a suspect is all anyone will remember about her. Her goose is cooked. You can’t have the kind of jobs she did in top secret labs, not if you’ve been a suspect in a crime.”

Dawn Kincaid is more than a suspect. She’s been indicted on multiple charges, including first-degree murder and attempted murder. But I don’t say a word.

“And then what happened to her hand.” Kathleen holds up her right hand, her eyes boring into me. “The kind of technology she’s into, where she has to work with nanotools and whatever else? She’s permanently impaired now because of losing a finger and the use of her hand. Seems like she’s gotten her punishment. I imagine it must make you feel kind of bad. Maiming someone.”

Dawn didn’t lose a finger. She lost the tip of it and suffered tendon damage, and her surgeon thinks she will regain total functioning of her right hand. I block out the images as best I can. The gaping black square where the window had been and the wind blowing in, and a rapid shifting of the dark, frigid air as something slammed me hard between my shoulder blades. I remember losing my balance as I wildly swung the metal flashlight and feeling it crack against something solid. Then the garage lights were on and Benton was pointing his pistol at a young woman in a big black coat, facedown on the rubber flooring, bright wet blood drops near the severed tip of an index finger with a white French nail, and near it, the bloody steel knife that Dawn Kincaid tried to stab into my back.

I felt sticky all over, smelling and tasting blood as if I’d walked through a cloud of it, and I was reminded of accounts I’ve heard from soldiers in Afghanistan who witnessed a comrade being blown up by an IED. There one minute. A red mist the next. When Dawn Kincaid’s hand slipped down the razor-sharp blade of that injection knife as it was hissing out compressed carbon dioxide gas at eight hundred pounds per square inch, I was airbrushed with her blood, and I feel stained by it in places I can’t reach. I don’t correct Kathleen Lawler or offer the smallest fact, because I know when I’m being goaded and lied to, maybe taunted, and my thoughts continue to go back to what Tara Grimm warned. Kathleen would feign a disconnection from her daughter when in fact the two of them are close.

“You seem to have a lot of details,” I remark instead. “I’m sure the two of you have kept in touch.”

“No way in hell. I’m not about to keep in touch,” Kathleen says, shaking her head. “There’s nothing good that would come of it with all the trouble she’s in. What I don’t need is any more trouble. What I know I found out from the news. We have supervised access to the Internet in the computer lab, and a selection of periodicals and newspapers in the library. I was working in the library before they moved me here.”

“That sounds like a good place for you.”

“Warden Grimm doesn’t think you rehabilitate people by depriving them of information so they live in a news vacuum,” she says, as if the warden might be listening. “If we don’t know what’s going on in the world, how can we ever live in it again? Of course, this isn’t rehab.” She indicates Bravo Pod. “This is a warehouse, a graveyard, a place to rot.” She doesn’t seem to care who might be listening now. “What is it you want to know from me? You wouldn’t be here if you didn’t want something. Doesn’t matter who asked first, supposedly. That was lawyers, anyway.” Kathleen stares at me like a snake about to strike. “I don’t believe you’re simply being nice.”

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