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Simon Lelic: A Thousand Cuts

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Simon Lelic A Thousand Cuts

A Thousand Cuts: краткое содержание, описание и аннотация

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In the depths of a sweltering summer, teacher Samuel Szajkowski walks into his school assembly and opens fire. He kills three pupils and a colleague before turning the gun on himself. Lucia May, the young policewoman who is assigned the case, is expected to wrap up things quickly and without fuss. The incident is a tragedy that could not have been predicted and Szajkowski, it seems clear, was a psychopath beyond help. Soon, however, Lucia becomes preoccupied with the question no one else seems to want to ask: what drove a mild-mannered, diffident school teacher to commit such a despicable crime? Piecing together the testimonies of the teachers and children at the school, Lucia discovers an uglier, more complex picture of the months leading up to the shooting. She realises too that she has more in common with Szajkowski than she could have imagined. As the pressure to bury the case builds, she becomes determined to tell the truth about what happened, whatever the consequences…

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If I had to guess…

Just say it. You know. I know you know.

If I had to guess, I would say… No, I’m going to go for… Yes. That’s it. TJ, you teach physics.

Cunt.

I mean, excuse the French, but seriously, what a cunt. I should have thumped him one right there. And he looked like he expected me to, that’s the thing. Looked like he almost wanted me to. My face, he must have been able to tell, but he didn’t flinch. He watched me, still sort of smiling, like he was just waiting for me to twat him.

But I take a breath. I put down my glass of OJ. I edge forwards a little, just a little, and I say to him, I say, are you trying to be funny?

And he’s all, no, no, I didn’t mean anything by it, but he did, we both know he did.

I say, listen, Sam. I call him Sam, just to make a point. I say, listen, Sam. Don’t get smart. Don’t get above yourself. I’ve been teaching five, six years. You’ve been teaching, how many? I hold up a fist – you know, zero fingers – but also it’s a fist, which is the second point I’m making. And you’d think he’d get it, wouldn’t you? The point, I mean. You’d think he’d get it. But guess what he says next. Go on, have a guess.

Latin, he says. You teach Latin, don’t you.

I tell you, if it wasn’t for Bartholomew Travis that would have been the end of Sam-Samuel Szajkowski right there. And look what trouble it would have saved.

He was watching, I suppose. I spoke to Travis yesterday and that was the first thing he said to me, he said, I knew it, I knew there was something wrong with that boy. Said he’s had his eye on Szajkowski from the start but I don’t know about that. He certainly wasn’t watching him at the end, was he? But maybe he was at the beginning and maybe that’s why he saw our little tête on tête and maybe that’s why he got to us in time to rescue Szajkowski’s face.

I raised my voice at that point. Possibly I swore. Nothing bad. Not the c-word. Maybe the f-word. But like I said to the rest of them afterwards, he was the aggressive one, not me.

What’s going on here? says Travis. What’s all this fuss?

And Sam Szajkowski starts bleating, starts playing the gentle lamb. Headmaster, he says, I’m not sure what I said but clearly I’ve caused TJ here some offence.

And I’m like, fucking right you’ve caused me some offence you little cocksucker, you know perfectly well what you said.

And Travis is like, calm down, Terence. He calls me Terence. I’ve asked him not to but he still does. So he’s like, calm down, Terence, and, what did you say, Samuel? And he’s like, I don’t know, Headmaster, I don’t know.

And then they look at me and I’m still about ready to punch someone and the headmaster asks me instead. What did he say, Terence? What did he say to cause you such offence?

And obviously this has worked out pretty well for Szajkowski because now I’m the one who’s going to look like the knob. He’s watching me and he’s not smiling but I know that, just below the surface, he is. And what can I do but answer because when Travis asks you a question you have to answer, you just do. I mean the kids are terrified of him and us teachers, well. I mean, I’m not scared of anyone but let’s just say there’s a reason that Travis is headmaster.

So I tell him. I say, it’s not what he said, Headmaster. It’s the way he said it.

