• Пожаловаться

Andrew Taylor: The American Boy

Здесь есть возможность читать онлайн «Andrew Taylor: The American Boy» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях присутствует краткое содержание. категория: Триллер / на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале. Библиотека «Либ Кат» — LibCat.ru создана для любителей полистать хорошую книжку и предлагает широкий выбор жанров:

любовные романы фантастика и фэнтези приключения детективы и триллеры эротика документальные научные юмористические анекдоты о бизнесе проза детские сказки о религиии новинки православные старинные про компьютеры программирование на английском домоводство поэзия

Выбрав категорию по душе Вы сможете найти действительно стоящие книги и насладиться погружением в мир воображения, прочувствовать переживания героев или узнать для себя что-то новое, совершить внутреннее открытие. Подробная информация для ознакомления по текущему запросу представлена ниже:

Andrew Taylor The American Boy

The American Boy: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The American Boy»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Winner of the CWA Historical Dagger for Fiction The Richard and Judy Best Read of the Year (nominee) *** 'An enticing work of fiction… Taylor takes account of both a Georgian formality and a pre-Victorian laxity in social and sexual matters; he is adept at historical recreation, and allows a heady decor to work in his favour by having his mysteries come wrapped around by a creepy London fog or embedded picturesquely in a Gloucestershire snowdrift' -Patricia Craig, TLS 'Without question, the best book of 2003, and possibly the best book of the decade, is Andrew Taylor's historical masterpiece, The American Boy. A truly captivating novel, rich with the sounds, smells, and cadences of nineteenth-century England' -Manda Scott, Glasgow Herald 'Long, sumptuous, near-edible account of Regency rogues – wicked bankers, City swindlers, crooked pedagogues and ladies on the make – all joined in the pursuit of the rich, full, sometimes shady life. A plot stuffed with incident and character, with period details impeccably rendered' -Literary Review 'Taylor spins a magnificent tangential web… The book is full of sharply etched details evoking Dickensian London and is also a love story, shot through with the pain of a penniless and despised lover. This novel has the literary values which should take it to the top of the lists' -Scotland on Sunday 'It is as if Taylor has used the great master of the bizarre as both starting-and finishing-point, but in between created a period piece with its own unique voice. The result should satisfy those drawn to the fictions of the nineteenth century, or Poe, or indeed to crime writing at its most creative'-Spectator 'Andrew Taylor has flawlessly created the atmosphere of late-Regency London in The American Boy, with a cast of sharply observed characters in this dark tale of murder and embezzlement' -Susanna Yager, Sunday Telegraph 'Madness, murder, misapplied money and macabre marriages are interspersed with coffins, corpses and cancelled codicils… an enjoyable and well-constructed puzzle' -Tom Deveson, Sunday Times *** Interweaving real and fictional elements, The American Boy is a major new literary historical crime novel in the tradition of An Instance of the Fingerpost and Possession. Edgar Allan Poe is the American boy, a child standing on the edge of mysteries. In 1819 two Americans arrive in London, and soon afterwards a bank collapses. A man is found dead and horribly mutilated on a building site. A heiress flirts with her inferiors. A poor schoolmaster struggles to understand what is happening before it destroys him and those he loves. But the truth, like the youthful Poe himself, has its origins in the new world as well as the old. The American Boy is a 21st-century novel with a 19th-century voice. It is both a multi-layered literary murder mystery and a love story, its setting ranging from the coal-scented urban jungle of late Regency London to the stark winter landscapes of rural Gloucestershire. And at its centre is the boy who does not really belong anywhere, an actor who never learns the significance of his part.

Andrew Taylor: другие книги автора


Кто написал The American Boy? Узнайте фамилию, как зовут автора книги и список всех его произведений по сериям.

The American Boy — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The American Boy», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема

Шрифт:

Сбросить

Интервал:

Закладка:

Сделать

"He is very young for his age, sir," Mrs Kerridge muttered.

I smiled down at her. "He's a handsome boy."

"Takes after his mother."

"Is she not here to say goodbye to him?"

"She's away nursing her uncle." Mrs Kerridge grimaced. "The poor gentleman's dying, and he ain't going easy. Otherwise Madam would be here. Will he be all right, sir? Boys can be cruel little varmints. He don't realise. He don't know many boys."

"It may not be easy at first. But most boys find there is much to enjoy at school as well. Once they are used to it."

"His mama frets about him."

"It often happens that an event is more distressing in anticipation than it is in actuality. You must endeavour to -"

I broke off, realising that Mrs Kerridge was no longer looking at me. She had been distracted by the sight of a carriage whirling into the square from Montague-street. It was an elegant light chariot, painted green and gold, and drawn by a pair of chestnuts. The coachman slipped between two carts and brought the equipage to a standstill behind our own, the wheels neatly aligned within a couple of inches of the kerb. He sat back on the box with the air of a man well pleased with himself.

"Oh Lord," muttered Mrs Kerridge, but she was smiling.

The glass slid down. I glimpsed a pale face and a mass of auburn curls partly concealed by a large hat adorned with grogram.

"Kerridge!" the girl called. "Kerridge, dearest. Am I in time? Where's Charlie?"

Charles jumped out of the Frants' carriage and ran along the pavement. "Do you like this rig, Cousin Flora? Mighty fine, ain't it?"

"You look very handsome," she said. "Quite the military man."

He held his face up for her to kiss him. She leaned down and I had a better view of her. She was older than I had thought – a young woman; not a girl. Mrs Kerridge came forward to be kissed in her turn. Then the young woman's eyes turned to me.

