Nicola Griffith - Always

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Always: краткое содержание, описание и аннотация

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From cult phenomenon to award-winning literary sensation, “the sexiest action figure since James Bond” (
) returns in an exhilarating new thriller. It doesn’t matter how well trained you are, how big, how fast, how strong; there will always be someone out there bigger or faster or stronger. Always. That’s what Aud Torvingen teaches the students in her self-defense class. But the question is whether Aud really believes this lesson herself-and if not, what it will take for her to learn it.
Aud has trained herself to achieve a fierce, machine-like precision, in hand-to-hand combat as well as life. But in Always she is abruptly confronted with the limits of her own power. Her self-defense classes spin violently out of her grasp and, still reeling from the consequences, she embarks on a seemingly simple investigation of Seattle real estate fraud that pulls her into something far more complicated and dangerous than she had imagined.

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“Pauletta wanted to ask a question earlier and you just steamrollered over her.”

“Yeah,” Pauletta said.

It was true. I didn’t want to be here, in the closed basement. I wanted to be outside, bare feet in the grass, breathing fresh air. But I had agreed to teach these women. No one else would. “I apologize. Pauletta, what was your question?”

“I was wondering, when you said you have to know what they want and pick your moment to act. What did you mean? How do we know what he wants?”

“Yeah,” Nina said. “You said no one is a mind-reader.”

“That’s right. No one is a mind-reader. You don’t have to be. With an attacker with a weapon, you most probably won’t even have to ask. Just listen.”

They were nodding even before I could explain, taking my word for it. I said, “Most attackers who arm themselves do it because they’re nervous. If they’re nervous, they’re very likely to be verbal. They’ll be talking from the first second they threaten you: ‘Give me your purse, lady, give me your purse, put the fucking purse on the ground,’ and so on. That’s the simple situation; if someone says that, nine times out of ten the best thing to do is to give them the purse and they’ll go away. But you can’t always trust what someone is saying. For example, if your attacker is saying, ‘Don’t scream, don’t say a word, I’m not going to hurt you, keep quiet and I won’t hurt you,’ you might not want to believe them, because, generally, if someone is saying something over and over again, it’s for a reason. It means they’re thinking about it.”

“Even if they’re saying the opposite thing?” Kim sounded more puzzled than skeptical.

“Yes. You’ll be able to tell the difference.”

“How?”

“You will know. You’ll feel it.” The body always knows. “Feeling it, knowing it, is the easy part. The hard part is trusting that knowledge and acting on it.”

“I don’t understand,” Therese said.

“It’s women’s intuition,” Katherine said.

Suze snorted.

“Women’s intuition makes it sound like magic, and it’s not. In reality such knowledge, a visceral understanding of a situation—you could even say empathy itself—is based on a biological system. Your mirror neurons.”

They looked perfectly blank.

“Tonya, you and Suze and Christie, go get me three of those chairs, and, Pauletta and Nina, bring the bench. Chairs here, bench here, as though these are stools by a bar. Sandra, bring me my satchel, please, then sit opposite me. Therese, you sit there, you’re drinking quietly, idly watching me and Sandra talking while we drink.” I rummaged in the satchel, found a big flat-ended Magic Marker, and set it on the bench so that it stood up. “Imagine Sandra and I have shot glasses and this”—I gestured at the marker—“is a bottle of whiskey. We’re just drinking and talking. Everyone is relaxed. We’re talking quietly. Therese can’t hear a thing we’re saying.” I leaned confidentially towards Sandra, and she adopted a matching pose. “I pick up the bottle, like so, to pour. Then suddenly I stiffen, and start to hold the bottle differently.” When I changed my grip Sandra swayed slightly: a sudden, instinctual urge to move backwards, out of harm’s way, negated by her conscious mind. “What’s going on? Therese?”

“I don’t know.”

“Trust your first instinct.”

“Looks like you’re about to slam that bottle across his, her face.”

“Anyone disagree?”

None of them was ready to commit, either way, though it was clear from their body language—tilted heads, hands clasped in the small of the back—that they knew what Therese knew, they just didn’t understand how they knew and they weren’t ready to say so.

“Therese is exactly right. I was getting a better grip, getting ready to break this bottle on Sandra’s face. You all knew that, instinctively.” Sandra in particular, but she had also learnt from long experience not to fight back because she was never going to make her defiance permanent, never going to run away and get to safety, and in the long run, the more she resisted, the worse her beating would be. “You saw the way I changed grip, and the act of watching me do that triggered a cascade of signals in your inferior parietal cortex.”

And I’d thought they’d looked blank before.

“You’ve probably all seen the way children imitate things to understand them. They’ll pretend to roll out a pie crust right along with you, they make noises and pretend to change gears as you drive. This happens in your brain, too. When we see someone pick up a bottle, a whole set of nerve fibers, called mirror neurons, pretend to be picking up the bottle, too. Whether you’re actually picking up the bottle or just watching someone do it, those neurons fire in the same pattern. Your body understands intimately how it feels. So when I shift grip, your brain shifts grip, too. And these mirror neurons are hooked into your limbic system, to the part of your brain that handles emotions. So your brain knows what it means when I’m turning the bottle like that. You know, deep down, in that intuitive part of you, what’s going on, in a way that your conscious mind probably doesn’t.”

Katherine looked thoroughly confused.

“You can look it up when you go home. For now, think of the mirror neurons as re-creating the experience of others inside ourselves. We feel others’ actions and sensations in our own cortex, in our own body, as though we ourselves are having those sensations, doing those things. In a very real way, we are doing those things. Think of your mirror neurons, your hunches, your intuition as a powerful adviser, an interpreter.”

“So,” Nina said slowly, “when you said the first week that no one is a mind-reader, you lied.”

Next time I taught this kind of class, I was going to do things differently. Completely differently.

“Well?”

Next time. I set that aside to consider later. “Think of the two concepts as complementary. The body knows, the body doesn’t lie. But our conscious mind doesn’t always want to believe what it knows. It’s not convenient. This is true for an attacker, too. They will tell themselves a story about how the attack will go. They’ll ignore what they know—they’ll ignore the mirror neurons telling them that you don’t want to talk to them, that you don’t want to be their friend—and believe what’s convenient. Because they don’t want to hear what you have to say they’ll pretend you’re not saying it, so it’s good to state your wishes and intentions clearly.”

“Loud and often,” Kim said with the half smile that meant she was thinking of her children.

“If you say something clearly and specifically to a potential attacker, two things will result: One, he won’t be able to pretend to himself that he doesn’t know you don’t want his attentions. Two, you yourself won’t be able to pretend that everything’s fine. Your conscious and subconscious mind will be aligned. That’s a very powerful feeling.”

“The power of the righteous,” Sandra said.

Silence.

“It could be described that way, yes: knowing you’re doing the right thing, even if others don’t understand. Sometimes self-defense or the defense of others requires actions that no one understands. Sometimes you have to do them anyway.”

Everyone pondered that.

“Now, let’s go back a little, to the importance of knowing what your attacker intends. Any ideas about why that’s important?”

They all shook their heads.

“It’s important to know what they intend so that you can judge whether the situation will get more or less dangerous, more or less opportune for you to act. For example, Suze, what do you want?”

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