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Ian Rankin: The Beat Goes On

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Ian Rankin The Beat Goes On

The Beat Goes On: краткое содержание, описание и аннотация

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There is no detective like DI Rebus — brilliant, irascible and endlessly frustrating both to his friends and his long-suffering bosses. For over two decades he has walked through the dark places of Edinburgh... Now Rebus’s life is revealed through this complete collection of stories, from his early days as a young DC in ‘Dead and Buried’ right up to the dramatic, but not quite final, retirement in ‘The Very Last Drop’. This is the ultimate Ian Rankin treasure trove — a must for aficionados as well as a superb introduction to anyone looking to experience DI John Rebus, and the dark and twist-filled crimes he has to investigate, for the very first time.

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Rebus studied him now, across the expanse of the old table. MacFarlane was well-built, handsome if you liked that sort of thing. He looked strong, but not brutish. Probably he would make the local news headlines as ‘Secretary’s Yuppie Killer’. Rebus stubbed out his cigarette.

‘We know you did it, John. That’s not in dispute. We just want to know why.’

MacFarlane’s voice was brittle with emotion. ‘I swear I didn’t, I swear.’

‘You’re going to have to do better than that.’ Rebus paused again. Tears were dripping onto MacFarlane’s corduroys. ‘Go on with your story,’ he said.

MacFarlane shrugged. ‘That’s about it,’ he said, wiping his nose with the sleeve of his shirt.

Rebus prompted him. ‘You didn’t stop off anywhere for petrol or a meal or anything like that?’ He sounded sceptical. MacFarlane shook his head.

‘No, I just drove until my head was clear. I went all the way to the Forth Road Bridge. Turned off and went into Queensferry. Got out of the car to have a look at the water. Threw a few stones in for luck.’ He smiled at the irony. ‘Then drove round the coast road and back into Edinburgh.’

‘Nobody saw you? You didn’t speak to anyone?’

‘Not that I can remember.’

‘And you didn’t get hungry?’ Rebus sounded entirely unconvinced.

‘We’d had a business lunch with a client. We took him to The Eyrie. After lunch there, I seldom need to eat until the next morning.’

The Eyrie was Edinburgh’s most expensive restaurant. You didn’t go there to eat, you went there to spend money. Rebus was feeling peckish himself. The canteen did a fine bacon buttie.

‘When did you last see Miss Bitter alive?’

At the word ‘alive’, MacFarlane shivered. It took him a long time to answer. Rebus watched the tape revolving. ‘Yesterday morning,’ MacFarlane said at last. ‘She stayed the night at my flat.’

‘How long have you known her?’

‘About a year. But I only started going out with her a couple of months ago.’

‘Oh? And how did you know her before that?’

MacFarlane paused. ‘She was Kenneth’s girlfriend,’ he said at last.

‘Kenneth being—’

MacFarlane’s cheeks reddened before he spoke. ‘My best friend,’ he said. ‘Kenneth was my best friend. You could say I stole her from him. These things happen, don’t they?’

Rebus raised an eyebrow. ‘Do they?’ he said. MacFarlane bowed his head again.

‘Can I have a coffee?’ he asked quietly. Rebus nodded, then lit another cigarette.

MacFarlane sipped the coffee, holding it in both hands like a shipwreck survivor. Rebus rubbed his nose and stretched, feeling tired. He checked his watch. Eight in the morning. What a life. He had eaten two bacon rolls and a string of rind curled across the plate in front of him. MacFarlane had refused food, but finished the first cup of coffee in two gulps and gratefully accepted a second.

‘So,’ Rebus said, ‘you drove back into town.’

‘That’s right.’ MacFarlane took another sip of coffee. ‘I don’t know why, but I decided to check my answering machine for calls.’

‘You mean when you got home?’

MacFarlane shook his head. ‘No, from the car. I called home from my car-phone and got the answering machine to play back any messages.’

Rebus was impressed. ‘That’s clever,’ he said.

