Andrew Taylor - The American Boy

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Winner of the CWA Historical Dagger for Fiction
The Richard and Judy Best Read of the Year (nominee)
***
'An enticing work of fiction… Taylor takes account of both a Georgian formality and a pre-Victorian laxity in social and sexual matters; he is adept at historical recreation, and allows a heady decor to work in his favour by having his mysteries come wrapped around by a creepy London fog or embedded picturesquely in a Gloucestershire snowdrift' -Patricia Craig, TLS
'Without question, the best book of 2003, and possibly the best book of the decade, is Andrew Taylor's historical masterpiece, The American Boy. A truly captivating novel, rich with the sounds, smells, and cadences of nineteenth-century England' -Manda Scott, Glasgow Herald
'Long, sumptuous, near-edible account of Regency rogues – wicked bankers, City swindlers, crooked pedagogues and ladies on the make – all joined in the pursuit of the rich, full, sometimes shady life. A plot stuffed with incident and character, with period details impeccably rendered' -Literary Review
'Taylor spins a magnificent tangential web… The book is full of sharply etched details evoking Dickensian London and is also a love story, shot through with the pain of a penniless and despised lover. This novel has the literary values which should take it to the top of the lists' -Scotland on Sunday
'It is as if Taylor has used the great master of the bizarre as both starting-and finishing-point, but in between created a period piece with its own unique voice. The result should satisfy those drawn to the fictions of the nineteenth century, or Poe, or indeed to crime writing at its most creative'-Spectator
'Andrew Taylor has flawlessly created the atmosphere of late-Regency London in The American Boy, with a cast of sharply observed characters in this dark tale of murder and embezzlement' -Susanna Yager, Sunday Telegraph
'Madness, murder, misapplied money and macabre marriages are interspersed with coffins, corpses and cancelled codicils… an enjoyable and well-constructed puzzle' -Tom Deveson, Sunday Times
***
Interweaving real and fictional elements, The American Boy is a major new literary historical crime novel in the tradition of An Instance of the Fingerpost and Possession. Edgar Allan Poe is the American boy, a child standing on the edge of mysteries. In 1819 two Americans arrive in London, and soon afterwards a bank collapses. A man is found dead and horribly mutilated on a building site. A heiress flirts with her inferiors. A poor schoolmaster struggles to understand what is happening before it destroys him and those he loves. But the truth, like the youthful Poe himself, has its origins in the new world as well as the old. The American Boy is a 21st-century novel with a 19th-century voice. It is both a multi-layered literary murder mystery and a love story, its setting ranging from the coal-scented urban jungle of late Regency London to the stark winter landscapes of rural Gloucestershire. And at its centre is the boy who does not really belong anywhere, an actor who never learns the significance of his part.

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Morley and Quird had hung him out of the window. The older boys had lashed his ankles round the central mullion to prevent him from breaking his neck on the gravel walk below.

"I will see you tomorrow," I heard myself saying to them. "At present, I cannot see any reason why I should not flog you twice a day and every day until Christmas."

I wondered whether I should remove young Frant from his tormentors, but what would I do with him? The boy had to sleep somewhere. But the nub of the matter was that, sooner or later, by day or by night, young Frant would have to face up to Quird and Morley. Punishing them was one thing; but trying to shield him was another.

I went back to my own room. I did not sleep until dawn. When I did, it seemed only moments before the bell rang for another day of hearing little savages construe Ovid's Metamorphoses.

9

I watched Charlie Frant in morning school, both before breakfast and after it. The boy sat by himself at the back of the room. I doubted if he turned a page of his book or even saw what was written on the one in front of him. His coat was now too bedraggled to have a military air. He had tear tracks on his cheeks, and his nostrils were caked with blood and mucus. Smears on the sleeve showed where he had wiped his nose.

At breakfast, I told Dansey what had happened in the night. The older man shrugged.

"If the boy goes to Westminster School, he'll get far worse than that."

"But we cannot let it pass."

"We cannot prevent it."

"If the older boys would but exert some authority over the younger ones-"

Dansey shook his head. "This is not a public school. We do not have a tradition of self-governance by the boys."

"If I went to Mr Bransby, might he not expel them or at least discipline them – Quird and Morley, I mean?"

"You forget, my dear Shield: the true aim of this establishment is not an educational one. Considered properly, it is nothing but a machine for making money. That is why Mr Bransby has sunk his capital in it. That is why you and I are sitting here drinking weak coffee at Mr Bransby's expense. Both Quird and Morley have younger brothers." Dansey's lips twisted into their Janus-like frowning smile. "Their fathers pay their bills."

"Then is there nothing to be done?"

"You can beat the wretched boys so soundly that you reduce their ability to persecute their unfortunate friend. At least I can be of assistance in that respect."

