David Cronenberg - Consumed

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Consumed: краткое содержание, описание и аннотация

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David Cronenberg—the celebrated Canadian film director, lauded by
for creating “some of the best, most challenging, most unusual English-language films of the last twenty years,” and named a chevalier of the Order of Arts and Letters in France—turns his remarkable talent to the haunting, disturbing intersection of desire and decay in
, his highly anticipated debut novel.
In the book—filled, artfully messy Paris apartment of the famous French intellectuals Celestine and Aristide Arosteguy, an astonishing discovery is made—the grisly, butchered remains of Celestine, partially eaten. Her husband, sought by police for questioning, is nowhere to be found.
Naomi Seberg, a young journalist, embarks upon a quest to uncover the truth of Celestine’s death and Aristide’s role in it. She travels to Tokyo to interview the suspected cannibal, while her boyfriend, Nathan Math, a medical journalist, seduces the cancer patient of a controversial Hungarian doctor and contracts a sexually transmitted disease. He traces the famous discoverer of the diseases to Forest Hill Village in Toronto, where he encounters the most interesting journalistic subject of all.
In energetic, inventive, and provocative prose, Cronenberg creates an extraordinary, sexually charged novel of dark impulses and appetites that reminds us that the boundaries of lover and beloved aren’t nearly as defined as we believe them to be.

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Roiphe looked puzzled. “Chase?”

“The young woman who assigned me this chair. She said she was your patient.”

Roiphe doubled over until his chest touched his knees. Nathan, startled, thought he was having a heart attack until the doctor straightened back up, his face crumpled with silent laughter. It took a moment or two for the sound to come, a good, hearty, roaring laugh flecked with phlegmy wheezes. “Well, yes,” he said, still heaving, “that’s one way of looking at it.”

“She’s not your patient.”

“Whatever she is, she’s sure darn full of surprises. I haven’t heard that one before. But no.” He leaned forward, pulling on his knees to enable him to slide his torso closer to Nathan. “She’s my daughter, Nathan. Now, there’s a sense in which all children are constantly being diagnosed by their parents, wouldn’t you say? So, I guess that’s fair of her to say, metaphorically, I guess. But like I say, never heard that one before.”

“Does she live here with you?” Nathan felt that the general strangeness of the situation allowed him to ask that question.

Roiphe let go of his knees and relaxed back into the pillows of the sofa. “I guess this is the beginning of the interview, is it? The new art form. The art of the interview.” He flicked a hand towards the roller. “And is that your camera? You said you were a photojournalist. I love that word. Photojournalist .”

Nathan tipped over his roller and unzipped it, revealing a tightly packed group of lenses, flashes, spiraled flash cords, and cleaning tools. He slid the big Nikon out of its padded cubicle, the rhino-like 24–70mm lens attached, and hefted it in his hand. “It’s a digital SLR, if that means anything to you. Digital single-lens reflex camera. It means you can see exactly what the lens is seeing when you look through the viewfinder. They’ve been around for a long time, film first, of course, and now digital, but this is the latest incarnation. Well, almost the latest. It’s hard to keep up with the technology when you’re on a budget. It’s heavy, and it’s probably obsolete already. It just doesn’t know it. Is this too much information?”

“Hell, no,” said Roiphe, holding out his hand, wanting the camera. “I was a passionate amateur nature photographer in my time. Haven’t come to grips with the digital thing yet, though.” Nathan suppressed his urge to deny Roiphe his camera and handed it over. “Maybe this is something you can teach me. We’ll be quid pro quo-ing all over the place here.” Nathan countered his equipment anxiety by busying himself setting up the Swiss Nagra Kudelski SD audio recorder on the glass coffee table in front of Roiphe. The insanely expensive radio-quality recorder was overkill for a print journalist—though these days there was no such thing in the purest sense—but Nathan had spotted it at an electronics booth in the Zurich Airport and couldn’t resist. He and Naomi both used technology to enhance their credibility as professionals, and he knew that she would never really give up her Nikons for an iPhone until it was an acknowledged cool-but-pro way to go. Too much insecurity involved, always the sense of being a poseur. While he was deciding which Nagra plug-on microphone to use—the stereo cardioid was good for ambiance plus voice, which could be interesting when Chase was around, but the mono was best for focused, undisturbed voice recording—Nathan watched Roiphe out of the corner of his eye as the doctor dug around clumsily in the sunshade of the zoom lens, trying to pry off the lens cap.

