Mo Hayder - Poppet

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Poppet: краткое содержание, описание и аннотация

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Mo Hayder has for years been a master of chilling, seamlessly-plotted thrillers that keep the reader glued to the page long after lights out, and fresh off of winning the Edgar Award for Best Novel for
, Hayder is at the top of her game. Her latest novel,
, is Hayder at her most terrifying: a gripping novel about the search for a dangerous mental patient on the loose.
Everything goes according to procedure when a patient, Isaac, is released into the community from a high security mental health ward. But when the staff realize that he was connected to a series of unexplained episodes of self-harm amongst the ward's patients, and furthermore that he was released in error, they call on Detective Jack Caffery to investigate, and to track Isaac down before he can kill again. Will the terrifying little effigies Isaac made explain the incidents around the ward, or provide the clue Caffery needs to predict what he's got planned?
Mo Hayder is renowned for conjuring nightmares that sink under the skin, and in
she has delivered a taut, unbearably suspenseful novel that will not let readers go.

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He was eighteen years old. Acned, greasy, and disorientated. He smelled awful – everywhere he went the smell trailed around with him. He also insisted on carrying two doll-like figures he called his ‘poppets’ tucked in the crooks of his arms – ugly things that smelled as bad as he did. He wouldn’t be parted from them – not ever.

The smell got worse and the staff had to employ physical tactics to get Isaac to wash. Three orderlies took him to the shower and managed to undress him. But when they tried to prise the poppets away from him they were rewarded for their efforts by having Isaac urinate liberally on them. After that they never again tried to take the dolls away from him.

Slowly, as the medication and therapy began to take effect, Isaac calmed. He started showering and stopped being so smelly that no one would sit near him. His collection of dolls grew – he bought materials with his allowance and in art-therapy classes with Jonathan Keay he was always sewing and painting the damned things. Keay used to help him a lot, in fact AJ often wondered if Keay favoured Isaac above some of the other patients. The poppets were freaky, with individual little teeth and lifelike eyes in woollen-crocheted faces. Or faces moulded from porcelain fired in the therapy-centre kiln, eyes outlined in red. But Isaac would not be separated from them. He’d carry as many as possible with him, the rest would be in his room, piled on the bed – distorted, lolling, squished together like miniature corpses.

AJ can’t keep still. Despite his promise to Melanie he can’t stop thinking about Isaac Handel. Weird little Isaac. He waits until one of the office secretaries gets up to take a bathroom break and calls after her retreating back, ‘Can I use your station – check a rota?’ When she waves a dismissive hand, he slips into her seat.

AJ has never known – never wanted to know – what put Isaac in Beechway in the first place. By the time he arrived at the unit, Isaac was a different person – silent and pliable and non-confrontational – he took his medication without fuss. In fact, in a weird way, AJ got on with the guy. The only thing he didn’t care for was the way Isaac behaved whenever Melanie made an appearance. Sometimes he’d stop and stare at her when she passed him in the corridor, like a horny dog watching a bitch – as if she was leaving a hormone trail. He’d ask AJ inappropriate questions about her: Where does she live? How old is she? Is she married? AJ’s used to the male patients reacting this way to Melanie – she’s a conundrum that their drug-pickled brains can’t decipher. In the grand scheme, Isaac wasn’t much more intrusive about Melanie than the rest of the patients. AJ had no other good reason to dislike him.

The secretary whose desk he’s sitting at is the appointed MHA administrator on the unit’s review tribunals. It’s her job to transcribe the tapes of the meetings. AJ finds Isaac Handel’s transcript on her desktop instantly – she’s extremely organized and neat – and he swiftly downloads it on to a gimicky memory stick Patience was given as a loyal customer by the betting shop. It’s in the shape of a horse’s head. AJ is old enough for it to bring to mind the dead horse’s head in the Godfather movies – but the stick serves its purpose, and he pockets it.

