Justin Cronin - The Twelve

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The Twelve: краткое содержание, описание и аннотация

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The end of the world was only the beginning.
In his internationally bestselling and critically acclaimed novel
, Justin Cronin constructed an unforgettable world transformed by a government experiment gone horribly wrong. Now the scope widens and the intensity deepens as the epic story surges forward with…
In the present day, as the man-made apocalypse unfolds, three strangers navigate the chaos. Lila, a doctor and an expectant mother, is so shattered by the spread of violence and infection that she continues to plan for her child’s arrival even as society dissolves around her. Kittridge, known to the world as “Last Stand in Denver,” has been forced to flee his stronghold and is now on the road, dodging the infected, armed but alone and well aware that a tank of gas will get him only so far. April is a teenager fighting to guide her little brother safely through a landscape of death and ruin. These three will learn that they have not been fully abandoned—and that in connection lies hope, even on the darkest of nights.
One hundred years in the future, Amy and the others fight on for humankind’s salvation… unaware that the rules have changed. The enemy has evolved, and a dark new order has arisen with a vision of the future infinitely more horrifying than man’s extinction. If the Twelve are to fall, one of those united to vanquish them will have to pay the ultimate price.
A heart-stopping thriller rendered with masterful literary skill,
is a grand and gripping tale of sacrifice and survival.
Named one of the Ten Best Novels of the Year by
and
, and one of the Best Books of the Year by

e •


THE TWELVE
PRAISE FOR JUSTIN CRONIN’S
“Magnificent… Cronin has taken his literary gifts, and he has weaponized them…. The Passage can stand proudly next to Stephen King’s apocalyptic masterpiece The Stand, but a closer match would be Cormac McCarthy’s The Road.”
—Time “Read this book and the ordinary world disappears.”
—Stephen King “[A] big, engrossing read that will have you leaving the lights on late into the night.”
—The Dallas Morning News

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Lawrence Grey experienced the crash itself as a severing in time: one moment he was pressed against the wall of the helicopter in its death spiral, the next he was lying in the wreckage. He felt but did not specifically recall the moment of impact; it had lodged in his body as a ringing sensation, as if he were a bell that had been struck. There was a smell of fuel, and hot insulation, and an electrical crackling sound. Something heavy and inertly soft was lying on top of him. It was Guilder. He was breathing but unconscious. The helicopter, what was left of it, lay on its side; where the roof should have been was now the door.

“Lawrence, help me!”

The voice came from behind him. He shoved Guilder’s body off his chest and felt his way to the rear of the helicopter. One of the benches had twisted loose, pinning Lila to the floor, crushing her at the waist. Her bare legs, the flimsy fabric of her gown—all glistened with a heavy, dark blood.

“Help me,” she choked. Her eyes were closed, tears squeezing from the corners. “Please, God, help me. I’m bleeding, I’m bleeding.”

He tried to pull her free by her feet, but she began to shriek in agony. There was no other way; he’d have to move the bench. Gripping it by its frame, Grey began to twist. A groan and then a pop and it broke away from the decking.

Lila was sobbing, moaning in pain. Grey knew he shouldn’t move her, but he had no choice. Positioning the bench beneath the open door, he hoisted her to his shoulder, stepped up, and laid her gently on the roof. He followed, climbing up the opposite side. He slid down the fuselage, circled back, and reached up to receive her, easing her body down the side of the helicopter.

“Oh, God. Please, don’t let me lose her. Don’t let me lose the baby.”

He lowered Lila to the ground, which was strewn with rubble from the destroyed laboratory—twisted girders, concrete blasted into chunks, shards of glass. He was weeping, too. It was too late, he knew; the baby was gone. Gouts of blood, clotted with black, were spilling from between Lila’s legs, an unstoppable flow. In another moment she would follow her baby into darkness. A childhood prayer found Grey’s lips and he began to murmur, again and again, “Holy Mary, Mother of God, pray for us sinners, now and at the hour of our death, amen. Holy Mary, Mother of God, pray for us sinners, now and at the hour of our death, amen.…”

Save her, Grey .

You know what to do .

He did; he knew. The answer had been inside him all along. Since the Red Roof and Ignacio and the Home Depot and Project NOAH and long before.

Do you see, Grey?

He lifted his face to behold them. The virals. They were everywhere and all around, emerging from the darkness and flames: flesh of his flesh, unholy and blood-driven, encircling him like a demonic chorus. He was kneeling before them, his face streaked with tears. He felt no fear, only astonishment.

