Джеймс Эллрой - The Black Dahlia

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The Black Dahlia is a police novel on an epic scale; a classic period piece that provides a startling conclusion to America’s most infamous unsolved murder mystery. Already hailed as a masterpiece, it establishes James Ellroy as this country’s most powerful living writer of noir fiction.
On January 15, 1947, the torture-ravished body of a beautiful young woman is found in a vacant lot in Los Angeles. The victim makes headlines as the Black Dahlia, and her murder sparks the greatest manhunt in California history.
Caught up in the investigation are Bucky Bleichert and Lee Blanchard: Warrants Squad cops, friends, and adversaries in love with the same woman. But both are obsessed with the Dahlia — driven by dark needs to know everything about her life, to capture her killer, to possess the woman even in death. Their quest will take them on a hellish journey through the underbelly of postwar Hollywood, to the core of the dead girl’s twisted life, past the extremes of their own psyches — into a region of total madness.
With the no-punches-held style that has become the trademark of a James Ellroy novel, this brilliant and savagely original author launches the reader on a roller-coaster ride through the violent world of the ’40s L.A. cop.

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I corroborated Madeleine’s story, saying that I only recently figured out that Lee had been murdered. I then confronted Madeleine with a circumstantial run-though on the snuff and coerced a partial confession out of her. Madeleine was transported to the LA women’s jail, and I went back to the EI Nido — still wondering what I was going to do about Ramona.

The next day I returned to duty. At the end of my tour a team of Metro goons was waiting for me in the Newton locker room. They grilled me for three hours; I ran with the fantasy ball Madeleine started rolling. The grit of her story and my wild departmental rep carried me through the interrogation — and nobody mentioned the Dahlia.

Over the next week the legal machinery took over.

The Mexican government refused to indict Madeleine for the murder of Lee Blanchard — without a corpse and backup evidence extradition proceedings could not be initiated. A Grand Jury was called up to decide her fate; Ellis Loew was slated to present the case for the City of Los Angeles. I told him I would testify only by deposition. Knowing my unpredictability only too well, he agreed. I filled up ten pages with lies on the “lovers’ triangle,” fantasy embellishments worthy of romantic Betty Short at her best. I kept wondering if she would appreciate the irony.

Emmett Sprague was indicted by a separate Grand Jury — for health and safety code violations stemming from his mob-fronted ownership of dangerously faulty property. He was given fines in excess of $50,000 — but no criminal charges were filed. Counting the $71,000 that Madeleine stole from Lee, he was still close to twenty grand in the black on the deal.

The lovers’ triangle hit the papers the day after Madeleine’s case went to the Grand Jury. The Blanchard-Bleichert fight and the Southside shootout were resurrected, and for a week I was big-time local stuff. Then I got a call from Bevo Means of the Herald: “Watch out, Bucky. Emmett Sprague’s about to hit back, and the shit’s about to hit the fan. ’Nuff said.”

It was Confidential magazine that nailed me.

The July 12 issue ran an article on the triangle. It featured quotes from Madeleine, leaked to the scandal rag by Emmett. The brass girl had me ditching out on duty to couple with her at the Red Arrow Motel; stealing fifths of her father’s whiskey to see me through nightwatch; giving her the inside lowdown on the LAPD’s traffic ticket quota system and how I “beat up niggers.” Innuendos pointed to worse offenses — but everything Madeleine said was true.

I was fired from the Los Angeles Police Department on grounds of moral turpitude and conduct unbecoming an officer. It was the unanimous decision of a specially convened board of inspectors and deputy chiefs, and I did not protest it. I thought of turning over Ramona in hopes of pulling a grandstander’s turnabout, but kiboshed the idea. Russ Millard might be compelled to admit what he knew and get hurt; Lee’s name would get coated with more slime; Martha would know. The firing was about two and a half years overdue; the Confidential exposé my final embarrassment to the Department. No one knew that better than I did.