He can’t read this here in the unit – he imagines Melanie coming in and catching him. If she finds out he’s not letting this go it will be the last time he’s invited back to her house in Stroud. He knows this. He sends her a text: Got to disappear bit earlier babe, Patience just called – Stewart acting up. See you later xxx. PS you look beautiful on no sleep. Must be good genes .

He drives to the nearest Starbucks, orders the first thing on the menu – which turns out to taste more like a heated-up coffee milkshake than a proper coffee – and sits in the corner, his back to the rest of the customers, his laptop open. He calls up the transcript of the tribunal:

Isaac Peter Handel v MHRT

Wednesday, 10 October

Beechway Psychiatric Unit

Chair: Mr Gerard Unsworth, QC

AJ was at this tribunal. He’s been to hundreds of these over the years and there wasn’t much about it that made it memorable. Ancillary staff had set up and cleaned the conference room on the admin block and provided a slew of sandwiches and Thermoses of tea and coffee. AJ was only there briefly as a witness to present the Patient Nursing Report to the panel. It was all routine shit: he talked through Isaac’s response to his meds, the logging of his behavioural markers, his level of engagement with therapy and his relationships with other patients.

Most reviews that recommend discharge are little more than a formality; usually an informal decision has been made in the routine tribunal six months previously. Isaac and his solicitor were therefore already primed: as long as he’d toed the line since the last hearing he’d be recommended for discharge. There were a few hoops to jump through, the usual protocols to be observed, but it was all routine.

With the exception, AJ realizes in hindsight, of Mrs Jane Potter.

On every tribunal panel there must be a lay person – someone responsible but objective. Jane Potter is part of a pool of lay people and AJ has seen her on panels before – she’s president of the local Women’s Institute and is an Ofsted inspector. This time he recalls noting, briefly, that her posture was different from how it usually was. She sat stiffly, her hands clenched, as if she was angry – or shocked.

Now he wonders what had made her so tense. He takes a sip of coffee-flavoured froth and skims the transcript for the sections before he came into the room. He wants to see if something had happened to make Jane Potter react like that. His lips move silently, fast-forwarding through the usual stuff:

… panel will consider an application for conditional discharge of Isaac Peter Handel … appellant present, and Ms Lucy Tripple, appellant’s advocate … panel consists of chair Gerard Unsworth, QC; Dr Brian Yeats, consultant psychiatrist, responsible clinician to the appellant; Ms Melanie Arrow, clinical director; and Miss Bryony Marsh, Mental Health Act Administrator; Mrs Jane Potter …

In the transcript each panel member is given an acronym: IPH, LT, GU, BY, MA, JP. There is the usual stuff of people introducing themselves: The QC explains who he is – that’s a laugh because they all know Unsworth. He’s chaired numerous tribunals, and before he rose to the bench he prosecuted a number of high-profile cases against hospitals on behalf of patients detained under the Mental Health Act. With Unsworth in the chair everyone who worked on the unit was on high alert. Melanie in particular must have been stressed. Was it just after she and Jonathan separated, AJ wonders? That would have made it worse.

Unsworth gives a little introductory spiel, noting that Handel has been on the unit for eleven years, that he was previously detained elsewhere under the Children Act between the ages of fourteen and eighteen, then transferred to Beechway under Section 37 of the Mental Health Act. AJ wasn’t aware of any of this – he’s never heard Isaac mention a word about his childhood.

The QC takes time to outline some of the basics – for the benefit of the lay person, who may not be familiar with the law.

Mrs Potter, I realize you’ve been with us before, but just to remind you: Section 37 is used by the courts to send an offender to hospital for treatment instead of prison. Mr Handel is s37/41. A Section 41 is a restriction order imposed to protect the public from serious harm. Any applications for leave or discharge must be formally approved. Today we can recommend Mr Handel’s discharge, or decline his application – but the final decision rests with the Home Office. Now, there has been a non-disclosure request on parts of the report because there are aspects of this case that might cause harm to Mr Handel if he were to read about them or be reminded of the particulars.

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