They are yours, Grey. The ones I give to you .

—Yes. They are mine.

Save her. Do it .

He needed something sharp. His hands searched the ground, lighting upon a sliver of metal, some broken shard from a world of broken, piecemeal things. Eight inches long, the edges ragged as a saw. Positioning it lengthwise across his wrist, he closed his eyes and slashed a deep gash into his flesh. The blood spurted forth, a wide, dark river, filling his palm. The blood of Grey, the Unleasher of Night, Familiar of the One Called Zero. Lila was moaning, dying. Any breath might be her last. A moment’s hesitation—some last, extinguishing human light inside him—and Grey placed his wrist against her lips, tenderly, like a mother easing her breast to the mouth of a newborn babe.

“Drink,” he said.

Grey never even saw it: the chunk of concrete, thirty-four pounds of solid rock, that Guilder, with all the strength he could muster, hoisted into the air above Grey’s head and then brought down upon him.

22 They made their way into Chicago as the sun was setting filling the sky - фото 25

22

They made their way into Chicago as the sun was setting, filling the sky with a golden light. First the outer ring of suburbs, empty and still; then, rising before them like a promise, the shape of the city. The lone survivors, their lives joined by the mysterious bond of their survival: they traveled in silence, dreamers in a forgotten land, their progress marked only by the grumble of the bus’s engine, the hypnotic whoosh of asphalt beneath their wheels. Ghosts sat beside them, the people they had lost.

As the city came into focus, Pastor Don bent forward from his seat behind Danny. Helicopters were floating over the city, buzzing among the skyscrapers like bees around a hive; high above, the contrails of aircraft cast ribbons of color against the deepening blue. A zone of safety, it seemed, but this couldn’t last. In their hearts they knew there was none.

“Let’s pull off a minute.”

Danny drew the bus to the side of the roadway. Pastor Don rose to address the group. The decision was upon them. Should they stop or continue? They had the bus, water, food, fuel. No one knew what lay ahead. Take a minute, Pastor Don said.

A murmur of agreement, then a show of hands. The verdict was unanimous.

“Okay, Danny.”

They circled the city to the south and continued east on a rural blacktop. Night fell like a dome snapping down on the earth. By daybreak they were somewhere in Ohio. A landscape of pure anonymity; they could have been anywhere. Time had slowed to a crawl. Fields, trees, houses, mailboxes streaming by, the horizon always unreachable, rolling away. In the small towns, a semblance of life continued; people had no idea where to go, what to do. The highways, it was said, were jammed. At a mini-mart where they stopped for supplies, the cashier, glancing out the window at the bus, asked, Can I go with you? On the wall behind her head, a television screen showed a city in flames. She spoke in a hushed tone so as not to be overheard. She didn’t ask where they were going; their destination was simply away. A quick phone call and minutes later her husband and two teenage sons were standing by the bus, holding suitcases.

Others joined them. A man in overalls walking alone on the highway with a rifle over his shoulder. An elderly couple, dressed as if for church, their car expired on the side of the road with its hood standing open, steam exhaling from its cracked radiator. A pair of cyclists, Frenchmen, who had been riding across the country when the crisis began. Whole families squeezed aboard. Many were overcome, weeping with gratitude as they took their places. Like fish joining a school, they were absorbed into the whole. Cities were bypassed, one after the other: Columbus, Akron, Youngstown, Pittsburgh. Even the names had begun to feel historical, like cities of a lost empire. Giza. Carthage. Pompeii. Customs evolved among them, as if they were a kind of rolling town. Some questions were asked but not others. Have you heard about Salt Lake, Tulsa, St. Louis? Do they know what it is yet, have they discovered the answer? Only in motion was there safety; every stop felt fraught with peril. For a time they sang. “The Ants Go Marching,” “On Top of Spaghetti,” “A Hundred Bottles of Beer on the Wall.”

The landscape rose and fell, enfolding them in a green embrace: Pennsylvania, the Endless Mountains. Signs of human habitation were few and far between, the leavings of an era long passed. The battered coal towns, the forgotten hamlets with a single factory shuttered for years, red-brick smokestacks forlornly poking a blue summer sky. The air smelled strongly of pine. By now they numbered over seventy, bodies crammed into the aisles, children on laps, faces pressed to the windows. Fuel was a constant worry, yet somehow they always found more in the nick of time, their passage protected by an unseen hand.

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