Felicity Young - An Easeful Death

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In An Easeful Death, someone is killing beautiful young women and taking extraordinary risks to carefully pose their painted bodies in public places. The first is bronze, then silver who will be gold? Detective Sergeant Stevie Hooper, young, hard-edged and newly seconded to the Serious Crime Squad, finds herself haunted by increasingly disturbing flashbacks as the bizarre case unfolds. And, as she closes in on the killer, the carefully drawn line between her professional and personal life becomes increasingly blurred, till she doesnt know who can be trusted.

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Rohypnol and chloroform had been found in Linda Royce’s system, but only Rohypnol had been found in the prostitutes, most likely dissolved in an alcoholic drink. This made sense. The prostitutes were willing participants, to a degree. The offender would have had no problem getting them to share a drink with him—maybe it was while they were sitting on the bench in the park. The date rape drug wasn’t as common then as it was now and the girls may not have been so wary.

Linda Royce, though, had not been picking up tricks in a park; she had not been such an easy target. He must have knocked her out with chloroform in the street first before taking her away to his secluded spot and making her drink the drugged cocktail.

He opened his notebook and began to jot down the similarities between the two old cases. Once he had these listed, he would compare them to the Linda Royce case. His finger traced a snake through the condensation on the beer glass as he organised his thoughts. Under the heading ‘similarities’ he wrote:

Bodies found in same location

Same profession of victims

Same drugs in their systems

Violation and posing of victims after death

All had long hair, hacked off

No jewellery

No DNA evidence except for questionable hairs on first victim

No evidence of sexual intercourse

Under ‘differences’ he listed:

Kitty Bonilla semi naked

Lorna Dunn totally naked

Kitty Bonilla small, dark hair, part Aboriginal

Lorna Dunn tall, red hair, Caucasian

He needed another cigarette, but the thought of having to reach for one and light up was suddenly too much of an effort. Concentrate. Physically the women were at opposite ends of the colour spectrum. Adding the blond Linda Royce to the pot only increased his confusion. Was this the killer’s intent? Was it all part of the game De Vakey had explained to Stevie?

He wrote: Blue Commodore seen at the first crime site . Didn’t Wayne just mention a blue Commodore in the Royce case? He would return to that tomorrow. For the moment he wanted to keep the old and the new cases separate.

Back to the KP murders: No sign of a VW at either site .

He looked back at the beer. His tongue flicked at his bottom lip. Back to his notebook, things to follow up:

Peter Sbresni

Unnamed prostitute

Check database for missing documents

Monty’s hand grazed the cool of the beer glass once more. He ran his finger around its edge, straining to hear the answers it might sing.

friday

10

A scene that is staged for the police or for any other unfortunate person who might come across the body is often the result of the killer’s perverse desire to entertain.

De Vakey, The Pursuit of Evil

Stevie was asleep when she got the phone call. She didn’t have time to drop Izzy at her mother’s, nor did Dot have time to change. Three minutes after Stevie’s frantic plea, Dot was on the doorstep in her dressing-gown and slippers and Stevie was hurrying out to the Commodore, no more than a blurry outline in the grey dawn light.

She picked Angus up on the way and they raced in the unmarked to the latest crime scene, their flashing blue light scorching through the early morning commuters like an oxy-torch through steel plate. Taking her eyes off the road for a moment, she risked a glance at Angus, his string of expletives indicating he still hadn’t got through to Monty. She felt herself tense, her knuckles becoming white marbles on the steering wheel.

‘Last try,’ Angus said, punching at the phone’s redial button.

About to express her concern, he held up his hand to silence her and drawled into the phone, ‘Monty, another body’s been found. It’s in the bedding department of Hartley-Mac’s. We’re on our way, meet you there.’ He replaced his phone in his jacket pocket and sucked in his cheeks, making his thin face almost skeletal. ‘Sounds like he had a hard night.’

Stevie frowned, looked left and right, then sped through a red light causing pedestrians to jump back as if the car was shooting sparks. Soon they were at the Hay Street Mall, their senses assaulted by chaotic images. Yellow crime-scene tape sealed off the entrance and police cars were parked askew, lights flashing. Delivery vans honked, irate shopkeepers argued with uniformed police. A news van excreted cable. Lights were mounted, microphones plugged. An early morning news anchorwoman began to preen in the van’s side mirror. More journos arrived.

Stevie and Angus stepped into the fray to their siren’s dying wheeze.

‘Keep them well back,’ she said to a young constable they hurried past.

‘Any sign of a break in?’ Angus asked the cop guarding the double shop doors as they both flicked ID.

‘None so far, Sir.’

‘Who was first on the scene?’ Stevie spoke over her shoulder as she headed for the lift.

‘Constables Radcliff and Jones, they’re upstairs, third floor,’ the cop called back.

They rode the lift in silence. Stevie concentrated on her breathing and prepared herself for the worst. Angus had his eyes closed and was jingling the loose change in his pocket.

The lift doors opened to castles of glassware and mountains of white crockery. They skirted piles of fluffy towels and stacks of coloured sheets and headed towards a collection of display beds made up with fashionable linens.

There was no death scent, no buzzing flies to warn them of the body’s proximity, only the sweet smell of scented candles and the crackling of a police radio.

They introduced themselves to Constables Radcliff and Jones and took tentative steps towards a bed decorated with a brocade canopy and a silver woman. She lay on her back with her legs bent. She could have been an obscene advertising ploy, one more gimmick to entice the gullible buyer. Buy this bed and you too could look like this. Stevie felt the bile begin to rise. She turned her head to be almost blinded by the spotlight erected by the police photographer, further adding to the staged artificiality of the scene.

The woman’s face was an expressionless mask; she might have been a mannequin from Ladies Wear. Easeful Death was printed down the length of her right thigh in black marker pen.

‘Not again.’ Angus’s voice was soft. His attitude to the dead was always reverential, unlike some members of the squad who popped into her mind.

Wayne Pickering appeared, making the final adjustments to an oversized paisley bow tie. ‘Silver Finger,’ he said in his usual deadpan.

Speak of the devil.

‘It was Bronze Finger last time. Doesn’t sound quite right, does it?’

And his disciple.

Barry Snow turned to Stevie. With the light shining from the spotlight behind him, she could barely see his face, but his large ears stuck out like wing nuts. ‘That was an inaccuracy you know,’ he said. ‘People don’t die just from being painted.’ He leaned towards the body and pointed to the neck area. ‘I’m guessing this one was also strangled.’

‘Let’s leave that to the pathologist to determine, okay?’ Stevie ran her eyes up and down the body, absorbing every detail. The woman’s left hand seemed to be locked into a fist around a small strip of something brown. Peering closer, she tried to identify the protruding object. It looked like a piece of fabric—a piece of the killer’s clothing perhaps? Hard to believe that she had reached out to the killer while she was dying and grabbed this without his knowledge.

Stevie straightened and looked at Wayne Pickering who was finishing his own visual examination of the body. She pointed to the woman’s fist.

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