Джеймс Эллрой - Shakedown - Freddy Otash Confesses

My breath rasped. I knew I only had two words left.

I said, “Red Ryder.”

James Ellroy’s journal

7/12/92

Freddy, I hardly knew ye.

I dug you — but didn’t respect you. There’s a distinction. How’s the afterlife, fuckhead? Repent, you reptile. Yeah, I ripped off your raucous way with words. But I’m not you — you homo hater, dyke defamer, and racist raconteur.

The obits ran tripartite. The prime gist: ex-cop Otash hires on with Confidential . He runs an intelligence network and gathers information on celebrity hijinks. Part two was more pithy: Freddy was a longtime extortionist. His intelligence network supplied the dirt for his shakedown racket. Part three jazzed me. The scandal-rag era bellied up in ’59. Confidential — kaput. Desperate Freddy pulled a racetrack caper. He doped a nag named Wonder Boy and lost his PI’s license. He became a mob lapdog. Jimmy Hoffa hired him to get the goods on JFK shtupping Marilyn Monroe. His aging Marine Corps goons spilled the tale to reporters. Freddy bugged Peter Lawford’s beachfront fuck pad and caught Jack in the sack. Ooooooooooooh, daddy-o: my pulsatingly possible TV show could run indefinitely!!!!!

I got the word on Freddy’s death and flew back to L.A. quicksville. The papers were full of Otash lore. Yawn: his adversarial relationship with LAPD chief William H. Parker. His ’57 interview with TV ham Mike Wallace. His relationship with Confidential’ s pervo publisher, Bondage Bob Harrison. Snore: “Fred Otash was the founding father of the tabloid-TV era.” Snooze: “Otash defined the paranoiac horrors of the Red-Scare Decade.” An ex-Liberace bun boy dropped a pearl in with the dross: “I know that Freddy got Lee out of a jam in the early ’50s, but he damn well got paid for it.”

Freddy owned a condo off the Sunset Strip. My first task: intercept his FBI Freedom of Information Act file. I talked to Freddy on the day he died. The file hadn’t arrived. I’ve called the building’s manager every day since. I impersonated Freddy’s lawyer and said I was expecting some files from the feds. The man called me as I left for the airport. Sir, that box just arrived.

I rented a car at LAX. I drove to Chez Otash and snatched the file posthaste. A small UPS box held all the material. I carried the box to my car and tore into it.

Every page was heavily ink-redacted. Odd lines were untouched. Sixteen pages of blacked-out lines and this :

“Accused of extortion,” “accused of bribery,” “accused of harassment,” “accused of suborning perjury,” “accused of jury tampering.”

Please — give me some shit I don’t know .

A photo ID sheet was included. I recognized pics of Freddy’s squeeze, Joi Lansing, and Freddy’s snitch-pal, ’50s-cool James Dean. Bob Harrison — mucho snapshots. Liberace — of course. Liz Taylor — sure. Her ex-hubby Michael Wilding? Yeah, I get it. Ward Wardell, Race Rockwell, Donkey Don Eversall? Freddy mentioned them. They were fruit hustlers in his stable.

The file was a bust.

That left Freddy’s secret diaries.

Freddy said they did not exist.

They might be locked in a bank vault and thus out of reach. They might be packed in a box in that condo across the street.

Do it, dipshit. Life itself is the Big Shakedown, and you can’t let this one go.

I broke in that night.

It wasn’t hard. I threw my weight at a loose stretch of the door-doorjamb juncture. The door popped easy. I carried a penlight and prowled in the dark.

I tossed the cabinets. I eyeballed the shelves. I displaced 10,000 leisure sweatsuits. Freddy’s scrapbooks were useless. His gold Rolex was a fake. I found a Nazi Luger in the sock drawer. I found a stack of porn vids under the sink. I hit pay dirt in a hall closet.

Photos: plastic-sheathed and lovingly preserved.

Marlon Brando with a dick in his mouth.

Lena Horne muff-diving Lady Bird Johnson.

And—

A box full of bookies’ flash paper.

I skimmed a few pages. Freddy block-printed legibly. He deployed a calendar-page motif to encapsulate anecdotes. It was lurid lightning in a bottle. It was the Hellacious Holy Grail and the Demonic Dead Sea Scrolls.

The entire TV series and a corresponding run of novellas came to me rápidamente.

A photo fell out of the box. Holy shit — Rin Tin Tin fucking Katharine Hepburn.

I grabbed the box and put the photo in my pocket. My wife Helen was a big Hepburn fan.

Downtown L.A.

10/4/52

Calendar sheets ruffled. Paper wilted and blew. I recalled that hot summer and those fall storms. I was working the Central day watch. I’d disbanded my burglary gang. Two of my men got hooked on Big H. They were decidedly desperate and snitch-prone. I’d gambled away all my gelt. I was living on a schmuck cop’s pay and was suffused with the blues. William H. Parker became chief in ’50. He instituted righteous reforms and riddled the ranks with a phalanx of finks to sniff out miscreants and misconduct. I drove a Lin- coon Coon- tinental coon- vertible. I won it in a niggertown card game. It was a “suspect expenditure.” Parker’s boys tattled to the hellhound jefe . I got called in and grindingly grilled. Parker warned me not to be a Bolshevik and said, “I’ve got my four eyes on you.”

The rain was a mad monsoon. Wild winds whipped me on my footbeat. I stopped at a Gamewell phone and called the station. The deskman told me to hotfoot to 668 South Olive. They were shooting a Racket Squad episode in the lobby. They needed a hard boy to shoo off autograph hounds.

I headed over there. I caught a taut tailwind and slalomed most of the way. It was a medical building with a pharmacy and adjoining lobby. I caught a frazzled fracas on the set right off.

Lights, cameras, boom mikes — and action.

A jug-eared cat was hassling a boss blonde. He wore pegged chinos and a gone jacket. She was built from the ground up.

The cast and crew eyeballed the scene. Jug-ears grabbed the blonde’s arm and applied abrasions. It gored my gonads and hit my heartstrings. I walked up behind him. He saw my shadow and swiveled. I broke his nose with a palm shot. I looped a left to his larynx. I kneed his nuts as he dropped.

The blonde’s jaw dropped. I tipped my hat to her.

Jug-ears cradled his busted beak and moaned for his mama. The cast and crew clapped.

The blonde said, “He’s my ex-husband. He stiffed me for three months’ alimony.”

I kicked him in the head and lifted his wallet. He mama-moaned anew. The cast and crew wolf-whistled.

The wallet weighed in heavy. I fanned the cash compartment and counted a sea of C-notes. I handed them to the blonde. She dropped them in her purse and dropped a dollar on her ex-hubby. She said, “For old times. He was good in the sack.”

I laffed. I reached in my pocket and handed her a card. Understated class: my name, phone number, and “Mr. Nine Inches.”

She dropped the card in with her cash stash. A guy yelled, “You’re up, Joi! Scene 16-B!”

She winked and walked away from me. I handcuffed Jug-ears behind his back and pay-phone-called the station. Holly- weird : they filmed the scene with the ex coma-conked and cuffed on the floor.

I walked outside and smoked a cigarette. A black-and-white cruised by and hauled the ex to Georgia Street Receiving. I thought of Ralph Mitchell Horvath. A kid brought me a cup of coffee and returned my calling card. She’d written on the back:

“Joi Lansing. 39-25-38. Googie’s, tonight at 8:30.”