Andrew Taylor - The American Boy

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Winner of the CWA Historical Dagger for Fiction
The Richard and Judy Best Read of the Year (nominee)
***
'An enticing work of fiction… Taylor takes account of both a Georgian formality and a pre-Victorian laxity in social and sexual matters; he is adept at historical recreation, and allows a heady decor to work in his favour by having his mysteries come wrapped around by a creepy London fog or embedded picturesquely in a Gloucestershire snowdrift' -Patricia Craig, TLS
'Without question, the best book of 2003, and possibly the best book of the decade, is Andrew Taylor's historical masterpiece, The American Boy. A truly captivating novel, rich with the sounds, smells, and cadences of nineteenth-century England' -Manda Scott, Glasgow Herald
'Long, sumptuous, near-edible account of Regency rogues – wicked bankers, City swindlers, crooked pedagogues and ladies on the make – all joined in the pursuit of the rich, full, sometimes shady life. A plot stuffed with incident and character, with period details impeccably rendered' -Literary Review
'Taylor spins a magnificent tangential web… The book is full of sharply etched details evoking Dickensian London and is also a love story, shot through with the pain of a penniless and despised lover. This novel has the literary values which should take it to the top of the lists' -Scotland on Sunday
'It is as if Taylor has used the great master of the bizarre as both starting-and finishing-point, but in between created a period piece with its own unique voice. The result should satisfy those drawn to the fictions of the nineteenth century, or Poe, or indeed to crime writing at its most creative'-Spectator
'Andrew Taylor has flawlessly created the atmosphere of late-Regency London in The American Boy, with a cast of sharply observed characters in this dark tale of murder and embezzlement' -Susanna Yager, Sunday Telegraph
'Madness, murder, misapplied money and macabre marriages are interspersed with coffins, corpses and cancelled codicils… an enjoyable and well-constructed puzzle' -Tom Deveson, Sunday Times
***
Interweaving real and fictional elements, The American Boy is a major new literary historical crime novel in the tradition of An Instance of the Fingerpost and Possession. Edgar Allan Poe is the American boy, a child standing on the edge of mysteries. In 1819 two Americans arrive in London, and soon afterwards a bank collapses. A man is found dead and horribly mutilated on a building site. A heiress flirts with her inferiors. A poor schoolmaster struggles to understand what is happening before it destroys him and those he loves. But the truth, like the youthful Poe himself, has its origins in the new world as well as the old. The American Boy is a 21st-century novel with a 19th-century voice. It is both a multi-layered literary murder mystery and a love story, its setting ranging from the coal-scented urban jungle of late Regency London to the stark winter landscapes of rural Gloucestershire. And at its centre is the boy who does not really belong anywhere, an actor who never learns the significance of his part.

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The regimen did not affect Mr Bransby and his household, who lived separately from the rest of the school and were no doubt sufficiently sober already. I was expected to sleep on the boys' side, as was the only other master who lived at the school, the senior usher.

"Mr Dansey has been with me for many years," Bransby told me when he introduced us. "You will find him a scholar of distinction."

Edward Dansey was probably in his forties, a thin man, dressed in black clothes so old and faded that they were now mottled shades of green and grey. He wore a dusty little wig, usually askew, and had a cast in one eye, which, without being actually oblique, approached nearly to a squint. Both then and later, he was always perfectly civil. His manners were those of a gentleman, despite his shabby clothes. He had the great merit of showing no curiosity about my past history.

When I knew Dansey better I found he had a habit of looking at the world with his chin raised and his lips twisted asymmetrically so that one corner of the mouth curled up and the other curled down; it was as though part of him was smiling and part of him was frowning so one never really knew where one stood with him. The cast in his eye accentuated this ambivalence of expression. The boys called him Janus, perhaps because they believed his mood varied according to the side of his face you saw him from. They were scared of Bransby, who kept a cane in every room of the school so he could flog a boy wherever he was without delay, but they were terrified of Dansey.

On my second Thursday at the school, the manservant padded along to the form room as the boys were streaming out to their two hours of liberty before dinner and requested me to wait on his master.

My immediate fear was that I had somehow displeased Mr Bransby. I went through the door that separated his quarters from the rest of the house, which was like stepping into a different country. Here the air smelt of beeswax and flowers and the walls were freshly papered, the panels freshly painted. Mr Bransby had silence enough to hear the ticking of a clock, a luxury indeed in a house full of boys. I knocked and was told to enter. He was staring out of the window, tapping his fingers on the leather top of his table.

"Sit down, Shield. I must be the bearer of sad news, I'm afraid."

I said, "My aunt Reynolds?"

