“This is a public library?” Lydia asked stupidly, the sign right in front of her.
“That’s what the sign says,” the woman said with a courteous smile and interested eyes.
“It’s just that Haunted doesn’t seem like an especially wealthy town. And this is a beautiful library.”
“It’s a public library funded by a private trust, actually,” said Marilyn, her smile widening as though Lydia had just said she was beautiful. The smile took about ten years off her face.
“Mind if I take a look around?”
“Not at all,” she said, hitting a button under the desk. A soft buzzer sounded and a low gate to the side of the desk opened. “Is there something I can help you find? I’ll warn you, most of the books you’ll find are reference materials that don’t leave the library. Some first editions of local New York writers, historical texts, old maps, genealogies of some of our more prominent families. I do have some shelves toward the back with some ‘popular’ titles.” The word popular seemed to stick on her tongue and then get spit out as if it tasted bitter. “And I can order most anything you need from one of the larger libraries if you have a library card. But I don’t think you do, do you?”
“No, I don’t.”
The whole place smelled like wood and leather and Lydia walked up and down the shelves looking at the beautiful volumes there. She traced a finger along the bindings and thought she caught the slightest scent of lemon, as if the books had been dusted with Pledge.
She came to a narrow staircase that crept along the wall, the mahogany banister polished until it gleamed in the light. A small plaque at the bottom of the stairs announced that Haunted historical texts and genealogies were kept above and were for reference only, not to leave the library. Lydia looked around, expecting the librarian to leap out from the shelves and forbid her to go any farther. But she didn’t and Lydia jogged lightly up to the next landing. It was hard to believe that a town so small and innocuous could have so many volumes dedicated to its town history and the people who lived there, but there were at least ten floor-to-ceiling shelves lined across the room and stuffed with leather-bound volumes. Lydia looked around for a light switch but didn’t find one. She made do with the low light that traveled up from the floor below and scanned the shelves. She went to the shelf marked Q-T to see what might exist on the Ross family and walked along that row, squinting her eyes and leaning in close so that she could read the bindings. Toward the end of the shelf, she found a book entitled Hiram Ross: Son of the Founding Fathers . She pulled it from its place and moved over to a table close to the landing where the light was a bit better.
She sat and opened the book. The book was in pristine condition and the now-familiar scent of lemons seemed to waft from its pages. She perused the table of contents and found a chapter entitled “Descendants,” then flipped to that page. What she found was a careful chart, dating back to Hiram’s great-grandparents, continuing through his marriage to a woman named Elizabeth Rye in 1856, who died early, before her twenty-second birthday, just a few years later in 1859. Less than a year later, Hiram remarried to a woman named Eleanor Hawthorne, who bore him a son and a set of fraternal twins, one boy, one girl. The chart covered several pages, reaching all the way to three generations later, to Eleanor and Paul Ross, twin daughter and son of Hiram’s great-great-grandson. The chart ended at Eleanor’s marriage to Jack Proctor, with no mention of Julian’s birth or Jack’s death. Lydia scanned back through the marriages and saw that Eleanor had been telling the truth, that the husbands of the Ross women seemed to die all within a few years of the birth of their children.
“What are you looking for exactly?” said the librarian, poking her head up from the stairs and flipping on a light from someplace Lydia couldn’t see. Lydia’s heart leapt, but she managed not to show it.
“How long have you worked here?” asked Lydia, not looking at her.
“Just over thirty years,” she said.
“Did you grow up here?”
Marilyn seemed taken aback by the personal nature of her questions. She hesitated, then answered.
“Why yes.”
“Does the name Ross mean anything to you?”
Marilyn laughed a quick, uncertain laugh and seemed to back away a few steps. “The name Ross means something to everyone in this town. Something different to everyone.” Lydia turned her eyes from the book. Marilyn looked as if she might turn and scurry away, but she didn’t.
“Who are you? What do you want?” Marilyn asked finally.
“I’m looking for information on Eleanor Ross and her murder trial back in 1965. And anything else you can tell me about the Ross family.”
A strange expression crossed the woman’s face, some combination of conspiratorial pleasure and fear, the desire to talk and the knowledge that she shouldn’t.
“I know the librarian can be the hub of almost any small town,” Lydia flattered, remembering how well Marilyn had responded to the compliments to her library. “And I can see I wasn’t wrong in coming here before going anyplace else.”
“Who are you?” asked Marilyn again, moving in closer to her.
“I’m Lydia Strong. I’m a writer interested in the case.”
“Oh, of course,” the librarian said, covering her mouth and the smile that bloomed there. “I should have recognized you. I’ve read every one of your books.”
Lydia smiled. The librarian had climbed the rest of the steps and now stood beside her, glancing at the book open in front of her on the table. Lydia held out her hand, which Marilyn grabbed and shook enthusiastically.
“Will you help me, Marilyn?”
The woman could barely conceal her excitement, but she recovered well and took on her previous air of authority. “Well, it depends on what you’d like to know. I’ll tell you what, there’s a lot you won’t find in these books.”
Lydia followed Marilyn back to her office behind the information desk and sat in a plush sofa. Marilyn offered tea, and when Lydia accepted, she walked from the office and was gone for a time. Lydia looked around the small space, made smaller by the heavy wood paneling and large oak desk lit by the same style banker’s lamp that had sat on the desk out front. Marilyn’s degrees hung behind her desk: there was a bachelor’s in English literature, a master’s in library science, as well as a second master’s in American history, all from Syracuse University. Lydia stood up to inspect them more closely.
Marilyn’s desk was predictably spotless and impeccably organized. A small pile of manila folders was stacked flush against the far corner of the desk, ten identical Uni-Ball black ink pens stood in a leather cup: A cup of tea, still steaming, sat on a coaster. A small, sectioned tray contained rubber bands and paper clips. An unfinished game of computer solitaire when Lydia accidentally touched the mouse. She must be bored to tears , thought Lydia as the librarian returned with a cup of dark oolong tea with cream and sugar.
“You said this library was funded by a private trust?” asked Lydia, sitting back down on the sofa and placing the tea on the end table. Marilyn jumped up to place a coaster beneath the cup and then sat back down.
“Yes, from the estate of one of the original settlers of this town, a man named Thomas Hodge. He is the ancestor of a woman who still lives in Haunted, a woman named Maura Hodge.”
She paused a second and then took a sip of her tea.
“Does your visit have something to do with the recent murder of Richard Stratton?” Marilyn asked.
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