Justin Cronin - The Twelve

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The Twelve: краткое содержание, описание и аннотация

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The end of the world was only the beginning.
In his internationally bestselling and critically acclaimed novel
, Justin Cronin constructed an unforgettable world transformed by a government experiment gone horribly wrong. Now the scope widens and the intensity deepens as the epic story surges forward with…
In the present day, as the man-made apocalypse unfolds, three strangers navigate the chaos. Lila, a doctor and an expectant mother, is so shattered by the spread of violence and infection that she continues to plan for her child’s arrival even as society dissolves around her. Kittridge, known to the world as “Last Stand in Denver,” has been forced to flee his stronghold and is now on the road, dodging the infected, armed but alone and well aware that a tank of gas will get him only so far. April is a teenager fighting to guide her little brother safely through a landscape of death and ruin. These three will learn that they have not been fully abandoned—and that in connection lies hope, even on the darkest of nights.
One hundred years in the future, Amy and the others fight on for humankind’s salvation… unaware that the rules have changed. The enemy has evolved, and a dark new order has arisen with a vision of the future infinitely more horrifying than man’s extinction. If the Twelve are to fall, one of those united to vanquish them will have to pay the ultimate price.
A heart-stopping thriller rendered with masterful literary skill,
is a grand and gripping tale of sacrifice and survival.
Named one of the Ten Best Novels of the Year by
and
, and one of the Best Books of the Year by

e •


THE TWELVE
PRAISE FOR JUSTIN CRONIN’S
“Magnificent… Cronin has taken his literary gifts, and he has weaponized them…. The Passage can stand proudly next to Stephen King’s apocalyptic masterpiece The Stand, but a closer match would be Cormac McCarthy’s The Road.”
—Time “Read this book and the ordinary world disappears.”
—Stephen King “[A] big, engrossing read that will have you leaving the lights on late into the night.”
—The Dallas Morning News

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* * *

Time itself acquired a disordered feel. Amid the chaos, lives were overlapping in unforeseen ways. In the basement of the NBC facility, a bitter struggle was ensuing. At the very moment that the Blackbird helicopter was alighting on the rooftop, Horace Guilder, who had been hiding from Nelson in the office when the assault commenced, his decision not to telephone his counterparts at the CDC having lifted one burden from his mind only to create another (he had no idea what to do next), had descended the stairs to the basement with considerable difficulty to find Masterson and Nelson frantically cramming blood samples into a cooler packed with dry ice, yelling words to the effect of “Where the hell have you been?” and “We have to get out of here!” and “The place is coming down around our ears!” But these sentiments, reasonable as they were, touched Guilder only vaguely. The thing that mattered now was Lawrence Grey. And all at once, as if he’d been slapped in the face, Guilder knew what he had to do.

There was only one way. Why hadn’t he seen it all along?

His whole body was poised on the verge of paralyzing spasms; he could barely draw a breath through the narrowing tube of his throat. And yet he mustered the will—the will of the dying—to reach out and seize Masterson’s sidearm and yank it free of its holster.

Then, amazing himself, Guilder shot him.

Kittridge was being trampled.

As the buses pulled away, Kittridge was knocked to the ground. As he attempted to rise, somebody’s foot caught him in the side of his face, its owner tumbling over him with a grunt. More pummeling feet and bodies; it was all he could do to assume a posture of defense, pressing himself to the ground with his hands over his head.

“Tim! Where are you?”

Then he saw him. The crowd had left the boy behind. He was sitting in the dirt not ten yards away. Kittridge hobbled to his side, skidding in the dust.

“Are you okay? Can you run?”

The boy was holding the side of his head. His eyes were vague, unfocused. He was crying in gulps, snot running from his nose.

Kittridge pulled him to his feet. “Come on.”

He had no plan; the only plan was to escape. The buses were gone, ghosts of dust and diesel smoke. Kittridge hoisted Tim at the waist and swung him around to his back and told him to hold on. Three steps and the pain arrived, his knee shuddering. He stumbled, caught himself, somehow stayed upright. One thing was certain: with his leg, and with the boy’s added weight, he wouldn’t make it far on foot.

Then he remembered the armory. He’d seen an open-backed Humvee parked inside. Its hood had been standing open; one of the soldiers had been working on it. Would it still be there? Would it function?

As the soldiers at the western wire opened fire, Kittridge gritted his teeth and ran.

