Erin Hart - False Mermaid

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False Mermaid: краткое содержание, описание и аннотация

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AWARD-WINNING AUTHOR ERIN HART DELIVERS A SEARING NEW NOVEL OF SUSPENSE, BRILLIANTLY MELDING MODERN FORENSICS AND IRISH MYTH AND MYSTERY IN THIS CHARGED THRILLER.
American pathologist Nora Gavin fled to Ireland three years ago, hoping that distance from home would bring her peace. Though she threw herself into the study of bog bodies and the mysteries of their circumstances, she was ultimately led back to the one mystery she was unable to solve: the murder of her sister, Tríona. Nora can’t move forward until she goes back—back to her home, to the scene of the crime, to the source of her nightmares and her deepest regrets.
Determined to put her sister’s case to rest and anxious about her eleven-year-old niece, Elizabeth, Nora returns to Saint Paul, Minnesota, to find that her brother-in-law, Peter Hallett, is about to remarry and has plans to leave the country with his new bride. Nora has long suspected Hallett in Tríona’s murder, though there has never been any proof of his involvement, and now she believes that his new wife and Elizabeth may both be in danger. Time is short, and as Nora begins reinvestigating her sister’s death, missed clues and ever-more disturbing details come to light. What is the significance of the “false mermaid” seeds found on Tríona’s body? Why was her behavior so erratic in the days before her murder?
Is there a link between Tríona’s death and that of another young woman?
Nora’s search for answers takes her from the banks of the Mississippi to the cliffs of Ireland, where the eerie story of a fisherman’s wife who vanished more than a century ago offers up uncanny parallels. As painful secrets come to light, Nora is drawn deeper into a past that still threatens to engulf her and must determine how much she is prepared to sacrifice to put one tragedy to rest… and to make sure that history doesn’t repeat itself.

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But Elizabeth kept thrashing. “Get out! You don’t know anything. I don’t want you here. Get out!”

Nora backed away and retreated into the corridor, the angry slaps still smarting. What did she think would happen, how had she imagined a child might respond to such news? That was the trouble—she hadn’t imagined anything. She had never let herself get that far. It was always about nailing down evidence, convicting Peter, not about the consequences that would follow. She had let herself imagine that everything would be resolved, if only justice prevailed, if only she could convince the world of Peter Hallett’s guilt. But she had so far failed to convince the one person whose belief mattered most.

Her parents would be arriving tomorrow, and what would she say to them? After everything, there was still no concrete proof against Peter. He was ultimately responsible for the deaths of at least five people, maybe more, but it was possible that there never would be any proof. It had come down to her word against his, yet again.

Nora leaned forward and pressed her aching head against the cold tiles of the corridor. She felt so weary. It was clear from everything Miranda told her out on the headland, everything she’d learned from Frank, that they’d only begun to scratch the surface. But who would continue digging, now that Tríona’s killers were dead? She couldn’t rely on Frank any longer—the case would be officially closed. He had other leads to follow, other responsibilities. They might speak on the phone, but Nora knew with perfect certainty that she would never lay eyes on Frank Cordova again. This was not the way things were supposed to happen. Peter Hallett would continue to dog her for the rest of her life.

Nora felt someone standing behind her. Cormac touched her shoulder. “Elizabeth is all right,” he said. “The nurse is with her now. She’s still in shock, Nora.”

“He turned her against me—he’s still turning her against me, even after he’s dead. She’s never going to believe anything I say.”

“Elizabeth has to protect herself right now, Nora. Just to survive. It’s going to take some time for her to see what’s true and what isn’t.”

“She heard everything, Cormac. What he did to Tríona, what he was doing to Miranda. How can she not believe it?”

“She’s a child, Nora. All the family she’s had for the past five years is suddenly ripped away, and she doesn’t know where to turn. She’s suddenly thrust into the adult world, not at all sure that’s where she wants to be. You can’t blame her for wanting to retreat back into the past, the time when she still believed her father a decent man. We all want to believe our fathers are decent men. Even if they’re not.” He turned her around. “Will you come with me? There’s someone I want you to meet.”