“Are you trying to get the lens cap off ? Just squeeze it in the center. It’s spring-loaded.”

Roiphe chuckled and popped the cap off. Nathan slid the Automatic Gain Control switch on the side of the Nagra to On, figuring that manually riding the recording levels would be a distraction. Roiphe in turn managed, after a quick survey of the many buttons, dials, and switches on the Nikon, to turn the camera on, and in no time was snapping photos of Nathan, happily cranking the zoom in and out like a delirious child.

“Well,” said Roiphe, after the mirror had clacked up and down about thirty times, “that seems to work. I guess a camera is a camera. Oh, look at that. There’s you, right there on that little TV in the back. Hmm. Somehow makes you look kinda sinister. See? Something in the eyes.” Roiphe handed the camera over to Nathan, who felt he had to assess his own image to be polite. Roiphe was right. Nathan looked nasty and untrustworthy—though in a darkly handsome way.

“Good shooting,” said Nathan. “Very good.”

The last photo Roiphe had taken was a zoomed-in close-up of the Nagra, and he now pointed to it with a twitching index finger. “You haven’t turned that on yet, have you?”

“No. May I?”

“Not yet,” said Roiphe, and he held his knees and pulled himself forward to his confidential position. “We need to make our deal.”

“Our deal?”

“Yeah,” said Roiphe, drawing out the word to give it a slightly comical street feel. “Innarested?”

Nathan leaned forward to match the intimacy, clasping his hands like a choirboy. “I… sure.”

Roiphe laughed a small dry laugh. “You’re not too sure, are you? But you will be. Listen. I’ve tried writing a book, you’ll be surprised to hear. I’m no good at it. Not on my own, I’m not. Chase researched you on the internet—she’s so clever, that kid. She’s already read half of what you’ve written. And we came up with something, she and I. You know the work of Oliver Sacks? The Man Who Mistook His Wife for a Hat ? Awakenings ? That was made into a great movie with De Niro. An Anthropologist on Mars ?”

“I know his work and I’ve met him a few times.”

“Oh, really?” Roiphe’s tangled eyebrows shot up in challenge.

Nathan had to respond, to authenticate. “Yeah. He’s got this weird thermostat problem. He’s always too hot. He’s always leaving the restaurant to stand outside. That’s why he loves to swim in those cold mountain lakes. I’ve got an interview with him in the works. And he wears weird shoes.” Nathan was immediately ashamed of throwing in the data about the thermostat. It was true, as far as he knew, but mentioning it smacked of desperation to impress.

Roiphe was very excited. “That’s super! That’s titanic! Oliver Sacks is a doctor, a neurologist, and also a brilliant writer. I’m a doctor, you’re a writer. Math plus Roiphe equals Sacks. Get it? I was a neurologist first, you know, not a urologist the way people think. I specialized in genital pain, and ouch, there was Roiphe’s waiting for me.”

“Things I didn’t know.” Relieved, Nathan conjured up the enthusiasm to say, as though with enlightenment dawning, “So, we collaborate on a book!” but then was immediately uneasy as the possible implications sank in.

“Medical fame,” said Roiphe. “Your subject. You want to get to the marrow of it? This is your big chance.”

“But a book about your life? Your work? Your retirement years?”

Roiphe sank back heavily into the brocaded pillows. “Are you being sarcastic?”

“I’m being nervous. I’m worried about being co-opted by my subject. They warn you about that in journalism school.” Nathan released a pathetic chuckle which was meant to show that he knew he was being superficial and paranoid. “This could be a classic case.”

“Not a co-opting. A real collaboration. I don’t censor you. You don’t pass judgment on me.”

“Okay,” said Nathan. “Okay. This isn’t exactly what I had in mind, but it’s interesting. I’m loose, god knows. I’m flexible. But you have a subject in mind, don’t you? Something very specific.”

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