By the time he reached the armory, his leg was on the verge of collapse. How he’d made it those two hundred yards, he had no idea. But luck was with him. The vehicle was parked where he’d seen it, among the now-empty shelves. The hood was down—a good sign—but would the vehicle run? He lowered Tim to the passenger seat, got behind the wheel, and pressed the starter.

Nothing. He took a breath to steady himself. Think, Kittridge, think. Hanging beneath the dash was a nest of disconnected wires. Somebody had been working on the ignition. He pulled the wires free, picked two, and touched the ends together. No response. He had no idea what he was doing—why had he thought this would work? He arbitrarily selected two more wires, red and green.

A spark leapt; the engine roared to life. He jammed the Humvee into gear, aimed for the doors, and shoved the accelerator to the floor.

They barreled toward the gate. But a new problem lay before them: how to make it through. Several thousand people were trying to do the same thing, a roiling human mass attempting to wedge itself through the narrow exit. Without taking his foot off the gas, Kittridge leaned on the horn, realizing too late what a bad idea this was—that the mob had nothing to lose.

It turned. It saw. It charged.

Kittridge braked and swung the wheel, but too late: the hordes swallowed the Humvee like a breaking wave. His door flew open, hands pulling at him, trying to break his grip on the wheel. He heard Tim scream as he fought to keep control. People were lunging at the vehicle from all directions, boxing him in. A face collided with the windshield, then was gone. Hands were reaching over his face from behind, clawing at him, more pulling at his arms. “Get off me!” he yelled, trying to bat them away, but it was no use. There were simply too many, and as more bodies rolled over the windshield and under the vehicle’s tires and the Humvee began to tip, he reached for Tim, bracing for the crash; and that was the end of that.

* * *

Meanwhile, at a distance of three miles, the line of buses—carrying a total of 2,043 civilian refugees, 36 FEMA and Red Cross workers, and 27 military personnel—was roaring eastward. Many of the people on board were sobbing; others were locked in prayer. Those with children were clutching them fiercely. A few, despite the earnest pleas of their fellows to shut the hell up, were still screaming. While a handful were already undergoing the wrenching self-reproach of having left so many behind, the vast majority possessed no such misgivings. They were the lucky ones, the ones who’d gotten away.

At the wheel of the Redbird, Danny Chayes was experiencing, for the first time in his life, an emotion that could only be described as a magnificent wholeness of self. It was as if he had lived all of his twenty-six years within an artificially narrow bandwidth of his potential personhood, only to have the scales fall abruptly from his eyes. Like the bus whose course he guided, Danny had been shot forward, propelled into a new state of being in which a range of contrary feelings, in all their distinctive contours, existed simultaneously in his mind. He was afraid, genuinely and soulfully afraid, and yet this fear was a source of not paralysis but power, a rich well of courage that seemed to rise and overflow within him. You’re the captain of that ship , Mr. Purvis said, and that’s what Danny was. Over his left shoulder, Pastor Don and Vera were talking away, speaking in urgent tones about this and that and the other; behind them, on the benches, the others were huddled together in pairs. The Robinsons with their baby, who was making a kind of mewing sound; Wood and Delores, who were holding hands as they prayed; Jamal and Mrs. Bellamy, the two of them actually hugging; April, sitting woefully alone, her face too stunned for tears. Their deliverance had become the sole purpose of Danny’s life, the fixed point in his personal cosmos around which everything else revolved, yet in the excitement of the moment and Danny’s discovery of the amazing fact of his aliveness, their presence was a pure abstraction. At the wheel of his Redbird 450, Danny Chayes was in union with himself and with the universe, and when he saw, as no doubt the drivers of the other buses did as well, the second mass of virals rising from the predawn darkness to the south, and then the third, coming from the north, and discerned in his mind’s eye with swift three-dimensional calculation that these two bodies would subsequently unite to form a single encircling mass that would swarm over the buses like hornets loosed from a nest, he knew what he had to do. Swinging the wheel to the left, he broke free from the convoy and jammed the accelerator to the floor, soaring past the other buses in the line. Seventy, seventy-five, eighty miles an hour: with every ounce of his being, he willed the bus to go faster. What are you doing? Pastor Don yelled. For the love of God, Danny, what are you doing? But Danny knew just what he was doing. His goal was not evasion, for there could be none; his goal was to be the first. To hit the pod at such barreling velocity that he would sail right through it, carving a corridor of destruction. The space behind him had erupted in a chorus of screams; beyond his windshield the pods were merging, a swelling legion of light. His knuckles were white on the wheel.

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