"And who is this? Will you introduce us, Charlie?"

He coloured. "I beg your pardon. Cousin Flora, allow me to name Mr Shield, an usher at Mr Bransby's – my school, you know." He swallowed, and then gabbled, "Mr Shield, my cousin Miss Carswall."

I bowed. With great condescension, Miss Carswall held out her hand. It was a little hand that seemed to vanish within my own. She wore lilac-coloured gloves, I recall, which matched the pelisse she wore over her white muslin dress.

"You were about to convey my cousin to school, no doubt? I shall not detain you long, sir. I merely wished to say farewell to him, and to give him this."

She undid the drawstring of her reticule and took out a small purse which she handed to him. "Put it somewhere safe, Charlie. You may wish to treat your friends." She bent down, kissed the top of his head, and gave him a little push away from her. "Your mama sends her best love, by the by. I saw her for a moment at Uncle George's."

For an instant the boy's face became perfectly blank, drained of the fun and excitement.

Miss Carswall patted his shoulder. "She cannot leave him, not at this moment." She looked over the boy to Mrs Kerridge and myself. "I must not delay you any longer. Kerridge, dearest, may I drink tea with you before I go? It would be like old times."

"Mr Frant is within, miss."

"Oh." The young lady gave a little laugh, and a look of understanding passed between her and Mrs Kerridge. "Good God, I had almost forgot. I am promised to Emma Trenton. Another time, perhaps, and we shall have a good old prose together."

Miss Carswall's departure was the signal for ours. I followed Charlie into the Frants' carriage. A moment later we turned into Southampton-row. The boy huddled into the corner and turned his head to stare out of the far window. The tassel on that ridiculous hat swayed and bounced behind him.

Flora Carswall could never have been called beautiful, unlike Mrs Frant. But she had a quality of ripeness about her, like fruit waiting to be plucked, demanding to be eaten.

8

I found it difficult to sleep that night. My mind was possessed with a strange excitement that would not let me rest. I felt that during the day I had crossed from one part of my life into another, as though its events formed a river between two countries. I lay in my narrow bed, my body twitching and turning and sighing. I measured the passage of time by the striking of clocks. At last, a little after half-past one, my restlessness drove me from the warmth of my bed to smoke a pipe.

Mr Bransby held that snuff was the only form of tobacco acceptable to a gentleman so Dansey and I found it necessary to smoke outside. But I knew where the key to the side door was kept. A moment later I walked down the lawn, my footsteps making no noise on the wet grass. There were a few clouds but the stars were bright enough for me to see my way. To the south was a faint lessening of the darkness, a yellow haze, the false dawn of London by night, the city which never went to sleep. Beneath the trees it was completely dark. I smoked in the shelter of a copper beech, leaning against the trunk. Leaves stirred above my head. Tiny crackles and rustles near my feet hinted at the passage of small, secretive animals.

Then came another sound, a screech so sharp and hard and unexpected that I jerked myself away from the tree and almost choked on the smoke in my mouth. It came from the direction of the house. There was another, quieter noise, the scrape of metal against metal, followed by a smothered laugh.

I crouched and knocked out the pipe on the soft, damp earth. I moved forward, my feet making little sound on the leaf mould and the husks of last year's beech nuts. By now my eyes had grown accustomed to the near darkness. Something white was hanging from an attic window in the boys' wing. The room behind it was in darkness. I veered aside into the slightly deeper darkness running along the line of a hedge.

The attic was not in the same wing of the house as my own and Dansey's. Most of the boys slept in dormitories, with ten or twelve of them crammed together in one of the larger rooms below. But in this part of the attic storey, two or three boys might share one of the smaller rooms if their parents were willing to pay extra for the privilege.

Once again, I heard the gasp of laughter, snuffed out almost as soon as it began. Suddenly, and with an anger so sharp that it stabbed me like a knife, I knew what I had seen. I went quickly into the house, lit my candle and made my way to the stairs leading to the boys' attics. I found myself in a narrow corridor. By the light of the candle I saw five doors, all closed.

I tried the doors in turn until I found the one I wanted. I saw three truckle beds in the wavering glow of the candle flame. From two of them came the sound of loud, regular snoring. From the third came the broken breathing of a person trying not to cry. The window was closed.

"Which boys are in this room?" I demanded, not troubling to lower my voice.

One boy stopped snoring. To compensate, the other snored with redoubled force. The third boy, the one who had been trying not to cry, became completely silent.

I pulled the blankets from the nearest bed and tossed them on the floor. Its occupant continued to snore. I held the candle close to his face.

"Quird," I said. "You will wait behind after morning school."

I stripped the covers from the next bed. Another boy stared up at me, making no pretence at sleep.

"You will accompany him, Morley."

My foot caught on something on the floor. I bent down and made out a length of rope like a basking snake, most of it pushed beneath Morley's bed.

With a grunt of anger, I threw off the covers from the third bed. There was Charlie Frant, his nightshirt rucked up above his waist and a handkerchief tied round his mouth.

I swore. I placed the candle on the windowsill, lifted the boy up and pulled down the nightshirt. He was trembling uncontrollably. I untied the handkerchief. The lad spat out a rag they had pushed inside his mouth. He retched once. Then, without a word, he fell back on the bed, turned away from me and buried his head in the pillow and began to sob.

Читать дальше
Тёмная тема

Шрифт:

Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The American Boy»

Представляем Вашему вниманию похожие книги на «The American Boy» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё не прочитанные произведения.


Отзывы о книге «The American Boy»

Обсуждение, отзывы о книге «The American Boy» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.