Mario Puzo - The Sicilian

Adonis smiled at the sardonic challenge. Guiliano would never be guilty of such cruelty, but it was exactly what Aspanu Pisciotta would shout from his grave.

Hector Adonis no longer felt the bitter hatred of Pisciotta that he had carried with him after Guiliano's death. He had taken his revenge. Now he thought of the two of them playing as children, becoming outlaws together.

Don Croce and Hector Adonis were deep in the sepulchral village of small stones and marble buildings. Don Croce and his bodyguards moved in a group, supporting each other on the rocky path; the driver carried a huge bouquet of flowers which he put on the gate of the congregazione that held Guiliano's body. Don Croce fussily rearranged the flowers, then peered at the small photograph of Guiliano pasted on the stone door. His bodyguards clung to the trunk of his body to keep him from falling.

Don Croce straightened up: "He was a brave lad," the Don said. "We all loved Turi Guiliano. But how could we live with him? He wanted to change the world, turn it upside down. He loved his fellow man and who killed more of them? He believed in God and kidnapped a Cardinal."

Hector Adonis studied the photograph. It had been taken when Guiliano was only seventeen, the height of beauty by the Mediterranean Sea. There was a sweetness in his face that made you love him, and you could never dream that he would order a thousand murders, send a thousand souls to hell.

Ah, Sicily, Sicily, he thought, you destroy your best and bring them to dust. Children more beautiful than the angels spring from your earth and turn into demons. The evil flourish in this soil like the bamboo and the prickly pear. And yet why was Don Croce here to lay flowers at Guiliano's grave?

"Ah," said the Don, "if only I had a son like Turi Guiliano. What an empire I could leave for him to rule. Who knows what glories he would win?"

Hector Adonis smiled. No doubt Don Croce was a great man, but he had no perception of history. Don Croce had a thousand sons who would carry on his rule, inherit his cunning, pillage Sicily, corrupt Rome. And he, Hector Adonis, Eminent Professor of History and Literature at Palermo University, was one of them.

Hector Adonis and Don Croce turned to leave. A long line of carts was waiting in front of the cemetery. Every inch of them was painted in bright colors with the legends of Turi Guiliano and Aspanu Pisciotta: the robbing of the Duchess, the great slaughter of the Mafia chiefs, the murder of Turi by Aspanu. And it seemed to Hector Adonis that he knew all things. That Don Croce would be forgotten despite his greatness, and that it was Turi Guiliano who would live on. That Guiliano's legend would grow, that some would believe he never died but still roamed the Cammarata Mountains and on some great day would reappear to lift Sicily out of its chains and misery. In thousands of stone– and dirt-filled villages, children yet unborn would pray for Guiliano's soul and resurrection.

And Aspanu Pisciotta with his subtle mind, who was to say he had not listened when Hector Adonis had recited the legends of Charlemagne and Roland and Oliver and so decided to go another way? By remaining faithful, Pisciotta would have been forgotten, Guiliano would fill the legend alone. But by committing his great crime, he would stand alongside his beloved Turi forever.

Pisciotta would be buried in this same cemetery. The two of them would gaze forever at their cherished mountains, those same mountains that held the skeleton of Hannibal's elephant, that once echoed with the great blasts of Roland's horn when he died fighting the Saracens. Turi Guiliano and Aspanu Pisciotta had died young, but they would live, if not forever, certainly longer than Don Croce or himself, Professor Hector Adonis.

The two men, one so huge, one so tiny, left the cemetery together. Terraced gardens girdled the sides of the surrounding mountains with green ribbons, great white rocks gleamed, a tiny red hawk of Sicily rode down toward them on a shaft of sunlight.