Fred Limberg - First Murder

“Running all of the prints through the local, state, and fed databases takes a little time. It’s pretty quick now, but there were a lot of prints. We expect some of them aren’t in our system.”

Tony watched Sean working something through in his mind. Sean looked worried again, not cocky.

“Do I have to?”

“No.” It had bothered the Marland woman, the fingerprinting. She’d hesitated. She was in the system; for what, Tony had no idea. Mrs. Boom Boom hadn’t been enthusiastic either, he remembered.

“Not right now, anyway. I’ll just have to go to a judge and get a warrant if I think it’s worth the effort.” Tony wasn’t sure if he could actually do that but it sounded good. Then he had a thought. “Are you already in the system, Sean?”

“No fucking way, dude.” While Sean waved his hands Tony thought of at least a hundred gang bangers who were better at the bluff and bluster.

“Then help me out.” Sean stood abruptly and paced for a minute. Tony realized this was really a dilemma for him.

“These are just for, what did you say, comparison?” Sean sat back down but wasn’t comfortable. He kept fidgeting.

“That’s right.” Tony put on a half-smile like he’d seen Ray use, his mind churning with speculations. He wondered if the kid wanted to ask if there were prints on the murder weapon. Did he know it was a knife? Was it the knife he used and now he’s worried he might not have wiped it well enough? Okay kid, Tony thought, it’s time to raise, check or fold.

Stuckey folded. “Show me how to do it.” While Tony was working the kit Sean asked him what was next.

“Nothing really. I’ll check in with Angie tomorrow and give your prof a call so we can get on with the investigation.” While Sean was smearing the ink on his fingertips around with a paper towel Tony couldn’t help but add, “Unless, of course, you did it. Then I have to come back and arrest you.”

“It’s de Luca right? Detective de Luca?”

“That’s right.”

“Your sense of humor blows, de Luca.”

Tony got up to leave. At the door he turned and gave Stuckey his best Columbo . “I’m curious. What film did you watch Monday morning… in the cinema class?”

It worked. Tony caught him off guard. Stuckey had a cartoon question mark hanging over his head.

“Citizen Kane?”

Tony just nodded and walked away. “Falk you, kid,” Tony said to himself as he left the house.

Tony sat in the idling Crown Vic flipping through the notes he’d made interviewing Stuckey. Something bothered him about the kid. His attitude was all wrong. Thoughts about Sue Ellen’s call kept intruding, blocking and checking his train of thought. He opened his phone and started to call her back to get more information on the Latin King threats, but punched Ray’s number in instead. He’d go see her later.

“Bankston.”

“Hey, boss. Have I still got time to make the meeting?”

He’d been in the house a long time. It was dark. Lights shone up and down the street. Street lights, halogen yellow, flickered behind barren branches. House lights whispered through shades and glass. There were few cars. No headlights searched the street at the moment. The foot traffic was almost gone and a chill was settling. He wanted to talk about the Stuckey interview, see if he had maybe read the guy wrong or had forgotten something.

“We postponed it until tomorrow morning,” Ray said.

“Just for me?” Tony teased. He doubted that Ray Bankston did anything with his efforts or feelings in mind.

“Yes, Tony. We couldn’t possibly solve this crime without your keen intellect and insight,” Ray teased back. The real reason was to let Kumpula and the computers do some more work on the fingerprints and to get the reports in better order. Ray also wanted Tony to sit in on the first of the sessions, get a feel for how they sifted facts and suspicions. Maybe the young detective would learn something.

“I’ve been accused of a lot of things Ray, but keen intellect?”

“Did you match up with the last roommate?” Ray asked, done with the banter.

“I did.”

“Did you clear him?”

“He says he was with a girlfriend all night and made it to class Monday morning at nine.”

“Does it check out?”

“I just got done talking to him.” Tony wanted to add ‘give me a freakin’ break’, but he didn’t.

“Well, it’s early yet.” Tony looked at his watch. 9:15.

“It’s early if you’re on the 8 to4 shift.” It had been a long day and the comment slipped out before he could catch it. Tony waited for Ray’s rebuke. He thought he deserved one.

“Whatever you think is best, detective. We’re meeting at 7:00 here in the squad room.” Tony heard Ray’s phone click off.

No rebuke. No argument. No hand holding.

Plenty of guilt though.

He started the car and checked Angie’s address again.

Angela Arkwright lived on the third floor of a small white-gone-to-gray stucco apartment building. There was no security door. No intercom. No buzzer. It was an old, tired building. The carpets probably had a color once, Tony mused. Same for the walls a few decades ago, he added as an afterthought. Now they just looked defeated. There were some kid’s toys in the hallway on the main floor and scuff marks on the mop-water colored walls. A nauseating curry smell staked claim to the airless first floor hallway. The stair treads were worn wood, grooved and smooth from years of weary comings and goings.

It was far enough from campus and the main bus routes that Tony doubted that it was student housing. He had driven past some small factories and warehouses and crossed a pair of railroad tracks to get to the tiny crowded parking lot. As he turned the corner for the last flight of steps he heard a Spanish-language TV program blaring from behind the door nearest the stairs. The canned laugh tracks sounded like all of the others he had ever heard. Laughter, he thought, the universal language.

Angela Arkwright’s apartment was at the far end of the building. He passed doors of different colors as he walked down the hallway and heard muted snatches of different televisions shows and conversations as he strode past. He turned his head at the sound of an opera recording behind a pea-green door to his right. He felt like he was walking through a brief nothing moment; the actors, anonymous and hunkered down for the night behind hollow wooden barricades, never to know or care of his passing. It was oddly unsettling and made him a little anxious.

Tony missed his uniform again. He just had a few questions to ask and didn’t want to waste a lot time to establish rapport. He just wanted a couple of answers and no bullshit. He wanted to go see Sue Ellen. He wanted to call it a day.

He knocked on the door like he was in his blues, authority-hard and urgent. The door was flimsy and hollow, not code, not a real barrier.

A woman appeared in the chain gap. Tony could see just a slice of her face. It looked as tired and makeshift as the building. He held his gold shield at eye level.

“Angela Arkwright? I’m Detective de Luca.”

It took a beat for it to register on her face. Her brown eyes were dilated and red rimmed. He smelled marijuana and something else he couldn’t put his finger on. The look on her face wasn’t fear or surprise. It was a look of resignation. He thought he noticed her slump and heard a quiet sigh. The door closed. Tony waited for the sound of the chain being removed. Finally, he knocked again.

This time the chain rattled and the woman opened the door. She wore a wan smile and a wrinkled Cuervo Tequila tee shirt. Her blond hair needed a touch-up. A brown stripe bisected the top of her head where her shoulder length hair was parted. Her face showed where she had lost a battle with acne; not the whole war, but one or more skirmishes, for sure. Dark eyebrows were separated by frown furrows of worry and curiosity. She wasn’t wearing any makeup Tony could find. She held the door half open with one hand. The other held a smudged glass tumbler, a quarter-full of clear liquid. There were two nearly exhausted ice cubes and a road-kill lime floating in it.