MacFarlane smiled again, but the smile soon vanished. ‘One of the messages was from Moira,’ he said. ‘She wanted to see me.’

‘At that hour?’ MacFarlane shrugged. ‘Did she say why she wanted to see you?’

‘No. She sounded... strange.’

‘Strange?’

‘A bit... I don’t know, distant maybe.’

‘Did you get the feeling she was on her own when she called?’

‘I’ve no idea.’

‘Did you call her back?’

‘Yes. Her answering machine was on. I left a message.’

‘Would you say you’re the jealous type, Mr MacFarlane?’

‘What?’ MacFarlane sounded surprised by the question. He seemed to give it serious thought. ‘No more so than the next man,’ he said at last.

‘Why would anyone want to kill her?’

MacFarlane stared at the table, shaking his head slowly.

‘Go on,’ said Rebus, sighing, growing impatient. ‘You were saying how you got her message.’

‘Well, I went straight to her flat. It was late, but I knew if she was asleep I could always let myself in.’

‘Oh?’ Rebus was interested. ‘How?’

‘I had a spare key,’ MacFarlane explained.

Rebus got up from his chair and walked to the far wall and back, deep in thought.

‘I don’t suppose,’ he said, ‘you’ve got any idea when Moira made that call?’

MacFarlane shook his head. ‘But the machine will have logged it,’ he said. Rebus was more impressed than ever. Technology was a wonderful thing. What’s more, he was impressed by MacFarlane. If the man was a murderer, then he was a very good one, for he had fooled Rebus into thinking him innocent. It was crazy. There was nothing to point to him not being guilty. But all the same, a feeling was a feeling, and Rebus most definitely had a feeling.

‘I want to see that machine,’ he said. ‘And I want to hear the message on it. I want to hear Moira’s last words.’

It was interesting how the simplest cases could become so complex. There was still no doubt in the minds of those around Rebus — his superiors and those below him — that John MacFarlane was guilty of murder. They had all the proof they needed, every last bit of it circumstantial.

MacFarlane’s car was clean: no bloodstained clothes stashed in the boot. There were no prints on the chopping-knife, though MacFarlane’s prints were found elsewhere in the flat, not surprising given that he’d visited that night, as well as on many a previous one. No prints either on the kitchen sink and taps, though the murderer had washed a bloody knife. Rebus thought that curious. And as for motive: jealousy, a falling-out, a past indiscretion discovered. The CID had seen them all.

Murder by stabbing was confirmed and the time of death narrowed down to a quarter of an hour either side of three in the morning. MacFarlane claimed that at that time he was driving towards Edinburgh, but had no witnesses to corroborate the claim. There was no blood to be found on MacFarlane’s clothing, but, as Rebus himself knew, that didn’t mean the man wasn’t a killer.

More interesting, however, was that MacFarlane denied making the call to the police. Yet someone — in fact, whoever murdered Moira Bitter — had made it. And more interesting even than this was the telephone answering machine.

Rebus went to MacFarlane’s flat in Liberton to investigate. The traffic was busy coming into town, but quiet heading out. Liberton was one of Edinburgh’s many anonymous middle-class districts, substantial houses, small shops, a busy thoroughfare. It looked innocuous at midnight, and was even safer by day.

What MacFarlane had termed a ‘flat’ comprised, in fact, the top two storeys of a vast, detached house. Rebus roamed the building, not sure if he was looking for anything in particular. He found little. MacFarlane led a rigorous and regimented life and had the home to accommodate such a lifestyle. One room had been turned into a makeshift gymnasium, with weightlifting equipment and the like. There was an office for business use, a study for private use. The main bedroom was decidedly masculine in taste, though a framed painting of a naked woman had been removed from one wall and tucked behind a chair. Rebus thought he detected Moira Bitter’s influence at work.

In the wardrobe were a few pieces of her clothing and a pair of her shoes. A snapshot of her had been framed and placed on MacFarlane’s bedside table. Rebus studied the photograph for a long time, then sighed and left the bedroom, closing the door after him. Who knew when John MacFarlane would see his home again?

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