Jason Matthews - Red Sparrow

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Red Sparrow: краткое содержание, описание и аннотация

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IN THE GRAND SPY-TALE TRADITION OF JOHN LE CARRÉ… comes this shocking debut thriller written with insider detail known only to a veteran CIA officer. In present-day Russia, ruled by blue-eyed, unblinking President Vladimir Putin, Russian intelligence officer Dominika Egorova struggles to survive in the post-Soviet intelligence jungle. Ordered against her will to become a “Sparrow,” a trained seductress, Dominika is assigned to operate against Nathaniel Nash, a young CIA officer who handles the Agency’s most important Russian mole.
Spies have long relied on the “honey trap,” whereby vulnerable men and women are intimately compromised. Dominika learns these techniques of “sexpionage” in Russia’s secret “Sparrow School,” hidden outside of Moscow. As the action careens between Russia, Finland, Greece, Italy, and the United States, Dominika and Nate soon collide in a duel of wills, tradecraft, and—inevitably—forbidden passion that threatens not just their lives but those of others as well. As secret allegiances are made and broken, Dominika and Nate’s game reaches a deadly crossroads. Soon one of them begins a dangerous double existence in a life-and-death operation that consumes intelligence agencies from Moscow to Washington, DC.
Page by page, veteran CIA officer Jason Matthews’s
delights and terrifies and fascinates, all while delivering an unforgettable cast, from a sadistic Spetsnaz “mechanic” who carries out Putin’s murderous schemes to the weary CIA Station Chief who resists Washington “cake-eaters” to MARBLE, the priceless Russian mole. Packed with insider detail and written with brio, this tour-de-force novel brims with Matthews’s life experience, including his knowledge of espionage, counterintelligence, surveillance tradecraft, spy recruitment, cyber-warfare, the Russian use of “spy dust,” and covert communications. Brilliantly composed and elegantly constructed,
is a masterful spy tale lifted from the dossiers of intelligence agencies on both sides of the Atlantic. Authentic, tense, and entertaining, this novel introduces Jason Matthews as a major new American talent.

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She saw his guilty regret, and the washed-out color around him. Her own demons flew out of the cave like bats at sunset and she became Egorova, feeling the anger building, the goryachnost, the temper that General Korchnoi had warned her about. She stood up.

“I’m going back to my hotel for a shower and change of clothes,” she said.

“Negative,” said Nate, slipping into agent-handling mode. “It’s the one place they can find you—and us. Benford definitely said—”

“Gospodin Benford might do without a wash and a change. I cannot. I will take ten minutes.” Nate did some fast calculations. Stick with her? Cut her loose and meet her later? He had seen her face, knew the signs. She was furious at him; it would be best not to let her alone, she might disappear out of spite. Some report that would make back in Langley.

“Okay, ten minutes, no longer,” said Nate, taking her arm. She smoothly took it away.

The Grande Bretagne Hotel stood in the sunlight of Syntagma Square, gilt railings and wrought-iron porte cochere glinting in the white light. Upstairs, Nate stood awkwardly in the huge sitting room, with elegant groupings of tables, chairs, and lamps, a thick Wilton underfoot. He looked into the bedroom as Dominika shrugged off her dress—he remembered the black lace bra and panties—and she bent to pull off her sandals, turning to face him, a defiant lingerie model against the backdrop of the massive silk headboard of the bed. Her seminakedness whipped at his senses, and she knew it, she could read him. She took a provocative step forward into the living room.

“Do I distract you?” she said, lifting her arms. She was seething.

“Dominika, stop it,” said Nate.

“Please tell me,” she said, pulling the cups of her bra tight. “Do I disorient you? Is the plan working?”

“Admirably. I cannot think that you could do your duty any better, Corporal Egorova,” said Sergey Matorin, stepping out of the walk-in closet between the bedroom and the bathroom. He spoke Russian that sounded like a truck transmission filled with gravel. He was dressed in a dark sport coat, black shirt and slacks, and wore slip-on moccasins. He casually tossed a zippered pouch and a black cloth sheath onto the bed and began shrugging out of his sport coat, never taking his eyes off Nate. Black.

Silence, then electric shock and no hesitation, not a second, as the scraps of black lace launched at Black, her arms around his neck, a knee driving into his crotch. Nate noticed ballet muscles in her legs and her buttocks bunching as Black grunted and pushed her chin back and punched her in the throat, a killing blow, and she fell back on the rug, in her lacey undergarments, gasping.