The way he said what? says Travis. What did he say?

He said… He said I taught physics, Headmaster. He said I teach Latin.

And Travis looks at me like I’m some kind of retard, like I’m that kid with special needs in class C. I try to explain and I say to Szajkowski, you know what you meant by it, you know exactly what you meant by it, don’t try and act all innocent.

Everyone’s watching by now of course. Not that I’m worried, I mean they know me these people, they know the kind of person I am. They know exactly what’s going on, I’m certain of it. Except for Maggie. She’s looking at me like I’m a pubic hair in her cornflakes. And you know what pisses me off? This whole little episode: it’s what got the two of them going. That’s what pisses me off. She felt sorry for him, Maggie did. All the stuff that followed, their little romance, all of it was bullshit because all of it was based on a lie. Szajkowski’s lie.

And that was that really. The headmaster, he says maybe I’ve had enough to drink and I say, I’m drinking orange juice, I’m drinking fucking orange juice, and the headmaster says, yes, well, nevertheless, and mutters some crap about sugar. And he leads me away. And I leave.

So that was it. That was the first time me and Szajkowski met. After that, things just kind of went downhill.

.

‘He won’t talk to you.’

‘Does he know what’s happened? Has anyone told him?’

‘You’re not listening to me, Inspector. He won’t talk to you. He doesn’t talk. He doesn’t even talk to his parents.’

‘And you’re not answering my question, Doctor. Does he know?’

The doctor beat his leg with his clipboard. He removed his glasses. ‘I believe he knows, yes. His parents and I discussed it. We agreed it might be beneficial if he were told. We agreed that it would do no harm.’

‘Beneficial?’ Lucia peered through the safety glass and into the ward. She could see only an empty bed. ‘You mean you thought it might make him say something. The shock might make him say something.’

The doctor did not flinch. ‘That’s right.’

‘But it didn’t.’

‘No. It didn’t.’

Lucia nodded. She looked again through the glass, angling herself backwards slightly. She still could not make out the boy. ‘I’d like to see him,’ she said.

‘He won’t—’

‘Talk to me, I know. But I’d like to see him.’

The doctor was tall, dark and strange looking. When he tightened his jaw, his cheeks bulged in two sharp points just below his ears, as though he were attempting to swallow a screwdriver sideways.

‘Please be quick.’

‘Yes, Doctor.’

‘And remember what he has been through.’

‘Yes, Doctor.’

‘He is still recovering. He needs his rest.’

‘I understand.’

The doctor held open the door and allowed Lucia to slip inside. She entered the room and listened for the sound of the door closing behind her. When it did not come, she turned and thanked the doctor and waited for him to retreat.

She thought at first that she was the only person in the room. There were four beds and all were empty. But the fourth bed, the one in the corner furthest from her, had been slept in. The curtain was halfway drawn and there was a glass and a jug of water on the side table. The glass was empty and the jug was full.

‘Elliot?’

Lucia tried to step softly but the soles of her shoes slapped against the vinyl-clad floor.

‘Elliot, my name’s Lucia. Lucia May. I’m a policewoman.’

She crossed the room and stopped at the foot of the unmade bed. She saw a head, level with the mattress. She saw hair, rather. Short and blond, verging on being ginger. It was lighter in colour than Lucia’s hair but similar; less obviously red but perhaps only because of its length.

Lucia took another step and the rest of the boy came into view. He was sitting on the floor, behind the bed and against the wall. Lucia noticed Elliot’s birthmark before she noticed anything else about him. It covered the left side of his face, the side Lucia could see, stretching from his ear to the corner of his mouth. The effect was as though Elliot had been slapped – hard, more than once – or held against something hot.

After the birthmark she noticed the stitches – a jagged line from the midpoint of his eyebrows extending across his nose and to his jawline. The doctor had told her that Elliot’s right ear was also damaged but from where she was standing she could not see the wound. The doctor said the ear had been torn. He said that it had been bitten.

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