“I can’t, Cormac—”

“You can—come.” He took her arm, and they walked down the corridor to the stroke unit, with patients behind glass windows. Cormac stopped and let her look in at a white-haired man, asleep with his mouth open, insensible to the world around him.

“I haven’t introduced you to my father,” Cormac said. “You may never have a chance to know him as he was. I’ve barely had that chance myself. Whatever brief time we had may be over. But being here with him these last few days has taught me something, Nora. I need to understand who he is, where I’ve come from—just as Elizabeth will need to understand, one day.” He turned her face to him, stroked her cheek. “Please believe me, Nora. She will come back to you—if you give her time.”

Nora gazed through the glass at Joseph Maguire, tears streaming down her face.

3

Nora stared out the car window through a light rain. The sky couldn’t decide whether it was stormy or fair; showers were mixed with bouts of sunshine. They were on their way back to the house, and had just come through a festival-clogged Glencolumbkille when Cormac’s mobile rang.

After a brief conversation, he snapped the phone shut and turned to her. “Garrett Devaney,” he said. “Are you up for a quick detour? Devaney says he has information on the case that he’d rather convey in person. He’s at a bar called Cassidy’s. On this road, he says, up near the crossroads at Largybrack. I gather there’s a sort of hideaway session going on there. Are you up to it?”

“To tell you the truth, I could use a drink.”

Cassidy’s was an old stone building at the side of a crossroads near the mouth of a glen. Cormac ordered up a pair of large whiskeys, and brought them back to where Nora sat in the mostly empty lounge. She glanced over at the small group of players in the back corner of the bar, and saw that Garrett Devaney had spotted them as well. After the next reel set finished, he put down the fiddle and made his way over.

“And how’s Elizabeth?”

Nora didn’t seem able to answer. Cormac jumped in: “A little better—she’s awake. But she hasn’t had a chance to process everything. She knows her father was killed, but—”

Devaney grimaced. “Still denies he did anything wrong?”

“She blames me,” Nora said. “For everything.”

Devaney shook his head. “Now listen, you can’t be thinking like that. It’s rough, I know, but you can’t.” He glanced around at the pub packed with patrons, and lowered his voice. “I’ve been checking with a few contacts. I’ve a mate over at the Serious Crimes Unit, the crowd that are handling the investigation. Here’s something he told me—searching through Hallett’s bags, they found his BlackBerry, with a link to a tracking device planted inside Miranda’s mobile.”

Cormac asked, “What does that mean, exactly?”

Nora said: “That makes sense. Peter knew where Miranda was all along, just as they both knew where Elizabeth was. Peter didn’t leave anything to chance. He must have known what she was up to—that she was coming after us. He was using her to get to me.”

“That’s not all,” Devaney said. “The scene-of-crime squad also found a small bottle of eyedrops—”

“But it wasn’t eyedrops at all. I can tell you what it was. GHB—liquid ecstasy. He told everyone that my sister was addicted to the stuff, out of control, but he was feeding it to her. Out there on the headland, I asked Miranda if she ever had blackouts—from her reaction, I think Peter had done the same thing to her. There’s probably no way to prove it.”

“But finding the stuff in his possession proves that he knew where to get it,” Cormac offered. “That’s something.”

Devaney pursed his lips and looked slightly uncomfortable. “I’m not sure how to tell you this last bit, except to say it straight out—your man Hallett was evidently into wearing women’s clothes. The state pathologist found lacy underpants on him at postmortem, under his regular clothes. I can’t say what it means—I’ll leave that to the psychologists. But I thought you ought to know about it, in case something should leak out in the press.”

Nora could hear Cormac ask a question, but her thoughts were far away, back in the cardboard evidence boxes at Saint Paul police headquarters. All those items of unwashed lingerie the crime scene investigators had found stuffed into the backs of drawers and under Tríona’s bed, all marked with her DNA, and Peter’s, along with unknown donors, male and female. They had always assumed Peter’s DNA was present because he and Tríona were married—and it was a logical assumption—but now there was another possible explanation altogether.

The river was where people went to become someone else. To shed all the strictures, the guises they maintained above, in the real world.

There are things you don’t know, Nora. About Peter, about me—

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