Johnny Temple - USA Noir - Best of the Akashic Noir Series

A few races passed. I made a nice little score on a mare shipping in from Philadelphia Park. She was trained by some obscure woman trainer, ridden by some obscure apprentice jockey, and had only ever raced at Philadelphia Park, so, in spite of a nice batch of past performances, she was being ig­nored on the tote board and went off at 14-1. I had $200 on her to win and wheeled her on top of all the logical horses in an exacta. I made out nicely and that put me slightly at ease and reduced some of the Clayton-induced aggravation that had gotten so severe I hadn’t been able to eat my omelette and had started fantasizing about asking Vito to take Clayton out. Not Take Him Out take him out, I didn’t want the guy dead or anything, just put a scare into him. But that would have entailed asking a favor of Vito and I had no interest in establishing that kind of dynamic with that kind of guy.

The fifth race came and I watched with interest to see how the colt Big Fred liked fared. The Todd Pletcher–trained horse Fred hated, who did in fact go off at 1-9, broke alertly from the six hole and tucked nicely just off the pace that was being set by a longshot with early speed. Gang of Seven, the horse Big Fred liked, was at the back of the pack, biding his time. With a quarter of a mile to go, Gang of Seven started making his move four wide, picking off his opponents until he was within spitting distance of the Pletcher horse. Gang of Seven and the Pletcher trainee dueled to the wire and both appeared to get their noses there at the same time.

“Too close to call,” said the track announcer. A few min­utes later, the photo was posted and the Pletcher horse had beat Big Fred’s by a whisker.

“I’m a fucking idiot!” I heard Fred cry out from four ta­bles away. I saw him get up and storm out of the restaurant, probably heading to the back patio to chain-smoke and make phone calls to twenty of his closest horseplaying friends, an­nouncing his own idiocy.

“Guy’s got a problem,” Clayton said.

“No he doesn’t,” I replied, aggravated. While it was true that Big Fred had a little trouble with anger management, he was, at heart, a very decent human being.

I got up and walked away, leaving Clayton to stare after me with those dinner plate–sized eyes.

I went down to the paddock, hoping that Clayton wouldn’t follow me. I saw Vito there staring out the big viewing win­dow, his huge belly pressing against the glass. As I went to find a spot as far away from Vito as possible, I craned my neck just to check that Clayton hadn’t followed me. He had. I saw him lumbering around near the betting windows, looking left and right. He’d find me at any minute.

So I did something a little crazy.

“Vito,” I said, coming up behind him.

“Huh?” He turned around.

“Favor?” I asked.

His tiny black eyes glittered. “Anything, baby,” he purred.

I already regretted what I was doing. “Can you scare that guy I was sitting with? Just make him a little nervous? Make him go home?”

Vito’s tiny eyes got bigger, like someone had just dangled a bleeding hunk of filet mignon in front of him.

“You serious?” He stood closer to me.

I had a moment’s hesitation. Then thought of Clayton’s love pronouncements. “Yeah.”

“Sure. Where is he?”

I glanced back and didn’t see Clayton. “Somewhere around here, let’s look.”

Vito lumbered at my side. We searched all around the betting windows of the ground floor, but no Clayton. Then I glanced outside and spotted him standing near an empty bench, hunched and cold and lost-looking under the dove-gray sky.

“There,” I said.

“You got it, baby,” said Vito. Without another word, he marched outside. I saw him accost Clayton. I saw Clayton tilt his head left and right like a confused dog would. I thought of Candy. Later this afternoon, I’d go home to her and just maybe, thanks to Vito, I wouldn’t have to worry about the big oaf turning up with his big eyes and his inane declarations. Me and Candy could have some peace and quiet.

Now Clayton and Vito had come back inside and were walking together. They passed not far from where I was stand­ing. Where was Vito taking him? I figured he’d just say a few choice words and that would be that. But they seemed to be going somewhere.

I followed them at a slight distance. I didn’t really care if Clayton saw me at this point. They went down the escalator and out the front door. Vito was only wearing a thin button-down shirt but he didn’t seem to register the bite of the Febru­ary air. Clayton pulled his coat up around his ears.

They headed over to the subway platform. I saw Clayton pull out his MetroCard and go through the turnstile. Then he handed his card back to Vito, who went through after him.

What the fuck?

I stopped walking and stayed where I was in the middle of the ramp leading to the turnstiles. The two men were about a hundred yards in front of me but they had their backs to me. There wasn’t anyone else on the platform.

They started raising their voices. I couldn’t hear what was being said. There was wind and a big airplane with its belly low against the sky. Then the sound of an oncoming train and a blur of movement. A body falling down onto the tracks just as the train came. I braced myself for some sort of screeching of brakes. There wasn’t any. The train charged into the sta­tion. The doors opened then closed. No one got on or off. The train pulled away. There was just one guy left standing on the platform. He was staring down at the tracks.

My fingers were numb.

I slowly walked up the platform. Found my MetroCard in my coat. Slid it in and went through the turnstile. I walked to the edge and looked down at the tracks. There was an arm separated from the rest of the body. Blood pouring out of the shoulder. The head twisted at an angle you never saw in life. I wasn’t sure how the train conductor had failed to notice. The MTA has been very proud of its new one-person train operation system that requires just one human to run the entire train. Maybe that’s not enough to keep an eye out for falling bodies.

I felt nauseated. I started to black out and then he steadied me, putting his hands at the small of my back.

“He was talking about you,” said Clayton, staring down at Vito’s big mangled body. “Said you were going to blow him in exchange for him getting rid of me. He was just trying to upset me but it was disrespectful to you. I wanted to scare him but he fell onto the tracks.” Clayton spoke so calmly. “He was talking shit about you, Alice,” he added, raising his voice a little.

“Well,” I said, “that wasn’t very nice of him, was it?”

Clayton smiled.

He really wasn’t a bad-looking guy.

Swear I’m trying to keep up with Reverend this morning. Ain’t so easy, not with the black angels crooning at his back, alleluia, and these amens rising in flocks from the Mount’s bloody red carpet and gleaming pews, and the Payless heels square stomping up above my head until Calvary’s balcony rocks in rhythm with the charcoal drum sergeant’s skins. Seems the flock understands his sermon mighty fine, else why would they make all such noise in Mount Calvary? It’s me then. I am the lost.

“Today is a good day, Church. Ain’t it, Church? Always a good day for fellowshipping in the community of the Lord God, ain’t it?”

The woman leaning on her walking stick across the aisle echoes loud as the speaker box boom.

“Amen!”

“We come in here on this good day looking for the righteous way to serve Him to bring manifest—y’all like that word, Church, that’s a good word—let me say it again. We come in here to bring man-i-fest His glory in a world gone wicked, Church. We got this here fine church built on a mount—and we call it Calvary, like that hilltop where the Lord God sent His One Son to hang from a cross for us and save us from sin, deliver us from black death, Church. Make me so happy when I talk bout how the Savior came to this world to sacrifice His life for us, so happy, Church, all so we could come back here to the hilltop and build up a palace that’d shine bright in His city, so all would know. But all still ain’t here celebrating the Good News, Church—no matter how loud I speak it, y’all sing it, and no matter the blazing beauty of this here Mount Calvary. City’s wicked, Church, so wicked; we got folk look like us, talk like us, breathe like us out here. But them folk is confused, Church, lost out in concrete Gomorrah. Y’all know too much about that place already. That’s right, the wicked place right outside the oak doors to our Mount Calvary. Right down there on 79th Street, where sin whirls among folk blind to the Good News.”