Johnny Temple - USA Noir - Best of the Akashic Noir Series

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The best USA-based stories in the Akashic noir series, compiled into one volume and edited by Johnny Temple!

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“Hi, Alice,” he beamed, “you look fantastic.”

“Thanks,” I said. I had pulled myself together, was wearing a tight black knee-length skirt and a soft black sweater that showed some shoulder—if I ever took my coat off, which I wasn’t planning to do as I figured any glimpsing of my flesh might give Clayton ideas.

“I’m just doing this ’cause you asked,” I said as we started walking to the G train, “but you have to realize this is my job and you can’t interfere or ask a lot of questions.” I was staring straight ahead so I didn’t have to see any indications of hurt in his eyes, because this was one of his ruses, the hurt look, the kicked puppy look, and I was damn well sick of it.

“Right,” said Clayton.

We went down into the station and waited forever, as one invariably does for the G train, and all the while Clayton stared at me so hard I was pretty sure he would turn me to stone.

Eventually, the train came and got us to the Hoyt-Schermerhorn stop in Brooklyn where we switched to the far more efficient A train. I felt relief at being on my way to Aqueduct. Not many people truly love Aqueduct, but I do. Belmont is gorgeous and spacious and Saratoga is grand if you can stand the crowds, but I love Aqueduct. Aqueduct is down-on-their-luck trainers slumping in the benches, de­generates, droolcases, and drunks swapping tips, and a few seasoned pro gamblers quietly going about their business. My kind of place.

Thirty minutes later, the train sighed into the stop at Aq­ueduct and we got off, us and a bunch of hunched middle-aged white men, a few slightly younger Rasta guys, and one well-dressed suit-type guy who was an owner or wanted to pretend to be one.

“Oh, it’s nice,” Clayton lied as we emerged from the little tunnel under the train tracks.

The structure looks like the set for a 1970s zombie movie, with its faded grim colors and the airplanes headed for JFK flying so low you’re sure they’re going to land on a horse.

“We’ll go up to the restaurant, have some omelettes,” I told him once we were inside the clubhouse. “The coffee sucks but the omelettes are fine.”

“Okay,” said Clayton.

We rode the escalator to the top, and at the big glass doors to the Equestris Restaurant, Manny, the maître d’, greeted me and gave us a table with a great view of the finish line.

Then Clayton started in with the questions. He’d never been a big question guy, wasn’t a very verbal guy period, but suddenly he wanted to know the history of Aqueduct and my history with Aqueduct and what else I’d ever done for a liv­ing and what my family thought of my being a professional gambler, etc., etc.

“I told you, I have to work. No twenty questions. Here’s a Racing Form,” I said, handing him the extra copy I’d printed out. “Now study that and let me think.”

The poor guy stared at the Form but obviously had no idea how to read it. Sometimes I forget that people don’t know these things. Seems like I always knew, what with coming here when I was a kid when Cousin Jeremy still lived in Queens and babysat me on days when my father was off on a construction job. I’d been betting since the age of nine and had been reasonably crafty about money-management and risk-taking since day one. I had turned a profit that first time when Jeremy had placed bets for me, and though I’d had plenty of painful losing days since, for the most part I scraped by. I’d briefly had a job as a substitute teacher after graduating from Hunter College, but I hated it. So I gambled and supplemented my modest profits with income from the garden apartment in my house. Not many people last more than a few years gambling for a living but, for whatever rea­son, I have. Mostly because I can’t stand the thought of do­ing anything else.

I was just about to take pity on Clayton and show him how to read the Form when Big Fred appeared and sat down at one of the extra chairs at our table.

“You see this piece of shit Pletcher’s running in the fifth race?” Fred wanted to know. Big Fred, who weighs 110 pounds tops, isn’t one for pleasantries. He had no interest in being introduced to Clayton, probably hadn’t even noticed I was with someone; he just wanted confirmation that the Todd Pletcher–trained colt in the fifth race was a piece of shit in spite of having cost $2.4 million at the Keeneland yearling sale and having won all three races he’d run in.

“Yeah,” I said, nodding gravely. “He’ll be 1-9.”

“He’s a flea,” said Fred.

“Yeah. Well. I wouldn’t throw him out on a Pick 6 ticket.”

“I’m throwing him out.”

“Okay,” I said.

“He hasn’t faced shit and he’s never gone two turns. And there’s that nice little horse of Nick’s that’s a closer.”

“Right,” I said.

“I’m using Nick’s horse. Singling him.”

“I wouldn’t throw out the Pletcher horse.”

“Fuck him,” said Fred, getting up and storming off to the other end of the place, where I saw him take a seat with some guys from the Daily Racing Form.

“Friend of yours?” asked Clayton.

I nodded. “Big Fred. He’s a good guy.”

“He is?”

“Sure.”

I could tell Clayton wanted to go somewhere with that one. Wanted to ask why I thought some strange little guy who just sat down and started cursing out horses was a good guy. Another reason Clayton had to be gotten rid of.

One of the waiters came and took our omelette order. Since I’d mapped out most of my bets, I took ten minutes and gave Clayton a cursory introduction to reading horses’ past performances. I was leaning in close, my finger tracing one of the horse’s running lines, when Clayton kissed my ear.

“I love you, Alice,” he said.

“Jesus, Clayton,” I said. “What the fuck?”

Clayton looked like a kicked puppy.

“I brought you here because I thought it’d be a nice way to spend our last day together but, fuck me, why do you have to get ridiculous?”

“I don’t want it to end. You’re all I’ve got.”

“You don’t have me.”

“What do you mean?”

“Clayton, there’s no future. No mas ,” I said.

“No who?”

No mas ,” I repeated. “No more. Spanish.”

“Are you Spanish?”

“No, Clayton, I’m not Spanish. Shit, will you let me fuck­ing work?”

“Everything okay over here?”

I looked up and saw Vito looming over the table. Vito is a stocky, hairy man who is some kind of low-level mafioso or mafioso-wannabe who owns a few cheap horses and fancies himself a gifted horseplayer.

“Everything’s fine,” I said, scowling at Vito. Much as Clay­ton was pissing me off, it wasn’t any of Vito’s business. But that’s the thing with these Vito-type guys at the track: What with my being a presentable woman under the age of eighty, a real rarity at Aqueduct, these guys get all protective of me. It might have been vaguely heartwarming if Vito wasn’t so smarmy.

Vito furrowed his monobrow. He was sweating profusely even though it was cool inside the restaurant.

“I’m Vito,” he said, aggressively extending his hand to Clayton, “and you are… ?”

“Clayton,” said my soon-to-be-ex paramour, tentatively shaking Vito’s oily paw.

“We all look out for Alice around here,” Vito said.

Go fuck yourself, Vito, I thought, but didn’t say. There might be a time when I needed him for something.

“Oh,” said Clayton, confused, “that’s good. I look out for her too.”

Vito narrowed his already small eyes, looked from me to Clayton and back, then turned on his heels.

“See ya, Vito,” I said as the tubby man headed out of the restaurant, presumably going down to the paddock-viewing area to volubly express his opinions about the contestants in the first race.

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