Lisa Miscione - Twice

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Twice: краткое содержание, описание и аннотация

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“Dark, disturbing, and hideously exciting. I will have to take my teddy bear with me to bed tonight, and doubt I will get this frightening set of twisted characters and the malign gothic town they come from out of my head for days.” – Perri O’Shaughnessy, New York Times bestselling author
“Lydia is a refreshingly down-to-earth character… Miscione draws convincing parallels between Lydia and Julian, an overlapping of characters that gives Twice an added edge.” – St. Petersburg Times
“Gothic horror, hints of incest, and the isolated denizens of those tunnels combine to make this a compelling and creepy suspense novel.” – January Magazine
“A steadily developing series… with a strong central character.” – Booklist
“Readers can tell that author Lisa Miscione has been steeped in the classic formula of mysteries-Agatha Christie, P. D. James, and even Arthur Conan Doyle. Underlying her fresh writing style and modern, real characters is the outline of the classic whodunit.” – Mystery Scene magazine
“Real page-turner.” – Tampa Bay Illustrated
“Lydia Strong and Jeffrey Mark are back in Miscione’s third outing featuring this vibrant NYC PI team… in this enthralling and gritty thriller… Definitely a tale that will easily hold the reader’s interest, this comes highly recommended.” – New Mystery Reader
“Another assured outing in this solid, highly readable series… Again in Twice and seen before in The Darkness Gathers and Angel Fire, Miscione succeeds in the strength of the character development. She has allowed a dark, haunted Lydia the ability to grow and find a peace within herself… all the while remaining true to her character’s tough, smart, bitchy, focused self. I enjoy and admire this author’s refreshing and gutsy character development choices.” – I Love A Mystery Newsletter
***
Lisa Miscione's first two mysteries featuring Lydia Strong, Angel Fire and The Darkness Gathers, received praise for their lyrical prose and achingly suspenseful plotting. Now Miscione delivers her best novel to date: Lydia and her partner, P.I. Jeff Mark, must confront not only a brutal murderer but the demons from their own past.
Julian Ross, a brilliant and acclaimed New York City artist, has been charged with brutally killing her second husband. She was found at the scene, hysterical, over his bloody, lifeless corpse. She maintains her innocence, but the cops are having trouble believing her: Ten years ago Julian was indicted and acquitted of murdering her first husband in exactly the same way.
Julian's mother, Eleanor, is convinced of her daughter's innocence and hires Lydia and Jeff to clear her name. A cold woman, Eleanor nonetheless seems dedicated to her family, even looking after Julian's five-year-old twins. But Lydia and Jeff, who are still dealing with the aftermath of a confrontation with Lydia's mother's murderer, dive into the case only to discover that little about the family is what it seems to be.
In a gripping, tense and surprising thriller, once again the talented Lisa Miscione delivers a complicated novel about the nature of evil, and the redemption of survival.

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Now Horatio was the only one who was aware of his new location. The sudden move had been inconvenient at the time, but in the end he found himself a much better spot, closer to an exit. Closer to Lydia. The map he’d begun was lost, but he’d committed it to memory, had started to draw it in a notebook that he carried with him.

Horatio, who was not very bright and resembled nothing so much as a shabbily dressed, down-on-his-luck Umpa Lumpa, was the closest thing Jed had had to a friend since he was in grade school. With scraggly long black hair, a long, wide face covered with patches of hair that should have been a beard but didn’t really seem to grow in right, and bright blue eyes, he seemed more like a creature from Grimm’s than he did a man. He wasn’t much, but he’d proven useful and loyal.

“You’re the only one who knows where I am, right?” said Jed, turning his gaze from his notebook to Horatio, who seemed to jump a bit.

“Of course,” he said eagerly.

“Then we don’t have anything to worry about. Do we?”

“Rain knows these tunnels better than anyone. If he wants to find you, he will,” Horatio said, his brows knit, the rest of the cookie forgotten in his hand.

“You’ll have to make sure that doesn’t happen.”

“How?”

“I have every confidence that you’ll find a way to lead them away from me.”

“I don’t know”

“Find a way, Horatio. You wouldn’t want Rain to know that you’ve betrayed him. Then it will be back up topside for you, doing little dances on the subway to make money.”

Horatio had made the mistake of telling Jed how frightened he was of the streets, how much abuse he’d taken as a homeless dwarf, how he’d almost been killed more than once. Rain had given him a home and community where he felt safe. Now Jed used the information to control him. The dwarf looked sadly at his cookie as if it were the reason for the predicament he found himself in and nodded.