At eleven o'clock, after the second session of morning school, I flogged Morley and Quird harder than I had ever flogged a boy before. They did not enjoy it but they did not complain. Custom blunts even pain.

Later, I caught sight of Charlie Frant in the playground. Half a dozen boys had grouped around him in a ragged circle. They tossed the hat from one to the other, encouraging him to make ineffectual grabs for it. The hat had lost its tassel. Some wag had contrived to pin it on the back of the olive-green coat.

"Donkey," they chanted. "Who's a little donkey? Bray, bray, bray."

When lessons resumed after dinner, Frant was not at his desk. He had hidden himself away to lick his wounds. I decided that if Lord Nelson could turn a blind eye to matters he did not wish to see, then so could I. I did not, however, turn a blind eye to either Quird or Morley. Their work, never distinguished, withered under the unremitting attention that I bestowed upon it. I gave them both the imposition of copying out ten pages of the geography textbook by the following morning.

Towards the end of afternoon school, the manservant came from Mr Bransby's part of the house and desired Dansey and myself to wait upon his master without delay. We found him in his study, pacing up and down behind his desk, his face dark with rage and a trail of spilt snuff cascading down his waistcoat.

"Here's a fine to-do," he began without any preamble, before I had even closed the door. "That wretched boy Frant."

"He has absconded?" Dansey said.

Bransby snorted.

"Not worse, I hope?" There was the barest trace of amusement in Dansey's voice, like an intellectual whisper pitched too low for Mr Bransby's range of comprehension. "He has – harmed himself?"

Bransby shook his head. "It appears that he strolled away, as cool as a cucumber, after the boys' dinner. He walked a little way and then found a carrier willing to give him a ride to Holborn. I understand that Mrs Frant is away from home but the servants at once sent word to Mr Frant." He waved a letter as though trying to swat a fly. "His stable boy brought this."

He took another turn in silence up and down the room. We watched him warily.

"It is most vexing," he continued at length, glowering at each of us in turn. "That it should concern Mr Frant – the very man we should study to please in every particular."

"Has he settled on withdrawing the boy?" Dansey asked.

"We are spared that, at least. Mr Frant wishes his son to return to us. But he demands that the boy be suitably chastised for his transgression so that he apprehends that the discipline of the school is firmly allied to paternal authority. Mr Frant desires me to send an under-master to collect his son, and he proposes that the under-master should flog the boy in his, that is to say Mr Frant's, presence and in the boy's own home. He suggests that in this way the boy will realise that he has no choice but to knuckle down to the discipline of the school and that by this he will learn a valuable lesson that will stand him in good stead in his later life." Bransby's heavy-lidded eyes swung towards me. "No doubt you were about to volunteer, Shield. Indeed, my choice would have fallen on you in any case. You are a younger man than Mr Dansey, and therefore have the stronger right arm. There is also the fact that I can spare you more easily than I can Mr Dansey."

"Sir," I began, "is not such a course-?"

Dansey, standing behind me and to the left, stabbed his finger into my back. "Such a course of action is indeed a trifle unusual," he interrupted smoothly, "but in the circumstances I have no doubt that it will prove efficacious. Mr Frant's paternal concern is laudable."

Bransby nodded. "Quite so." He glanced at me. "The stable boy has ridden back to town with my answer. The chaise from the inn will be here in about half an hour. Be so good as to discuss with Mr Dansey how he should best discharge your evening duties as well as his own."

"When will it be convenient for me to wait upon Mr Frant?"

"As soon as possible. You will find him now at Russell-square."

A moment later, Dansey and I went through the door from the private part of the house to the school. A crowd of inky boys scattered as though we had the plague.

"Did you ever hear of anything so unfeeling?" I burst out, keeping my voice low for fear of eavesdroppers. "It is barbaric."

"Are you alluding to the behaviour of Mr Frant or the behaviour of Mr Bransby?"

"I – I meant Mr Frant. He wishes to make a spectacle of his own son."

"He is entirely within his rights to do so, is he not? You would not dispute a father's right to exercise authority over his child, I take it? Whether directly or in a delegated form is surely immaterial."

"Of course not. By the by, I must thank you for your timely interruption. I own I was becoming a little heated."

"Mr Frant and his bank could purchase this entire establishment many times over," Dansey observed. "And purchase Mr Quird and Mr Morley as well, for that matter. Mr Frant is a fashionable man, too, who moves in the best circles. If it is at all possible, Mr Bransby will do all in his power to indulge him. It is not to be wondered at."

"But it is hardly just. It is the boy's tormentors who deserve chastisement."

"There is little point in railing against circumstances one cannot change. And remember that, by acting as Mr Bransby's agent in this, you may to some degree be able to palliate the severity of the punishment."

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