Bransby bowed his heavy head. "I am truly sorry for it. She was an excellent woman."

My mind was blank, an empty place filled with fog.

"She charged the woman with whom she lodged to write to me when she was gone. She died yesterday afternoon." He cleared his throat. "It appears that it was very sudden at the end, or else they would have sent for you. But there is a letter. Mrs Reynolds directed that it should be given to you after her death."

The seal was intact. It had been stamped with what looked like the handle of a small spoon. I thought I could make out the imprint of fluting. My aunt had probably used the small silver spoon she kept locked in the caddy with her tea. The wax was streaky, a mixture of rusty orange and dark blue. Economical in all things, she saved the seals of letters sent to her and melted the wax again when she sent a letter of her own.

The mind is an ungovernable creature, particularly under the influence of grief; we cannot always command our own thoughts. I found myself wondering if the spoon would still be there, and whether by rights it was now mine. For an instant the fog cleared and I saw her there, in my mind but as solid as Bransby himself, sitting at the table after dinner, frowning into the caddy as she measured the tea.

"There will be arrangements to be made," Bransby was saying. "Mr Dansey will take over your duties for a day or two." He sneezed, and then said angrily, "I shall advance you a small sum of money to cover any expenses you may have. I suggest you go up to town this afternoon. Well? What do you say?"

I recalled that my sanity was still on trial, and now there was no one to speak for me so I must make shift to speak for myself. I raised my head and said that I was sensible of Mr Bransby's great kindness. I begged leave to withdraw and prepare for my journey.

A moment later, I went up to my little room in the attic, a green hermitage under the eaves. There at last I wept. I wish I could say my tears were solely for my aunt, the best of women. Alas, they were also for myself. My protector was dead. Now, I told myself, I was truly alone in the world.

5

My aunt's death drew me deeper into the labyrinth. It brought me to Mr Rowsell and Mrs Jem.

Her last letter to me was brief and, judging by the handwriting, written in the later stages of her illness. In it, she expressed the hope that we might meet again in that better place beyond the grave and assured me that, if heaven permitted it, she would watch over me. Turning to more practical matters, she informed me that she had left money to defray the expense of her funeral. There was nothing for me to do, for she had decided all the details, even the nature of her memorial, even the mason to cut the letters. Finally, she directed me to wait on her attorney Mr Rowsell at Lincoln's Inn.

I called at the lawyer's chambers. Mr Rowsell was a large, red-faced man, bulging in the prison of his clothing as though the blood were bursting to escape from his body. He directed his moon-faced clerk to fetch my aunt's papers. While we waited he scribbled in his pocketbook. When the clerk returned, Rowsell looked through the will, glancing up at me with bright, bird-like eyes, his manner a curious compound of the curt and the furtive. There were two bequests of five pounds apiece, he told me, one to the maid of all work and the other to the landlady.

"The residue comes to you, Mr Shield," he said. "Apart from my bill, of course, which will be a charge on the estate."

"There cannot be much."

"She drew up a schedule, I believe," said Rowsell, reaching into the little deed-box. "But do not let your hopes rise too high, young man." He took out a sheet of paper, glanced at it and handed it to me. "Her goods and chattels, such as they were," he continued, staring at me over his spectacles, "and a sum of money. A little over a hundred pounds, in all probability. Heaven knows how she managed to put it by on that annuity of hers." He stood up and held out his hand. "I am pressed for time this morning so I shall not detain you any longer. If you leave your direction with Atkins on your way out, I will write to you when we are in a position to conclude the business."

A hundred pounds! I walked down to the Strand in a daze similar to intoxication. My steps were unsteady. A hundred pounds!

I went to the house where my aunt had lodged and arranged for the disposal of her possessions. Of the larger items, I kept only the tea caddy with its spoon. The landlady found a friend named Mrs Jem who was willing to buy the furniture. I suspected I would have got a higher price if I had been prepared to look elsewhere, but I did not want the trouble of it. Mrs Jem also bought my aunt's clothes.

"Not that they're worth more than a few shillings," she said with a martyred smile; she was a mountainous woman with handsome little features buried in her broad face. "More patches and darns than anything else. Still, you won't want them, will you, so it's doing you a favour. I've only thirty shillings. Will you wait while I fetch the rest of the money?"

"No." I could not bear to stay here any longer, for I wanted to contemplate both my loss and my good fortune in peace and quiet. "I will take the thirty shillings and collect the balance later."

"As you wish," she said. "Three Gaunt-court. It's not a stone's throw away."

"A long throw."

She gave me a hard stare. "Don't worry, I'll have the money waiting for you. Six shillings, no more no less. I pay my debts, Mr Shield, and I expect others to pay theirs."

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