Nate needed more time to get there in slow motion, thinking, Someone’s going to have to die, dead, as in killed, because Black had heard them talking and they were a cell phone call away from meltdown, and he put his shoulder down and smelled ammonia and drove the thin body back against a little Hepplewhite in the corner, which made a crack when it splintered. They both pushed off the floor and three stones hit the side of Nate’s face, bang, bang, bang, oh, fuck, Spetsnaz open-hand technique, and he locked the ropy arm and kicked behind the knee and Black fell and rolled and popped back up, cloven hooves high and smiling. Nate felt for a piece of furniture, and slung it at Black’s feet, then stepped in to smell the ammonia again, and he started low and brought the heel of his hand up and through the chin, trying to remember other long-ago hand-to-hand techniques, as Black rolled again and reached the bed and pulled the whispered sheath off, and the blade was up and the point was making little circles, and it was time to back away, seriously, because this was no good and there were no weapons immediately at hand, nothing long enough and hard enough to deal with this bastard and the silver edge of the otherwise blue-mottled steel.

The windpipe strike had not killed her, as there were black lace panties and black lace cups holding the big blue-and-white vase, Ming, Limoges, Wedgwood, whatever, smashing it between Black’s shoulder blades in a shower of shards, and he went down on one knee, but there was the whistle of the spinning slash and the blood started, a thin line on her thigh and diagonally across her belly, then she was red and slick, and she staggered back and fell with a bump, sitting up and looking at her legs, one wet, the other dry.

The brass lamp felt good to Nate and heavy enough to throw, but Black’s backhanded parry was a blur, but at least it got him off her, and he closed with impressive speed, more like gliding, really, and Nate stepped inside the point of the blade, and he felt cool air on his arm and on his stomach where his shirt split open, then hot blood running down under his belt and down the front of his legs like pissing himself and the motherfucking sword was the real issue so he held the brocade chair like in the circus and the other sleeve of his shirt opened up and the hot blood pooled in his hand, and the point of the blade caught in the brocade of the chair, and he stepped in, not much more time on the clock, he reckoned, and tried to torque Black’s knee with legs that were losing strength, bad sign, very bad, like his red footprints on the carpet, and the smell of copper in the air.

Dominika looked at them across the room, Matorin moving easily, swinging his Khyber knife, and Nate staggering sideways, sodden clothes red from the chest down. My fault, coming back here, idiotka, he’s going to fight until he dies, she thought. He’s fighting for me, and the rush of realization, He does love me, he is buying me time, and the goryachnost, the rage, picked her up off the floor, and she limped and weaved in an S to the bed and picked up the black pouch. She was looking for a weapon, any weapon.

Black was breathing easily through his nose, and Nate could feel something come loose as the blade ran across his biceps and he grabbed the blade and felt it slide across his palm and through his fingers, like a wet knife through a birthday cake. Black stood looking at him, and Nate concentrated on locking his weak knees so he wouldn’t fall. This Spetsnaz guy no doubt was savoring the next cut, thought Nate, an upward rip to spill his long intestines on the Wilton, or the backhand strike at the side of his neck.

Then Liberté came over the ramparts like something out of Delacroix with one breast out of her bra and she drove the red and the yellow pens into his buttocks and his instinctive back fist knocked her down, head bouncing hard, but Black started melting and rasping, great heaving breaths on hands and knees with red and yellow tails pinned on the donkey, and he crawled toward the knife but was slowing down, crawling in slow motion and shaking his head from side to side, with a narcotized diaphragm and a skull full of barbiturates and the good eye rolling up into his head and the heels drumming on the pink-and-blue carpet and the death rattle and Let’s seriously consider sawing off his head, just to be safe, but Nate’s hand was under Dominika’s left breast and he was glad of the fluttering heartbeat, her eyes opened, and he started to lay his head on the softness but remembered something important, he couldn’t go to sleep just yet, he had a call to make.

=====

Dominika had taken the phone from Nate’s nerveless fingers and told Bratok where they were, and he listened good and brought a cleared Embassy medic and a trauma kit, they were waiting on the street in the car. How Marty Gable got them both cleaned up and out of the hotel was a miracle, vintage Saigon and Phnom Penh. Bedsheets became bandages, Matorin’s vinegary-smelling jacket was buttoned all the way up, Dominika’s hair was slicked back. Gable motioned to her to yank the pens out of Matorin’s ass, sheath the Khyber blade, check his pockets. He put Nate’s arm around his neck and humped him out the service entrance, telling a limping Dominika to lock the door to the suite and throw the room key in a planter in the hallway.

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