“Good,” said Jed. “I have to keep a low profile for a few days. I’m going to need some help with a few things.”

chapter sixteen

The food was worse than the coffee at the Rusty Penny, where Ford, Lydia, and Jeffrey sat at a booth toward the back. New Yorkers never realized how spoiled they were when it came to eating out until they left the city. Even the worst greasy spoon in Manhattan usually had something to offer, a personality, a history, something. But the Rusty Penny was like a boil on the buttocks of Haunted, nothing you’d want to look at too closely and certainly producing nothing you’d put in your mouth.

Lydia picked at the sesame bun on her chewy and grizzled hamburger. Ford, however, hadn’t seemed to notice and was eating as if he hadn’t had a meal in a week. Jeffrey had pushed away his turkey club and ate potato chips from a small bag.

“I think it’s better if we’re not there when Ford interviews the twins,” said Jeffrey, taking a swig from a bottle of mineral water. “After all, we’re supposed to be on Eleanor’s team. It wouldn’t look good to show up with the cops, especially given her opinion of them.”

“Not that you should be showing up with me anyway. As far as I’m concerned, you guys don’t even exist,” said Ford, looking at his watch.

Lydia nodded. She had been curious to hear the interview, but she was more interested in meeting Maura Hodge.

“How are you guys going to get back?” asked Ford.

“Dax is on his way,” said Jeffrey. “He’s meeting us with the Range Rover.” Dax had been tied up that morning with one of his other “clients.”

“What does that guy do exactly?” asked Ford. Then he held up a hand. “You know what? Don’t tell me.”

They were quiet for a second. Lydia couldn’t stop thinking about what Marilyn Wood had told her.

“What do you think about the librarian’s story?” she asked Ford.

“What,” said Ford, with a laugh. “You mean the curse .”

“You think it’s funny?” asked Lydia, leaning in to him.

“I wouldn’t say funny , exactly,” answered Ford with a smile, his amused skepticism wrinkling his eyes and turning up the corners of his mouth.

“It’s possible, isn’t it, that this Maura Hodge is making sure her ancestor’s curse is fulfilled… one way or another?”

“What do you mean… like she’s killing the husbands?”

“Or paying someone to do it. Or she has some kind of accomplice.”

Ford shrugged, looked up, and seemed to be considering the possibilities. “Seems a little far-fetched,” he said finally.

“What’s so far-fetched about it?”

“How old is this woman?”

“In her sixties, according to the librarian.”

“So that would make her in her late twenties around the time of Eleanor’s husband’s murder.”

“About that. What’s your point?”

“Nothing. Just that all these murders have been overkill. You know, rage killings. A killer for hire isn’t going to rip someone to pieces. And as for Maura Hodge, how much anger could she muster up for someone else’s two-hundred-year-old gripe?”

“Gripe? A woman watched her five children murdered before her eyes and then her husband was hanged. All because Elizabeth Ross didn’t have the courage to tell the truth. I’d say that’s a little more than a gripe.”

“Whatever you call it, it’s Annabelle’s gripe. Not Maura Hodge’s gripe. See what I’m saying? Whoever killed those men was filled with rage right now ,” he said, tapping his finger hard on the table in time with his last two syllables. “Not a hundred and fifty-some years ago.”

She was there again on that night, inside Annabelle’s skin. She could feel the rage, the pain, the immense sadness that must have threatened to burst out of her chest, turn her mind toward insanity. She could imagine her powerless fury, hear her screams that must have sounded like an animal’s howl in the night, carrying all the panic and terror into the air. What if rage like that, pain like that, left an imprint on your DNA? What if over generations it became like a congenital disease that was passed down from one soul to the next? And what if, over time, that rage grew stronger instead of weaker? But these were things she wouldn’t say aloud to people like Ford McKirdy. He was so grounded, so flat to the earth; he would think she was insane. She couldn’t tell him that the buzz was louder than it had ever been. That she sensed an evil in this broken-down town and she couldn’t be sure whether it lived and breathed or whether it was just a part of the ground on which the town sat, that it had sunk into the water and poisoned the whole damned place.

She moved her hand to her belly. It was an unconscious gesture, but when she’d done it, felt the denim beneath her hand, she acknowledged a feeling that had been growing, fluttering in the periphery of her consciousness since she’d discovered she was pregnant. It was the sense that she was no longer alone in her skin. That everything she felt and thought, everything she ate, even the air that she breathed was being shared by another being. All of this, of course, she knew intellectually. Sitting there in the Rusty Penny, she experienced a palpable moment when the information reached her heart. And in that moment, she just felt so real .

She wasn’t sure why this feeling had come to her now. Maybe it was thinking of what people passed on to their children. How the baggage people carried was unloaded onto the most innocent among them; how the generations of two families since that awful night long ago might have been impacted by hatred and revenge, one way or another. And maybe it made her think of her own baggage and how she was going to try like hell not to pass it along to their child. She looked up then and saw both Ford and Jeff looking at her.

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