William Brown - The Undertaker

“You think they're watching?” she said as she dropped her big sunglasses down over her eyes. “Then I shall go incognito.”

Instead of the route we took that morning, we swung west two blocks, then north as far as Schiller, approaching Clark from the far end of her block. It was a nice walk, until we looked around the corner and saw a white sedan parked near her building with two men inside. Sandy's mouth dropped open as that reality sank home. We slipped back around the corner and backtracked a block. There was a narrow walkway that brought us back to the alley behind her building. Peeking around a fence, we saw the rear end of another government car.

“Still think I'm paranoid?” I asked.

“I don't believe this. Maybe I could sneak past them and go upstairs?”

“That's too risky. We can wait them out. When I don't show and you don't either, Tinkerton will pull them off.” We walked back down the narrow passageway crossed the next street, and several others, and turned south again.

“Do you know some place we can hide for a while?” I asked.

“We? You mean “we” as in the-two-of-us-we?”

“A couple of hours, that's all. Until they give up. A friend's? Maybe someone with a computer I can use, and a printer?”

She stopped and studied me through those dark sunglasses. She was hard to read, but I could tell she was deciding about a lot more than just a place to hide.

“I'm not making those cars up, am I?” I asked. “Or the goon with the gold cuff links and bad manners. You saw what was on that computer disk, Sandy: the spreadsheets, the books, the payoff lists, the Swiss bank accounts, all of that stuff. If we can print it out, we can blow this thing wide-open and get both of us off the hook.”

“A rocket scientist, huh? And you know all about computers?” She shook her head, still skeptical. “I know I'm gonna hate myself in the morning, Talbott, and that won't be the first time, but okay. I'll trade you. My Aunt Penny has a condo over at Marina Towers. She's out of town, I have a key, and she has a computer. So, I'll take you over there for a while. You can take a look at the disks, then you're going to teach me that computer stuff.”

“That computer stuff? I don't know how much time you've got, but it's a deal.”

“One thing, though,” she looked me over again. “That cowboy costume has got to go. Me and plaid do not get along.”

Billy Rae Bob sings in black-and-white…

Marina Towers wasn't far away, on State Street where it crosses the Chicago River. They were two round, contemporary residential towers that stood on the riverbank. They call them “salt and pepper,” and they were trendy and expensive. The lower floors were a circular parking garage and I remembered an action flick where a car flew out of one of the towers and took a nosedive into the Chicago River. Her aunt's apartment was on the 10th floor. It was small, but nicely furnished and it had a great view. From the balcony, you could look out across downtown, the lakefront, and half the city.

“I take it your aunt isn't a Kasmarek.”

“Oh, God, no, she's my aunt, a DePiero.”

“Is she coming back soon?” I asked.

“She's in Spain for another month. She's single and I'm her favorite niece, so she lets me use it anytime I want. After the business with Eddie, I really needed to get away. This is where I came to hide.”

Her aunt's PC was on a computer stand set against the wall. I went to check it out while Sandy opened the sliding glass door and stepped out on the balcony. She immediately took out her camera, raised it to her eye, and scanned the city. I had quick fingers on a computer keyboard, but hers looked to be just as talented and fast as she worked the lens and light stops, the camera clicking away. Her expression was intense and I felt like I was intruding on something very private and very personal.

While the computer booted up, I looked around. Hanging on the walls were eight large, framed, black-and-white photographs. Each was more interesting and visually stunning than the one before. Their focus was crisp. The lines and contrasts were sharp, some with soft shadows and hazy fade-outs. One was all composition — an eerily empty downtown street with a long pan down a line of storefronts. Another was the front steps of the Art Institute I passed in the truck, its lions standing tall and wet beneath a hazy rain. There was a shot of an empty Lake Michigan beach in the winter, close up, ice piled up, steam rising off the water, with the city's tall buildings in the distance. There was a shot at the zoo, with a line of animal cages, empty, their doors hanging open. Finally, an empty tropical beach with tall overhanging palms, spectacular clouds, and a mirror-smooth ocean. It too was done in black-and-white, not the familiar bright pastels.

Sandy stepped back in the room and saw me as I examined the photos. “You took these, didn't you?” I asked.

“My aunt is my biggest fan. She blew them up and had them framed.”

“And I can see why. Nice contrasts. Powerful, very emotional, even moody, but just beneath the surface. Interesting stuff, vivid, and haunting.”

“Wow! Think you can analyze me just like that, Talbott? Which is your favorite?”

“The beach.”

“I'll get you a copy… if I ever see my darkroom again.”

“I'd love one. I have a big airline poster hanging in my office right across from my desk. It's the beach at San Jose down near Cabo on the Baja. But it's in color.”

“An airline poster? In color. I bet you got yourself stuffed in a lot of trashcans in high school, didn't you?

“Baja's where Terri and I were going to go last spring.”

“Jeez, I'm sorry. I did it again, didn't I?” She scrunched up her face. “I'm famous for my total lack of sensitivity.”

“Maybe you put it all in your photos. You ever think of that?”

She gave me that curious look again and then smiled. “Thank you, that was nice.”

I pulled a chair over and sat behind the computer. She came over and stood behind me, watching. That was as close as she had gotten since I walked into her store. Maybe I broke the ice. Maybe it gave her a better shot with the letter opener.

“You said you know some accounting,” I asked.

“Well, I keep the books for Old Man Fantozzi — all three sets.” Puzzled, I looked up at her and she added, “The ones for the IRS, the ones for his ex-wife, and the real ones. That's the other reason the old bastard won't fire me.”

“You'll do fine,” I laughed. “Why don't you make us some coffee while I print out some of this stuff. Maybe you can make sense out of the accounting.”

As I was working, Sandy came back with two cups of coffee and picked up the first stack of paper off the printer. The makeup was gone and she had changed into a baggy sweat suit. She knew I was watching her as she flopped in a big leather chair, slung her leg over the armrest, and pulled a red felt tip pen from behind her ear.

“Something wrong?” she asked without looking up.

“No, no, you just surprised me, that's all.”

“I'm full of surprises, Talbott.”

I went back to the computer and the next thing I knew, shadows were cutting across the floor from the patio window. My watch showed it was 4:30 PM and Sandy was lying on the floor. There was a thick pile of printouts next to her and she was doing some very painful looking stretches, watching me intently the entire time.

“You're not going to break something doing that, are you?” I asked.

“You've been at that for five hours. You really get zoned-out on a computer, don't you?”

“Pretty much. You have a total lack of sensitivity and I have a total lack of awareness.” I looked at her but she kept staring up at me, stretching, and staring. “What?” I asked, knowing I was being studied. “Am I that interesting?”