Jenn Ashworth - Cold Light

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Cold Light: краткое содержание, описание и аннотация

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I’m sitting on my couch, watching the local news. There’s Chloe’s parents, the mayor, the hangers on, all grouped round the pond for the ceremony. It’s ten years since Chloe and Carl drowned, and they’ve finally chosen a memorial – a stupid summerhouse. The mayor has a spade decked out in pink and white ribbon, and he’s started to dig. You can tell from their faces that something has gone wrong. But I’m the one who knows straightaway that the mayor has found a body. And I know who it is. This is the tale of three fourteen-year-old girls and a volatile combination of lies, jealousy and perversion that ends in tragedy. Except the tragedy is even darker and more tangled than their tight-knit community has been persuaded to believe.
Blackly funny and with a surreal edge to its portrait of a northern English town, Jenn Ashworth’s gripping novel captures the intensity of girls’ friendships and the dangers they face in a predatory adult world they think they can handle. And it shows just how far that world is willing to let sentiment get in the way of the truth.
An unforgettable tale of friendship and memory – and the shattering truth behind a forgotten dead body newly unearthed –
is a most welcome addition to the crime fiction and thriller ranks.
Cold Light Ashworth already has created great buzz in the U.K. thanks to her stunning debut novel,
, winner of the prestigious Betty Trask Award, and now
places her in elite literary company—alongside Laura Lippman, Kate Atkinson, and other acclaimed masters of intelligent, emotionally powerful mystery and suspense.
http://www.youtube.com/watch?v=3uhjpJWklNw Review
“Hugely readable debut novel […] about the inability to know others and ourselves.” —
“Extremely intense and powerfully intriguing.”

“Ashworth has the rare gift of being able to make her reader feel perverse and voyeuristic, implicated somehow in the tragedy laid out on the pages.”

(London) “A grimly atmospheric mystery.”

(London) “A psychological thriller of the first order.”

(Australia) “Another cleverly skewed tale told from the self-conscious perspective of an outsider… arrestingly observant… Ashworth’s second book confirms that the first was no one-off… her talent could take her a long way.”

A wonderful tale, beautifully told.

A chilling, blackly funny novel with a surreal edge about the intensity of teenage friendship.

“[Ashworth] Evokes a damaged mind with the empathy and confidence of Ruth Rendell.”

(London)

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We carried on watching. The camera-work was rough. In more than a few shots, you could see the sound-boom at the top of the frame. They’d not bothered too much with costumes – when Wilson/Video Man walked, his jacket flapped open to reveal, quite clearly, the blue and white short-sleeved tee-shirt everyone who worked at the video shop wore as part of their uniform.

Video Man staggered, half stumbling as if he was drunk, towards the two girls. They pretended not to see him at first. Dawn whispered something in Melanie’s ear, and Melanie let her hair fall over her face and laughed. I instantly wondered what it was she’d said – whether they’d been asked to pretend to whisper and giggle for the reconstruction, or if they were really whispering something about Video Man and his balls and his doll or something else, between themselves.

The yellow bottle of Advocaat was on the bench too, but away from them, and although the camera zoomed in on the label and Terry pointed out the windmill and the brand name as if it was an advert and not the news, neither of the girls touched it for the duration of the reconstruction. It was as if it was someone else’s bottle, and Melanie and Dawn had just happened to sit down next to it.

‘Who is that strange man over there?’ Dawn said woodenly, and pointed past the camera.

‘I don’t know. I have never seen him before,’ Melanie replied. ‘Maybe we’d better head on home now.’ She sounded bored. Dawn was smiling at someone off screen.

Cut then, back to Video Man who was still ambling, still tossing twigs, and making his way gradually, in an uneven zigzag, towards the bench the two girls were sitting on. Terry, shrunk to the BSL interpreter’s station in the bottom corner of the screen, gesticulated sympathetically and provided a helpful commentary.

‘The girls were in high spirits on Boxing Day morning and had left their homes and families for a breath of fresh air.’

I knew what that meant. They were pissed. They’d snuck out to drink more, to smoke, to look for boys.

‘They were laughing, and talking about the Christmas gifts they’d each received from their families when an older man neither of them had seen before approached them and tried to tempt them deeper into the park by offering them cigarettes.’

‘Listen to that!’ Barbara said, ‘ smoking! ’ as if girls who smoked deserved everything they got. I thought of the tab-ends in the shed and bit my lip. ‘I’m away to dish up now. Don’t be too long.’ She disappeared into the kitchen.

