Dustin Thomason - 12.21

The numbers of cursed are growing with each turn of the sun, cursed for their trespasses against their fellow man. The streets overflow with violence day and night, as peaceful men turn against one another, unable to invoke the spirits in their dreams, fighting over what few valuables are left in the markets.

Jaguar Imix and his retinue consumed the flesh of men for many moons in good graces of the gods without being cursed. But whatever god protected them before does so no longer. The king is cursed, his nobles are cursed, and Akabalam has swept our land and destroyed everything.

Akabalam has turned men into monsters, just as I have feared. The time of dreams is the time of peaceful reconciliation with the gods, the time of communing with spirit animals, the time of giving ourselves to the gods as we do in death. But those cursed cannot dream, cannot surrender themselves to the celestial gods or be in touch with their wayobs, who watch over them.

Here is the account of my final sojourn to the great palace, where the men of the council once adjudicated. By night I came, carrying the bird on my shoulder, for it was too dangerous by the light of day for any pious man to show his face in the city plazas. I came, guided only by the light of the moon.

I came for the prince, Smoke Song, my pupil, whom I planned to take from the palace. That the boy is not cursed reveals Jaguar Imix’s own confusion; when he did not give his own son human flesh, he revealed cracks in his belief.

But Smoke Song is not the only child who will carry on the stories and legend of the terraced city. Flamed Plume and One Butterfly waited back in my cave, from which we planned to retreat to the forests of the lake that my father once sought. As I have still not allowed them to, Auxila’s girls have eaten no human meat in my care. We will live off the land, where we will be safe from the dreamless and those who follow them into ruin.

I had not been to the palace or seen the king in twenty suns, and there was a strange falseness to all I bore witness to, a strange suspicion that this way of life in the palace and in Kanuataba was over, that appearances could no longer be maintained. The guards themselves were nowhere in sight, and I made my way to the royal quarters unimpeded.

Because the prince was absent from his own room, I took myself to the king’s quarters. The prince must have gone to see his father, which terrified me, for I did not believe that the king would let him leave the palace.

I went to the king’s chamber and entered it boldly.

Stepping inside, I saw the prince kneeling at his father’s bedside. I knew then that Ah Puch had carried the king’s spirit into the afterlife, to spend the cycles of time with other kings, as it is ordained. There was no breath from his lips or beat of his heart. As I had taught him, Smoke Song was not touching the corpse, only waving incense sticks all around the body.

Smoke Song looked up at me with tears in his eyes.

Then the voice came from behind us:

—This is the king’s chamber, and his alone, and you will not be forgiven your trespass here, lowly scribe.—

I turned to face the dwarf, who stood ten paces behind. His beard had not been cut in many moons.

I spoke:

—You have spilled your lies onto the causeways and beckoned the people of Kanuataba with your tongue, and they shall hear these lies no more. They shall know that the king is dead!—

—You shall tell no one of this, or I shall have it known that you have not taken Auxila’s daughters as true concubines, that you have made no copulation with them and can therefore lay no claim to them. I shall take them as my own, and they will blossom and bear my sons! The king’s guards will take them by force!—

I struck the dwarf with my walking stick over the crown of his bulbous head, struck him with the end of it adorned with the pointed jade, and let forth the blood inside him. He fell to the floor, screaming out and calling for the prince’s help.

Smoke Song did not move.

The dwarf flew at me and clenched his jaw around my leg. The pain seared through me like fire. I gouged out his eyeball with the point of my jade knife, and he let go. I drove the jade point into his belly with all my strength, and his spirit was extinguished.

Then I turned to the prince:

—You must leave me here now. You must take Flamed Plume and One Butterfly and leave the city.—

When the prince heard this, he spoke to me with new power:

—As supreme ajaw of the city, I command you to come with us, Paktul. I will make you the daykeeper wherever we go. This I command you as king!—

But I knew that what remained of the royal guards would come after me, bound by duty to avenge the dwarf. They would have a thirst for my blood, and I did not wish to endanger the children’s lives. I told the prince:

—That you would honor me and make me your daykeeper, Smoke Song, is prize enough for me, prize enough for entry into the sacred world of scribes above. But you must abandon me here, that you may be protected by Itzamnaaj, holy god.—

He spoke:

—Holy teacher, the renouncers are come. I hear their screams! As your new king, I command you to follow me.—

I told the prince:

—Then let me lead you in the direction of my family whom I have lost, King, in the direction of all those that came before me.—

Holy Itzamnaaj, may I lead them in the direction of salvation in the recesses of the great forests, where my ancestors once lived and shall live forevermore. Where we may worship the true gods and bring forth a new people to usher in the turn of the next great cycle. Flamed Plume will become wife to Smoke Song, and the union shall bless a new beginning, shall generate a new race of men, a new cycle of time. I can only dream of the generations Smoke Song will father with Flamed Plume and her sister, men who will lead their people with decency. And the people of Kanuataba will live on.

CHEL STOOD ALONE IN THE LOBBY OF THE GETTY RESEARCH building, watching the afternoon sun shine into the glass oculus in the courtyard outside. On the summer solstice, at high noon, the sun would be directly aligned with the oculus, a design mirroring some of the astrology-based architecture of the ancients. This was the bastion of Maya scholarship she’d convinced the Getty board they had to have—that to ignore the most sophisticated civilization in the New World was an historical crime.

It turned out the crime was perpetrated by the Maya themselves.

For centuries, the conquistadores had accused the indigenous people of cannibalism, as evidence of their own moral superiority; missionaries explained burning ancient Maya texts by invoking it; Spanish kings used it to claim land. This blood libel hadn’t stopped during the conquest—even in La Revolución of Chel’s childhood , false claims surfaced again to justify subjugation of the modern Maya.

She was about to hand the enemies of her people the proof they’d sought. The Aztecs had dominated Mexico for three centuries in the post-classic, made art and architecture and revolutionized trade patterns across Mesoamerica. But if you asked most people what they knew about the Aztecs, cannibalism and human sacrifice were the only answers you’d get. Now the same would be true for the Maya; all of Chel’s ancestors’ accomplishments would disappear into the shadow of this discovery. They’d be nothing more than people who worshipped praying mantises for eating the heads of their mates. They’d be the people who sacrificed children and ate their remains.

“It’s been going on for hundreds of thousands of years.”