I turned in my service revolver, my outlaw .45 and badge 1611. I moved back to the house that Lee bought, borrowed $500 from the padre and waited for my notoriety to the down before I started looking for work. Betty Short and Kay weighed on me, and I went by Kay’s school to look for her. The principal, eyeing me like a bug who just crawled out of the woodwork, said that Kay left a resignation letter the day after I hit the newsstands. It stated that she was going on a long cross-country automobile trip and would not be returning to Los Angeles.

The Grand Jury bound Madeleine over for trial on Manslaughter Three — “premeditated homicide under psychological duress and with mitigating circumstances.” Her lawyer, the great Jerry Giesler, had her plead guilty and request a judge’s chambers sentencing. Taking into account the recommendations of psychiatrists who found Madeleine to be a “severely delusional violent schizophrenic adept at acting out many different personalities,” the judge sentenced her to Atascadero State Hospital for an “indeterminate period of treatment not to subscribe below the minimum time allotted by the state penalties code: ten years of imprisonment.”

So the brass girl took the heat for her family and I took it for myself. My farewell to the Spragues was a front-page photo in the LA Daily News. Matrons were leading Madeleine out of the courtroom while Emmett wept at the defense table. Ramona, hollow-cheeked with disease, was being shepherded by Martha, all good strong business in a tailored suit. The picture was a lock on my silence forever.

Thirty-six

A month later I got a letter from Kay.

Sioux Falls, S.D.

8/17/49

Dear Dwight,

I didn’t know if you’d moved back to the house, so I don’t know if this letter will reach you. I’ve been checking the library for L.A. papers, and I know you’re not with the Department anymore, so that’s another place where I can’t write to you. I’ll just have to send this out and see what happens.

I’m in Sioux Falls, living at the Plainsman Hotel. It’s the best one in town, and I’ve wanted to stay here since I was a little girl. It’s not the way I imagined it, of course. I just wanted to wash the taste of L.A. out of my mouth, and Sioux Falls is as antithetical to L.A. as you can get without flying to the moon.

My grade school girlfriends are all married and have children, and two of them are widows from the war. Everyone talks about the war like it’s still going on, and the high prairies outside of town are being plowed for housing developments. The ones that have been constructed so far are so ugly, such bright, jarring colors. They make me miss our old house. I know you hate it, but it was a sanctuary for nine years of my life.

Dwight, I’ve read all the papers and that trashy magazine piece. I must have counted a dozen lies. Lies by omission and the blatant kind. I keep wondering what happened, even though I don’t really want to know. I keep wondering why Elizabeth Short was never mentioned. I would have felt self-righteous, but I spent last night in my room just counting lies. All the lies I told you and things I never told you, even when it was good with us. I’m too embarrassed to tell you how many I came up with.

I’m sorry for them. And I admire what you did with Madeleine Sprague. I never knew what she was to you, but I know what arresting her cost you. Did she really kill Lee? Is that just another lie? Why can’t I believe it?

I have some money that Lee left me (a lie by omission, I know) and I’m going to head east in a day or so. I want to be far away from Los Angeles, someplace cool and pretty and old. Maybe New England, maybe the Great Lakes. All I know is that when I see the place, I’ll know it.

Hoping this finds you,

Kay.

P.S. Do you still think about Elizabeth Short? I think about her constantly. I don’t hate her, I just think about her. Strange after all this time.

K.L.B.

I kept the letter and re-read it at least a couple of hundred times. I didn’t think about what it meant, or implied about my future, or Kay’s, or ours together. I just re-read it and thought about Betty.

I dumped the El Nido master file in the garbage and thought about her. H.J. Caruso gave me a job selling cars, and I thought about her while I was hawking the 1950 line. I drove by 39th and Norton, saw that houses were going up on the vacant lot and thought about her. I didn’t question the morality of letting Ramona walk or wonder whether Betty would approve. I just thought about her. And it took Kay, always the smarter of the two of us, to put it together for me.

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