‘What is it?’ I whispered to Donald.

He screwed up his face. ‘Corn beef hash.’

‘Sensibly,’ Terry said, ‘the girls accepted the gifts so as not to anger their interlocutor, and after a brief conversation, the man left them and walked in the direction of the town centre. Police are still checking CCTV camera footage, but what we do know is that man – Daniel Wilson – never returned home.’

The film ended and the shot returned to the studio, where Melanie and Dawn were sitting between Terry and Fiona. Fiona leaned forward and opened her mouth but Terry leapt in before she could say anything.

‘The police refuse to be drawn on the matter and obviously there’s a limit to what I’m allowed to say on air until we’ve dug up more evidence. No such restrictions apply to you, viewers. Call us. Tell us. Do you want this man found?’

Fiona frowned and looked pleadingly at someone off screen but Terry went on: ‘These offences are not just the concern of the young girls who are at risk of becoming victims on the cusp of their womanhood,’ he swept a lavishly gesturing arm in the direction of Melanie and Dawn, who flinched out of its way. ‘Ladies and gentlemen, these offences disturb us all. I am offended.’ Terry stared hard at us out of the tiny screen and I shivered.

‘Of course,’ Fiona began, ‘there’s no actual—’

‘Yes, yes,’ Terry broke in. ‘A police spokesman reiterated that there was no evidence to implicate Wilson in any wrongdoing and that vigilante justice would not be tolerated,’ he said.

You could tell he didn’t mean it by the way he said it. You always got a good performance from Terry – he made the cold weather sound like a personal affront and something the City should be doing something about when he reported on it. It was his sense of drama. It got people stirred up. It got things done. And when he read out that part about the police saying Wilson had nothing to do with the flashings, his voice was flat and insincere. We knew what he thought, clear as anything. When Donald reached into my lap for my hand, I jumped.

‘You’re always careful at night, when you’re out with that Chloe, aren’t you?’ he said.

I nodded slowly, hardly hearing what Donald was saying because my eyes were fixed on the screen.

‘This afternoon, the missing man’s parents made an emotional appeal for any information,’ Fiona said.

Now they were showing footage of Wilson’s mum and dad. Donald noticed I wasn’t paying attention to him and used the remote to turn the sound down, but I watched the pair of them anyway – younger than I’d imagined, ordinary, red-eyed and trembling. They were sitting at a trestle table on a platform and there were photographers there. The woman jumped every time the flash went off and the man – Wilson’s dad (I thought about worms, fishing and the ban on smoking) – in a suit and tie, looking hot and uncomfortable, with big rough hands appearing on the table, being drawn away to his lap, and then appearing again. The camera flashes reflected off the lenses of his glasses.

‘We’re just asking, as parents, for anyone who knows what might have happened to come forward. He can’t work out the trains, and he’s not that good with buses. If he’s gone wandering, someone must have given him a lift. He’s chatty,’ the man smiled, ‘never shuts up.’ His voice broke and his wife touched his arm gently. He wiped a finger behind his glasses and drew himself up to his full height. ‘He’d stick out in the memory, if you took the time to think about it. He had a bit of money on him. Could have took a taxi. Maybe asked you for directions home.’ He shook his head, unable to continue. His wife spoke next, and her voice was clear and hard and cold.

‘We don’t care what anyone says he’s done, or not done,’ she said, ‘he’s our son. He’d never hurt or frighten anyone. Never. We want him to come home.’

She stopped and swallowed. The camera zoomed in on her until her face and hands filled the screen. She shook out a handkerchief and dabbed at her dry eyelids.

I wanted to speak then – tell Donald it was all wrong, before I either lost my nerve, or threw up. It was me, I wanted to say. Me. My fault. I did it. I wanted to be honest. I believed what people say: that telling the truth lifts a weight off your mind.

I told him to go and test the ice, and he fell through and drowned.

The words were right there, and Donald was the safest person to tell – the best person to test the theory of getting it off your chest, because he’d forget, and even if he didn’t and told someone else, they wouldn’t believe him.

But they might. And then it would be me on the television. I stiffened, trying to imagine what that would feel like. How weird would it be to see yourself on the telly? How much trouble would I really be in?

I remembered the conversation I’d had with Carl. The last time I’d seen Chloe. I was on my own – there was no way they were going to stick up for me, and tell anyone who asked that I only spoke to Wilson, that I didn’t mean it.

‘I’d make you glow in the dark, if I could,’ Donald said thoughtfully, and changed the channel.

‘What?’

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